Pre-RaphaelitismG. P. Putnam's sons, 1891 - 91 oldal |
Részletek a könyvből
1 - 5 találat összesen 7 találatból.
46. oldal
... foreground became first more positive , and then were slightly mingled with other local colors ; while the touch , which had at first been heavy and broken , like that of the ordinary drawing masters of the time , grew more and more ...
... foreground became first more positive , and then were slightly mingled with other local colors ; while the touch , which had at first been heavy and broken , like that of the ordinary drawing masters of the time , grew more and more ...
48. oldal
... foreground might in nature have been cold gray , but it will be drawn nevertheless of a rich brown , because it is in the fore- ground ; a hill in the distance might in nature be purple with heath , or golden with furze ; but it will be ...
... foreground might in nature have been cold gray , but it will be drawn nevertheless of a rich brown , because it is in the fore- ground ; a hill in the distance might in nature be purple with heath , or golden with furze ; but it will be ...
50. oldal
... usual brown tones of his foreground become warmed into sudden vigor , and are varied and enhanced with in- describable delight , when he finds himself by the shore of a moorland stream , where they truly 50 Pre - Raphaelitism.
... usual brown tones of his foreground become warmed into sudden vigor , and are varied and enhanced with in- describable delight , when he finds himself by the shore of a moorland stream , where they truly 50 Pre - Raphaelitism.
59. oldal
... of Farnley , one of Turner's earliest and truest friends ; and bears the inscription , unusually conspicu- ous , heaving itself up and down over the eminences of the foreground— “ PASSAGE OF MONT CENIS . Pre - Raphaelitism 59.
... of Farnley , one of Turner's earliest and truest friends ; and bears the inscription , unusually conspicu- ous , heaving itself up and down over the eminences of the foreground— “ PASSAGE OF MONT CENIS . Pre - Raphaelitism 59.
66. oldal
... came into his room to examine the progress of the plate , not having seen his own picture for several months . It was one of his dark early pictures , but in the foreground was a little piece of luxury , a pearly 66 Pre - Raphaelitism.
... came into his room to examine the progress of the plate , not having seen his own picture for several months . It was one of his dark early pictures , but in the foreground was a little piece of luxury , a pearly 66 Pre - Raphaelitism.
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
aërial Art Union artists aspect bas relief bears date blue Brignal brown Calais cern character Claude clever clouds color composition drawings effort England series engraving executed express exquisite faculties faithful false falsehood Farnley Fawkes feeble feeling fishing Fogg Art Museum force foreground genius gray hills hope ideal beauty imagination imitate impression infinite instinct invention John Lewis kind Knickerbocker Press labor landscape large number least Liber Studiorum light and shade linear perspective LL.D Llanthony Llanthony Abbey local color look Lucerne ment mind MONT CENIS moorland nature ness never noblest once over-work paint pathy perfect perhaps perspective pieces poet possess Poussin Pre-Raphaelites principal light profes quiet Raphael Raphaelesque rendered Rhine rocks scenes seen sense shadow sion sketch slightest starfish strange strength sunset suppose sympathy teaching things thought tint tion truth ture Turner Turner's second period Ulleswater Vandevelde vignette Winchelsea youth
Népszerű szakaszok
24. oldal - Nature," there was not one of the things which he wished to represent, that stayed for so much as five seconds together : but none of them escaped for all that: they are sealed up in that strange storehouse of his; he may take one of them out perhaps, this day twenty years, and paint it in his dark room, far away.
15. oldal - ... priori, that the men intended successfully to resist the influence of such a system should be endowed with little natural sense of beauty, and thus rendered dead to the temptation it presented. Summing up these conditions, there is surely little cause for surprise that pictures painted, in a temper of resistance, by exceedingly young men, of stubborn instincts and positive self-trust, and with little natural perception of beauty, should not be calculated, at the first glance, to win us from works...
5. oldal - Europe at the same moment to his true duty — the faithful representation of all objects of historical interest, or of natural beauty existent at the period ; representation such as might at once aid the advance of the sciences, and keep faithful record of every monument of past ages which was likely to be swept away in the approaching eras of revolutionary change.
17. oldal - ... the third or fourth year of their efforts they should have produced works in many parts not inferior to the best of Albert Durer, this is perhaps not less strange. But the loudness and universality of the howl which the common critics of the press have raised against them, the utter absence of all generous help or encouragement from those who can both measure their toil and appreciate their success, and the shrill, shallow laughter of those who can do neither the one nor the other—these are...
69. oldal - Many critics, especially the architects, have found fault with me for not " teaching people how to arrange masses" ; for not "attributing sufficient importance to composition." Alas! I attribute far more importance to it than they do ;—so much importance that I should just as soon think of sitting down to teach a man how to write a " Divina Commedia," or "King Lear," as how to "compose," in the true sense, a single building or picture.