The Poetry of Gottfried Benn: Text and Selfhood

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Peter Lang, 2007 - 428 oldal
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This book is the first comprehensive study of Gottfried Benn's poetry to appear in English. It covers the entirety of Benn's verse, from his early "Morgue" cycle (1912) and Expressionist poems through to the -anthropological- poetry of his middle period to the -postmodern- "Phase II" work after the Second World War. Against the background of the poet's theoretical writings, this study, drawing upon the classic texts of Benn scholarship, analyzes in detail the major themes of his verse and its distinctive idiom. In particular, this work focuses on Gottfried Benn's extended process of rhetorical self-fashioning, his use of classical iconography, color motifs and "chiffres," his often confusing historical semantics, the seemingly self-constituting -absolute- poem, and the colloquial idiom of his late verse. The book also engages with the multiplicity of voices in Benn's work and their varied textual forms, the hermeneutically variable positions of speech that they articulate and the often contradictory notion of selfhood to which they give rise."
 

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Tartalomjegyzék

Acknowledgements
7
The Morgue Cycle
19
Gottfried Benn
41
Rausch as Episteme 11
77
In Darkness Living
107
The Poetry of the Primal
147
A Fateful
181
Chapter Seven Now there is no more mercy now comes
225
An Aesthetic Resolution
267
The Demarcated Self
313
Notes
367
Works Cited
397
Index
421
Copyright

Gyakori szavak és kifejezések

A szerzőről (2007)

The Author: Martin Travers (b.1952) was educated at the universities of East Anglia, Tübingen and Cambridge, and teaches in the School of Arts, Media and Culture, Griffith University, Brisbane. He has published widely in the areas of German and European literature, and is at present completing <I>The Hour That Breaks, a biography of Gottfried Benn.

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