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er go !
[Fall and roats
I thought so then :-I'll kill myself for grief.-
home. Emil. Good gentlemen, let me have leave to speak: 'Tis proper I obey him, but not now. Perchance, Iago, I will ne'er go home. Oth. O! O! O!
[Falling on the Bed. Emil.
Nay, lay thee down and roar,
O! she was foul.- [Rising. I scarce did know you, uncle : there lies your niece, Whose breath, indeed, these hands have newly stopp'd. I know, this act shows terrible and grim .
Gra. Poor Desdemona! I am glad thy father's dead.
Oth. 'Tis pitiful; but yet Iago knows,
Emil. O heaven! O heavenly powers !
Come, hold your peace. Emil. 'Twill out, 'twill out :-I hold my peace, sir? Gra.
no?; 10 – shows terrible and grim.] The folio alone has horrible for “ terrible.”
1 And fall to REPROBATION.] Here also the folio is singular in reading reprobance for “ reprobation.” Like iterance, p. 621, we have no other authority for the word reprobance.
; "Twill out, 'twill out :- I hold my peace, sir ? no ;) So the quarto, 1630 : the folio, imperfectly as regards metre, “ 'Twill out, 'twill out: I peace ?"
No, I will speak as liberal as the north'.
Iago. Be wise, and get you home.
I will not
Fie! Your sword upon a woman? Emil. O thou dull Moor! that handkerchief thou
Villainous whore !
Filth, thou liest.
[Iago stabs EMILIA, then runs outs. Oth.
Are there no stones in heaven, But what serve for the thunder ?-Precious villain!
Gra. The woman falls: sure, he has kill'd his wife.
8 No, I will speak as liberal as the NORTH.] Our reading is here that of the folio : the quartos differ from each other, as well as from the folio, but that of 1630 substantially supports the folio : it is,
“I'll be in speaking liberal as the north.” while the line in the quarto, 1622, runs thus :
“I'll be in speaking liberal as the air.” This instance among others, may serve to show that all three copies were printed from different manuscripts.
4 Do with so good a woman !] “Do with so good a wife," only in the folio.
5 Iago stabs Emilia, then runs out.] The old stage-direction in the quartos is (for there is none in the folio), “ The Moor runs at Iago : Iago kills his wife,” but his exit is not marked until after Emilia's next speech. It appears afterwards that Montano disarms Othello.
6 - Precious villain !) This is a place where the quarto, 1630, affords a different and an inferior reading to the two older editions : it has “pernicious villain.” At all events, pernicious does not suit the measure.
Emil. Ay, ay. O, lay me by my mistress' side!
Mon. 'Tis a notorious villain. Take you this weapon,
[Exeunt MONTANO and GRATIANO. Oth.
I am not valiant neither,
[Dies. Oth. I have another weapon in this chamber, It is a sword of Spain, the ice-brook's temper.0! here it is.—Uncle, I must come forth. Gra. [Within.] If thou attempt it, it will cost thee
dear: Thou hast no weapon, and perforce must suffer.
Oth. Look in upon me, then, and speak to me”,
Behold! I have a weapon; A better never did itself sustain
7 Which I have here recover'd from the Moor.] This line shows that Othello had “run at Iago,” according to the old stage-direction of the quartos, and that Montano, interposing, had “recovered” his sword of him. “Here” in this line is omitted in the folio only.
8- Willow, willow, willow.--] These words and the preceding part of the speech, are not in the quarto, 1622. In the last line of it, the folio reads “Alas ! I die,” instead of “ I die-I die," of the qnartos. 9 — and speak to me,] The folio alone,“ and speak with me.” VOL. VII.
Upon a soldier's thigh: I have seen the day,
Enter LODOVICO, MONTANO, CASSIOʻ, and Officers, with
Iago, prisoner. Lod. Where is this rash and most unfortunate man? Oth. That's he, that was Othello: here I am.
'? Now, how dost thou look now? O ill-starr'd wench !] This and the six previous lines are not in the quarto, 1622, but are in the folio and quarto, 1630 : the latter, however, omits “ Now,” in this line.
2 Even like thy chastity.—0, cursed slave !) So the two quartos : the folio repeats “cursed," to the detriment of the metre.
30 Desdemona, Desdemona ! dead? O! 0! 0!] Our reading is here that of both the quartos; the folio has the line thus, with an injurious, though by no means unprecedented abridgment of the name :
“O Desdemon ? dead ? Desdemon ! dead ? 0! 0 !" 4 Enter Lodovico, Montano, Cassio,] The stage-direction of the quartos, informs us that Cassio was “ carried in a chair,” but as the words are not in the folio, we may infer that the practice of our old stage in this respect was not uniform. In modern times Cassio walks in lame, and supported, with the hand. kerchief about his leg.
Lod. Where is that viper ? bring the villain forth. Oth. I look down towards his feet";—but that's a
fable : If that thou be’st a devil, I cannot kill thee.
[OTHELLO wounds Iago. Lod. Wrench his sword from him. Iago.
I bleed, sir; but not killd.
Lod. O thou Othello!.that wert once so good,
Why, any thing:
Lod. This wretch hath part confess'd his villainy.
Oth. I do believe it, and I ask you pardon?.
Iago. Demand me nothing: what you know, you know. From this time forth I never will speak word.
Lod. What! not to pray?
Torments will ope your lips. Oth. Well, thou dost best.
Lod. Sir, you shall understand what hath befall'n, Which, as I think, you know not. Here is a letter, Found in the pocket of the slain Roderigo; And here another : the one of them imports
5 -- towards his feet ;] To see (observes Johnson) if, according to the common opinion, his feet were cloven.
0 --- of a DAMNED slave,] The folio reads “ of a cursed slave,” in opposition to the two other authorities.
7- I ask you pardon.] The folio alone has “ I ask your pardon,” and in this part of the scene there are some other trifling variations not requiring especial notice, and not at all affecting the sense.