BOOK II, ARCHEOLO GISTS AND LORD ELGIN AND HIS literal truth, that he restricted his personal indulgences in order that he might the more abundantly minister to the wants of others. Charles TOWNELEY was buried at Burnley. The following inscription was placed upon his monument : M. S. CAROLI TOWNELEII, viri ornati, modesti, nobilitate stirpis, amænitate ingenii, suavitate morum, insignis ; qui omnium bonarum artium, præsertim Græcarum, spectator elegantissimus, æstimator acerrimus, judex peritissimus, earum reliquias, ex urbium veterum ruderibus effossas, summo studio conquisivit, suâ pecuniâ redemit, in usum patriæ reposuit, eâ liberalitate animi, quâ, juvenis adhuc, hæreditatem alteram, vix patrimonio minorem, fratri spontè cesserat, dono dederat. Vixit annos lxvii. menses iii. dies iii. Mortem obiit Jan. iii. A.S. 1805. Whilst the Trustees of the British Museum were preparing-in a way that will be hereafter noticed-for the reception of this noble addition to the public wealth of the Nation, another liberal-minded scholar and patriot was considering in what way his collections in the wide field of classical archæology might be made most contributive to the progress of learning, of art, and of public education. Thomas BRUCE, eleventh Earl of Kincardine, and seventh Earl of Elgin, was born on the 20th of July, 1766. He was a younger son, but succeeded to his earldoms on the death, without issue, in 1771, of his elder brother, William Robert, sixth Earl of Elgin, and tenth of Kincardine. He was educated at Harrow, at St. Andrew's, and at Paris; entered the army in 1785; and in 1790 began his diplomatic career by a mission to the Emperor Leopold. In Chap. II. subsequent years he was sent as Commissioner to the Book II, armies of Prussia and Austria, successively, and was present CLASSICAL during active military operations, both in Germany and in Flanders. In 1795 he went as envoy to Berlin. Lord ELGIN was appointed to the embassy to the Ottoman Porte, with which his name is now inseparably connected, in July, 1799. One of his earliest reflections after receiving his appointment was that the mission to Constantinople might possibly afford opportunities of promoting the study and thorough examination of the remains of Grecian art in the Turkish dominions. He consulted an early friend, Mr. HARRISON-distinguished as an architect, who had spent many years of study on the Continent with much profit-as to the methods by which any such opportunities might be turned to fullest account. HARRISON's advice to his lordship was that he should seek permission to employ artists to make casts, as well as drawings and careful admeasurements, of the best remaining examples of Greek achitecture and sculpture, and more especially of those at Athens. Before leaving England, Lord ELGIN brought this subject before the Government. He suggested the public value of the object sought for, and how worthy of the Nation it would be to give encouragement from public sources for the employment of a staff of skilful and eminent artists. But the suggestion was received with no favour or welcome. He was still unwilling to relinquish his hopes, and endeavoured to engage, at his own cost, some competent draughtsmen and modellers. But the terms of remuneration proposed to him were beyond his available means. He feared that he must give up his plans. On reaching Palermo, however, Lord ELGIN opened the ARCHEOLO GISTS AND EXPLORERS BOOK II, CLASSICAL GISTS AND CONFERS WITH SIR WILLIAM HAMILTON. subject to Sir William HAMILTON, who strongly recommended him to persevere, and told him that if he could not afford to meet the terms of English artists, he would EXPLORERS. find less difficulty in coming to an agreement with Italians, whose time commonly bore a smaller commercial value. With Sir William's assistance he engaged, in Sicily, a distinguished painter and archæologist, John Baptist LUSIERI (better known at Naples as 'Don Tita'), and he obtained several skilful modellers and draughtsmen from Rome. The removal of the marbles themselves formed no part of Lord ELGIN's original design. That step was induced by causes which at this time were unforeseen. SENDS ARTISTS TO ATHENS ; On his arrival at Constantinople Lord ELGIN applied to the Turkish Ministers for leave to establish six artists at Athens to make drawings and casts. He met with many The difficulties at Constantinople proved to be almost trivial in comparison with those which ensued at Athens. Every step was met, both by the official persons and the people generally, with jealousy and obstruction. If a scaffold was put up, the Turks were sure that it was with a view to look into the harem of some neighbouring house. If a fragment of sculpture was examined with any visible delight or eagerness, they were equally sure that it must contain hidden gold. When the artist left the specimen he had been drawing, or modelling, he would find, not infrequently, that some Turk or other had laid hands upon it and broken it to pieces. But the artists persevered, and habit in some degree reconciled, at length, the people to their presence. When Lord ELGIN went himself to Athens the state in Chap. II. which he found some of the temples suggested to him the BOOK II, desirableness of excavations in the adjacent mounds. He CLASSICAL purchased some houses, expressly to pull them down and to dig beneath and around them. Sometimes the explora- EXPLORERS. tion brought to light valuable sculpture. Sometimes, in situations of greatest promise, nothing was found. On one occasion, when the indication of buried sculpture seemed conclusive, and yet the search for it fruitless, Lord ELGIN was induced to ask the former owner of the ground if he remembered to have seen any figures there. 'If you had asked me that before,' replied the man, 'I could have saved you all your trouble. I found the figures, and pounded them to make mortar with, because they were of excellent marble. A great part of the Citadel has been built with mortar made in the same way. That marble makes capital lime.' The conversation was not lost upon Lord ELGIN. And the assertion made in it was amply corroborated by facts which presently came under his own eyes. He became convinced that when fine sculpture was found it would be a duty to remove it, if possible, rather than expose it to certain destruction-a little sooner or a little later-from Turkish barbarity. ARCHEOLO- AND MAKES TIONS BY DIGGING. PLORATIONS At intervals the artists, whose head-quarters were at THE EXAthens, made exploring trips to other parts of Greece. They visited Delphi, Corinth, Epidaurus, Argos, Mycene, Cape Sigæum, Olympia, Æginæ, Salamis, and Ma- GREECE. rathon. But it was only by means of renewed efforts at Constantinople, and after a long delay, that the artists and their assistant labourers were enabled to act with freedom and to make thorough explorations. So long as the French remained masters of Egypt Lord ELGIN had to win every TO OTHER PARTS OF BOOK II, GISTS AND EXPLORERS. OF THE BRITISH IN EGYPT. little concession piecemeal, and obtained it grudgingly. As soon as it became apparent that the British Expedition would be finally successful, the tone of the Turkish government was entirely altered. They were now eager to satisfy INFLUENCE the Ambassador, and to lay him under obligation. Firmauns were given, which empowered him, not only to make models, but to take away any pieces of stone from the temples of the idols with old inscriptions or figures thereon,' at his pleasure. Instructions were sent to Athens which had the effect of making the Acropolis itself a scene of busy and well-rewarded labour. Theretofore a heavy admission fee had been exacted at each visit of the draughtsmen or modellers. Before the close of 1802, more than three hundred labourers were at work under the direction of LUSIERI-with results which are familiar to the world. INSTANCES OF TURKISH TION. 1074. It is less widely known that, had NAPOLEON's plans in Egypt been carried to a prosperous issue, the Elgin Marbles' would, beyond all doubt, have become French marbles. When Lord ELGIN'S operations began, French agents were actually resident in Athens, awaiting the turn of events and prepared to profit by it, in the way of resuming the operations which M. DE CHOISEUL GOUFFIER had long previously begun.* The efforts of the British Ambassador became the more timely and imperative from the fact that no amount of experience or warning was sufficient to deter the Turks from * One of the metopes from the south side of the Parthenon, removed by the Count de Choiseul, during his embassy at the eve of the Revolution, was captured by an English ship when on its way to France, and had been purchased by Lord Elgin at a Custom House sale in London. By him it was returned to Choiseul, with a liberality too rare in such matters. When this metope came, after Choiseul's death, to be sold at Paris, by auction, the Trustees of the British Museum sent a commission for its purchase. The commissioner went so far as to offer a thousand pounds, but was overbidden by the French Government. |