not only had not the faculty of producing the impressions of tragedy, but that he had not the sensibility to perceive them. His great friend Mr. Walmsley's prediction, that he would "turn out a fine tragedy writer," was, therefore, ill-founded. Johnson was wise enough to be convinced that he had not the talents necessary to write successfully for the stage, and never made another attempt in that species of composition.

When asked how he felt upon the ill-success of his tragedy, he replied, "Like the Monument; " meaning, that he continued firm and unmoved as that column. And let it be remembered, as an admonition to the genus irritabile of dramatic writers, that this great man, instead of peevishly complaining of the bad taste of the town, submitted to its decision without a murmur. He had, indeed, upon all occasions. a great deference for the general opinion: "A man," said he, "who writes a book thinks himself wiser or wittier than the rest of mankind; he supposes that he can instruct or amuse them, and the public, to whom he appeals, must, after all, be the judges of his pretensions."

On occasion of this play being brought upon the stage, Johnson had a fancy that as a dramatic author his dress should be more gay than what he ordinarily wore; he therefore appeared behind the scenes, and even in one of the side boxes, in a scarlet waistcoat, with rich gold lace, and a gold-laced hat. He humorously observed to Mr. Langton" that when in that dress he could not treat people with the same ease as when in his usual plain clothes." Dress indeed, we must allow, has more effect even upon strong minds than one should suppose, without having had the experience of it. His necessary attendance while his play was in rehearsal, and during its performance, brought him acquainted with many of the performers of both sexes, which produced a more favourable opinion of their profession than he had harshly expressed in his "Life of Savage." With some of them he kept up an acquaintance as long as he and they lived, and was ever ready to show them acts of kindness. He for a considerable time used to frequent the Green-Room, and seemed to take delight in dissipating his gloom, by mixing in the sprightly chit-chat of the motley circle then to be found there. Mr. David Hume related to me from Mr. Garrick that Johnson at last denied himself that amusement, from considerations of rigid virtue ; saying: "I'll come no more behind your scenes, David; for the silk stockings and white bosoms of your actresses excite my amorous propensities."

In 1750, he came forth in the character for which he was eminently qualified, a majestic teacher of moral and religious wisdom. The vehicle which he chose was that of a periodical paper, which he knew had been, upon former occasions, employed with great success. The Tatler, Spectator, and Guardian were the last of the kind published in England, which had stood the test of a long trial; and such an interval had now elapsed since their publication as made him justly think that, to many of his readers, this form of instruction would, in some degree, have the advantage of novelty. A few days before the first of his Essays came out, there started another competitor for fame in the same form, under the title of The Tatler Revived, which I believe was " born but to die." Johnson was, I think, not very happy in the choice of his title the Rambler; which certainly is not suited to a series of grave and. moral discourses; which the Italians have literally, but ludicrously, translated by Il Vagabondo; and which has been lately assumed as the denomination of a vehicle of licentious tales, the Rambler's Magazine. He gave Sir Joshua Reynolds the following account of its getting this name: "What must be done, Sir, will be done. When I was to begin publishing that paper, I was at a loss how to name it. I sat down at night upon my bedside, and resolved that I would not go to sleep

With what devout and conscientious sentiments this paper was undertaken, is evidenced by the following prayer, which he composed and offered up on the occasion: "Almighty GOD, the giver of all good things, without whose help all labour is ineffectual, and without whose grace all wisdom is folly grant, I beseech Thee, that in this my undertaking thy Holy Spirit may not be withheld from me, but that I may promote thy glory, and the salvation of myself and others grant this, O Lord, for the sake of Thy Son, JESUS CHRIST. Amen." +

From an engraving after the painting by F. Hayman

MRS. HANNAH PRITCHARD (b. 1711, d. 1768) née Vaughan; she married an actor named Pritchard, and played the heroine in Johnson's tragedy Irene on its production at Drury Lane Theatre.

The first paper of the Rambler was published on Tuesday, the 20th of March, 1749-50; and its author was enabled to continue it, without interruption, every Tuesday and Saturday, till Saturday, the 17th of March,‡ 1752, on which day it closed. This is a strong confirmation of the truth of a remark of his, which I have had occasion to quote elsewhere,§ that "a man may write at any time, if he will set himself doggedly to it"; for, notwithstanding his constitutional indolence, his depression of spirits, and his labour in carrying on his Dictionary, he answered the stated calls of the press twice a week from the

I have heard Dr. Warton mention that he was at Mr. Robert Dodsley's with the late Mr. Moore, and several of his friends, considering what should be the name of the periodical paper which Moore had undertaken. Garrick proposed the Salad, which, by a curious coincidence, was afterwards applied to himself by Goldsmith:

"Our Garrick's a salad, for in him we see

Oil, vinegar, sugar, and saltness, agree!"

At last, the company having separated, without any thing of which they approved having been offered. Dodsley himself thought of The World.

↑ "Prayers and Meditations," p. 9.

[This is a mistake, into which the author was very pardonably led by the inaccuracy of the original folio edition of the Rambler, in which the concluding paper of that work is dated on "Saturday, March 17." But Saturday was in fact the fourteenth of March. This circumstance, though it may at first appear of very little importance, is yet worth notice; for Mrs. Johnson died on the seventeenth of March. M.]

stores of his mind during all that time; having received no assistance, except four billets in No, 10, by Miss Mulso, now Mrs. Chapone; No. 30, by Mrs. Catharine Talbot; No. 97, by Mr. Samuel Richardson, whom he describes in an introductory note as "An author who has enlarged the knowledge of human nature and taught the passions to move at the command of virtue;" and Nos. 44 and 100, by Mrs. Elizabeth Carter.

Posterity will be astonished when they are told, upon the authority of Johnson himself, that many of these discourses, which we should suppose had been laboured with all the slow attention of literary leisure, were written in haste as the moment pressed, without even being read over by him before they were printed. It can be accounted for only in this way that by reading and meditation, and a very close inspection of life, he had accumulated a great fund of miscellaneous knowledge, which, by a peculiar promptitude of mind, was ever ready at his call, and which he had constantly accustomed himself to clothe in the most apt and energetic expression. Sir Joshua Reynolds once asked him by what means he had attained his extraordinary accuracy and flow of language. He told him, that he had early laid it down as a fixed rule to do his best on every occasion, and in every company: to impart whatever he knew in the most forcible language he could put it in; and that by constant practice, and never suffering any careless expressions to escape him, or attempting to deliver his thoughts without arranging them in the clearest manner, it became habitual to him.*

Yet he was not altogether unprepared as a periodical writer; for I have in my possession a small duodecimo volume, in which he has written, in the form of Mr. Locke's Common-Place Book, a variety of hints for essays on different subjects. He has marked upon the first blank leaf of it, "To the 128th page, collections for the Rambler;" and in another place, “In fifty-two there were seventeen provided ; in 97-21; in 190-25." At a subsequent period (probably after the work was finished) he added, "In all, taken of provided materials, 30."

Sir John Hawkins, who is unlucky upon all occasions, tells us, that "this method of accumulating intelligence had been practised by Mr. Addison, and is humorously described in one of the Spectators, wherein he feigns to have dropped his paper of notanda, consisting of a diverting medley of broken sentences and loose hints, which he tells us he had collected, and meant to make use of. Much of the same kind is Johnson's' Adversaria.'"+ But the truth is, that there is no resemblance at all between them. Addison's note was a fiction, in which unconnected fragments of his lucubrations were purposely jumbled together, in as odd a manner as he could, in order to produce a laughable effect. Whereas Johnson's abbreviations are all distinct, and applicable to each subject of which the head is mentioned.

For instance, there is the following specimen :

Youth's Entry, &c.

Baxter's account of things in which he had changed his mind as he grew up. Voluminous. No wonder.--If every man was to tell, or mark, on how many subjects he has changed, it would make vols. but the changes not always observed by man's self. From pleasure to bus. [business] to quiet; from thoughtfulness to reflect.

[The rule which Mr. Johnson observed, is sanctioned by the authority of two great writers of antiquity: Ne id quidem tacendum est, quod eidem Ciceroni placuit, nullum nostrum usquam negligentem esse sermonem: quicquid loquemur, ubicunque, sit pro sua scilicet portione perfectum." Quinctil. x. 7. M.]

Hawkins's "Life of Johnson," p. 268.

Mr. O'Brien

From a mezzotint by W. Ward after the painting by W. Hogarth Mr. Beard, Mr. Baddeley, Mr. Woodward, Gentleman Aickin, Gentleman Smith, Mrs. Garrick, Mr. Macklin, Mrs. Yates, Mrs. Abingdon, William Hogarth THE GREEN-ROOM OF DRURY LANE THEATRE

Unknown,

David Garrick

Peter Garrick

to piety; from dissipation to domestic. by impercept. gradat. but the change is certain. Dial non progredi, progress. esse conspicimus. Look back, consider what was thought at some dist. period.

"Hope predom. in youth. Mind not willingly indulges unpleasant thoughts. The world lies all enamelled before him, as a distant prospect sun-gilt; *-inequalities only found by coming to it. Love is to be all joy-children excellent-Fame to be constant-caresses of the great-applauses of the learned-smiles of Beauty.

"Fear of disgrace-Bashfulness-Finds things of less importance. Miscarriages forgot like excellences;-if remembered, of no import. Danger of sinking into negligence of reputation;-lest the fear of disgrace destroy activity.

"Confidence in himself. Long tract of life before him.--No thought of sickness.Embarrassment of affairs.-Distraction of family. Public calamities.-No sense of the prevalence of bad habits. Negligent of time-ready to undertake-careless to pursuc-all changed by time.

"Confident of others-unsuspecting as unexperienced -imagining himself secure against neglect, never imagines they will venture to treat him ill. Ready to trust ; expecting to be trusted. Convinced by time of the selfishness, the meanness, the cowardice, the treachery of men.

"Youth ambitious, as thinking honours easy to be had.

"Different kinds of praise pursued at different periods. Of the gay in youth.dang. hurt, etc., despised.

"Of the fancy in manhood. Ambit.-stocks-bargains.-Of the wise and sober in old age-seriousness-formality-maxims, but general-only of the rich, otherwise age is happy-but at last every thing referred to riches-no having fame, honour, influence, without subjection to caprice.

"Horace.

"Hard it would be if men entered life with the same views with which they leave it, or left as they enter it.-No hope-no undertaking-no regard to benevolence -no fear of disgrace, etc.

"Youth to be taught the piety of age-age to retain the honour of youth." This, it will be observed, is the sketch of No. 196 of the Rambler. I shall gratify my readers with another specimen :

"Confederacies difficult; why.

"Seldom in war a match for single persons-nor in peace; therefore kings make themselves absolute. Confederacies in learning--every great work the work of one. Bruy. Scholars' friendship like ladies. Scribebamus, etc., Mart. The apple of discord the laurel of discord-the poverty of criticism. Swift's opinion of the power of six geniuses united. That union scarce possible. That union scarce possible. His remarks just ;man a social, not steady nature. Drawn to man by words, repelled by passions. Or drawn by attraction, rep. [repelled] by centrifugal.

"Common danger unites by crushing other passions--but they return. Equality hinders compliance. Superiority produces insolence and envy. Too much regard in each to private interest;-too little.

"The mischiefs of private and exclusive societies.-The fitness of social attraction diffused through the whole. The mischiefs of too partial love of our country. Contraction of moral duties. -Οι φιλοι ου φίλος.

*This most beautiful image of the enchanting delusion of youthful prospect has not been used in any of Johnson's essays.

[Lib. xii. 96.

"In Tuccam æmulum omnium suorum studiorum." M.]