Music In Video Games: Studying Play

Első borító
K.J. Donnelly, William Gibbons, Neil Lerner
Routledge, 2014. márc. 26. - 246 oldal

From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.

 

Tartalomjegyzék

Musical Innovations and the Specter of Early Cinema in Donkey Kong and Super Mario Bros
1
PicoPico Parties in Tokyo
30
3 Nintendos Art of Musical Play
51
4 Transcribing Musical Worlds or Is LA Noire a Music Game?
77
Simultaneous Harp and Environmental Music in Two Legend of Zelda Games
104
Silence Sound and Morality in Shadow of the Colossus
122
Music and Sound Design in Psychological Horror Games
138
The Indifference of Musical Destiny in Plants vs Zombies
151
9 Music History and Progress in Sid Meiers Civilization IV
166
Musical Nostalgia in Final Fantasy IX
183
Wagner and Video Game Music
199
List of Contributors
217
Index
221
Copyright

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A szerzőről (2014)

K.J. Donnelly is Reader in Film at the University of Southampton, where he convenes the Film Studies masters program.

William Gibbons is Assistant Professor of Musicology at Texas Christian University. His primary areas of research interest are opera studies and music in video games.

Neil Lerner is Professor of Music at Davidson College, where he is co-coordinator of the concentration in film and media studies. He serves as Editor of the journal American Music.

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