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the same words expressing different ideas, and countenancing as it were, by a fatality of language, the mischievous insinuation which the person who has the wit to take advantage of it wishes to convey. So when the disaffected French wits applied to the new order of the Fleur du lys the double entendre of Compagnons d'Ulysse, or companions of Ulysses, meaning the animal into which the fellowtravellers of the hero of the Odyssey were transformed, this was a shrewd and biting intimation of a galling truth (if truth it were) by a fortuitous concourse of letters of the alphabet, jumping in

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a foregone conclusion," but there was no proof of the thing, unless it was self-evident. And, indeed, this may be considered as the best defence of the contested maxim-That ridicule is the test of truth; viz. that it does not contain or attempt a formal proof of it, but owes its power of conviction to the bare suggestion of it, so that if the thing when once hinted is not clear in itself, the satire fails of its effect and falls to the ground. The sarcasm here glanced at the character of the new or old French noblesse may not be well founded; but it is so like truth, and "comes in such a questionable shape," backed with the appearance of an identical proposition, that it would require a long train of facts and laboured arguments to do away the impression, even if we were

sure of the honesty and wisdom of the person who undertook to refute it. A flippant jest is as good a test of truth as a solid bribe; and there are serious sophistries,

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Soul-killing lies, and truths that work small good,"

as well as idle pleasantries. Of this we may be sure, that ridicule fastens on the vulnerable points of a cause, and finds out the weak sides of an argument; if those who resort to it sometimes rely too much on its success, those who are chiefly annoyed by it almost always are so with reason, and cannot be too much on their guard against deserving it. Before we can laugh at a thing, its absurdity must at least be open and palpable to common apprehension. Ridicule is necessarily built on certain supposed facts, whether true or false, and on their inconsistency with certain acknowledged maxims, whether right or wrong. It is, therefore, a fair test, if not of philosophical or abstract truth, at least of what is truth according to public opinion and common sense; for it can only expose to instantaneous contempt that which is condemned by public opinion, and is hostile to the common sense of mankind. Or to put it differently, it is the test of the quantity of truth that there is in our favourite prejudices.-To shew how

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nearly allied wit is thought to be to truth, it is not unusual to say of any person-" Such a one is a man of sense, for though he said nothing, he laughed in the right place.”—Alliteration comes in here under the head of a certain sort of verbal wit; or, by pointing the expression, sometimes points the sense. Mr. Grattan's wit or eloquence (I don't know by what name to call it) would be nothing without this accompaniment. Speaking of some ministers whom he did not like, he said, "Their only means of government are the guinea and the gallows." There can scarcely, it must be confessed, be a more effectual mode of political conversion than one of these applied to a man's friends, and the other to himself. The fine sarcasm of Junius on the effect of the supposed ingratitude of the Duke of Grafton at court-" The instance might be painful, but the principle would please" -notwithstanding the profound insight into human nature it implies, would hardly pass for wit without the alliteration, as some poetry would hardly be acknowledged as such without the rhyme to clench it. A quotation or a hackneyed phrase dextrously turned or wrested to another purpose, has often the effect of the liveliest wit. An idle fellow who had only fourpence left in the world, which had been put by to pay for the baking some meat for his dinner, went and laid it out to

buy a new string for a guitar. An old acquaintance on hearing this story, repeated those lines out of the Allegro

"And ever against eating cares
Lap me in soft Lydian airs."

The reply of the author of the periodical paper called the World to a lady at church, who seeing him look thoughtful, asked what he was thinking of "The next World," is a perversion of an established formula of language, something of the same kind.-Rhymes are sometimes a species of wit, where there is an alternate combination and resolution or decomposition of the elements of sound, contrary to our usual division and classification of them in ordinary speech, not unlike the sudden separation and re-union of the component parts of the machinery in a pantomime. The author who excels infinitely the most in this way is the writer of Hudibras. He also excels in the invention of single words and names which have the effect of wit by sounding big, and meaning nothing:"full of sound and fury, signifying nothing." But of the artifices of this author's burlesque style I shall have occasion to speak hereafter.-It is not always easy to distinguish between the wit of words and that of things. "For thin partitions do their bounds divide." Some of the late Mr.

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Curran's bon mots or jeux d'esprit, might be said to owe their birth to this sort of equivocal generation; or were a happy mixture of verbal wit and a lively and picturesque fancy, of legal acuteness in detecting the variable applications of words, and of a mind apt at perceiving the ludicrous in external objects. "Do you see any thing ridiculous in this wig?" said one of his brother judges to him. "Nothing but the head," was the answer. here instantaneous advantage was taken of the slight technical ambiguity in the construction of language, and the matter-of-fact is flung into the scale as a thumping makeweight. After all, verbal and accidental strokes of wit, though the most surprising and laughable, are not the best and most lasting. That wit is the most refined and effectual, which is founded on the detection of unexpected likeness or distinction in things, rather than in words. It is more severe and galling, that is, it is more unpardonable though less surprising, in proportion as the thought suggested is more complete and satisfactory, from its being inherent in the nature of the things themselves. Hæret lateri lethalis arundo. Truth makes the greatest libel; and it is that which barbs the darts of wit. The Duke of Buckingham's saying, "Laws are not, like women, the worse for being old," is an instance of a harmless truism and the utmost ma

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