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those connected with him, the curate and Master Nicolas the barber, Sancho and Dapple, and even for Rosinante's leanness and his errors.Perhaps there is no work which combines so much whimsical invention with such an air of truth. Its popularity is almost unequalled ; and yet its merits have not been sufficiently understood. The story is the least part of them; though the blunders of Sancho, and the unlucky adventures of his master, are what naturally catch the attention of the majority of readers. The pathos and dignity of the sentiments are often disguised under the ludicrousness of the subject; and provoke laughter when they might well draw tears. The character of Don Quixote himself is one of the most perfect disinterestedness. He is an enthusiast of the most amiable kind; of a nature equally open, gentle, and generous ; a lover of truth and justice; and one who had brooded over the fine dreams of chivalry and romance, till they had robbed him of himself, and cheated his brain into a belief of their reality. There cannot be a greater mistake than to consider Don Quixote as a merely satirical work, or as a vulgar attempt to explode “ the long-forgotten order of chivalry." There could be no need to explode what no longer existed. Besides, Cervantes himself was a man of the most sanguine and enthusiastic temperament; and even through the

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obtained by Don Quixote over Sancho, is as finely managed as it is characteristic. Credulity and a love of the marvellous are as natural to ignorance, as selfishness and cunning. Sancho by degrees becomes a kind of lay-brother of the order ; acquires a taste for adventures in his own way, and is made all but an entire convert, by the discovery of the hundred crowns in one of his most comfortless journeys. Towards the end, his regret at being forced to give up the pursuit of knight-errantry, almost equals his master's; and he seizes the proposal of Don Quixote for them to turn shepherds with the greatest avidity-still applying it in his. own fashion ; for while the Don is ingeniously torturing the names of his humble acquaintance into classical terminations, and contriving scenes of gallantry and song, Sancho exclaims,“ Oh, what delicate wooden spoons shall I carve! wbat crumbs and cream shall I devour!”-forgetting, in his milk and fruits, the pullets and geese at Camacho's wedding.

This intuitive perception of the hidden analogies of things, or, as it may be called, this instinct of the imagination, is, perhaps, what stamps the character of genius on the productions of art more than any other circumstance: for it works unconsciously, like nature, and receives its im

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