Shakespeare, Ben Jonson, Beaumont and Fletcher: Notes and LecturesEdward Howell, 1874 - 318 oldal |
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. oldal
... STAGE- Definition of Poetry Greek Drama · Progress of the Drama The Drama generally , and Public Taste . Shakespearo , a Poet generally . • Shakespeare's Judgment equal to his Genius Recapitulation , and Summary of the Characteristics ...
... STAGE- Definition of Poetry Greek Drama · Progress of the Drama The Drama generally , and Public Taste . Shakespearo , a Poet generally . • Shakespeare's Judgment equal to his Genius Recapitulation , and Summary of the Characteristics ...
1. oldal
... Stage . DEFINITION OF POETRY . POETRY is not the proper antithesis to prose , but to science . Poetry is opposed to science , and prose to metre . The proper and immediate object of science is the acquirement , or communi- cation , of ...
... Stage . DEFINITION OF POETRY . POETRY is not the proper antithesis to prose , but to science . Poetry is opposed to science , and prose to metre . The proper and immediate object of science is the acquirement , or communi- cation , of ...
13. oldal
... stage . This elevation was named the thymele ( Ovuéλn ) , and served to recall the origin and original purpose of the chorus , as an altar - song in honour of the presiding deity . Here , and on these steps the persons of the chorus ...
... stage . This elevation was named the thymele ( Ovuéλn ) , and served to recall the origin and original purpose of the chorus , as an altar - song in honour of the presiding deity . Here , and on these steps the persons of the chorus ...
18. oldal
... stage at once presented imitations or translations of the Greek drama . This continued till the perfect establish- ment of Christianity . Some attempts , indeed , were made to adapt the persons of Scriptural or ecclesi- astical history ...
... stage at once presented imitations or translations of the Greek drama . This continued till the perfect establish- ment of Christianity . Some attempts , indeed , were made to adapt the persons of Scriptural or ecclesi- astical history ...
23. oldal
... stage , that they could not feel any performance perfect without them . Even to this day in Italy , every opera- ( even Metastasio obeyed the claim through- out ) -must have six characters , generally two pairs of cross lovers , a ...
... stage , that they could not feel any performance perfect without them . Even to this day in Italy , every opera- ( even Metastasio obeyed the claim through- out ) -must have six characters , generally two pairs of cross lovers , a ...
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Gyakori szavak és kifejezések
admirable Adonis ancient appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character circumstances comedy comic contrast Cymbeline dialogue drama dramatists effect excellent excitement exquisite fancy fear feeling fool genius give Greek Hamlet harmony hath heart heaven Henry honour human Iago Iago's images imagination imitation instance intellect Jonson judgment Julius Cæsar king language Lear Lear's Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps persons play pleasure poem poet poetic poetry Polonius present reason Richard Romeo and Juliet scene seems Sejanus sense Seward Shake Shakespeare Shakespeare never Shakespearian soliloquy speare speech spirit supposed syllable thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Venus and Adonis verse Warburton's whilst whole words
Népszerű szakaszok
125. oldal - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
240. oldal - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
171. oldal - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
237. oldal - If chance will have me king, why, chance may crown me, Without my stir.
226. oldal - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
198. oldal - Ay ' and ' no ' too was no good divinity. When the rain came to wet me once and the wind to make me chatter ; when the thunder would not peace at my bidding ; there I found 'em, there I smelt 'em out. Go to, they are not men o' their words : they told me I was every thing ; 'tis a lie, I am not ague-proof.
4. oldal - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
46. oldal - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
96. oldal - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire ; They are the books, the arts, the academes, That show, contain, and nourish all the world...
193. oldal - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...