Shakespeare, Ben Jonson, Beaumont and Fletcher: Notes and LecturesEdward Howell, 1874 - 318 oldal |
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26. oldal
... excellence , of the roman- tic drama . For these unities were to a great extent the natural form of that which in its elements was homogeneous , and the representa- tion of which was addressed pre - eminently to the outward senses ...
... excellence , of the roman- tic drama . For these unities were to a great extent the natural form of that which in its elements was homogeneous , and the representa- tion of which was addressed pre - eminently to the outward senses ...
43. oldal
... excellence in general . But he had shown himself a poet , previously to his appearance as a dramatic poet ; and had no Lear , no Othello , no Henry IV . , no Twelfth Night ever appeared , we must have admitted that Shakespeare possessed ...
... excellence in general . But he had shown himself a poet , previously to his appearance as a dramatic poet ; and had no Lear , no Othello , no Henry IV . , no Twelfth Night ever appeared , we must have admitted that Shakespeare possessed ...
49. oldal
... excellence , merely human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; --but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - conceit ...
... excellence , merely human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; --but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - conceit ...
55. oldal
... excellence , I should like to try Shakespeare by this criterion . Make out your amplest catalogue of all the human faculties , as reason or the moral law , the will , the feeling of the coincidence of the two ( a feeling sui generis et ...
... excellence , I should like to try Shakespeare by this criterion . Make out your amplest catalogue of all the human faculties , as reason or the moral law , the will , the feeling of the coincidence of the two ( a feeling sui generis et ...
72. oldal
... excellence of Shakespeare , in which no writer equals him , is in the language of nature . So correct is it , that we can see ourselves in every page . The style and manner have also that felicity , that not a sentence can be read ...
... excellence of Shakespeare , in which no writer equals him , is in the language of nature . So correct is it , that we can see ourselves in every page . The style and manner have also that felicity , that not a sentence can be read ...
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admirable Adonis ancient appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character circumstances comedy comic contrast Cymbeline dialogue drama dramatists effect excellent excitement exquisite fancy fear feeling fool genius give Greek Hamlet harmony hath heart heaven Henry honour human Iago Iago's images imagination imitation instance intellect Jonson judgment Julius Cæsar king language Lear Lear's Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps persons play pleasure poem poet poetic poetry Polonius present reason Richard Romeo and Juliet scene seems Sejanus sense Seward Shake Shakespeare Shakespeare never Shakespearian soliloquy speare speech spirit supposed syllable thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Venus and Adonis verse Warburton's whilst whole words
Népszerű szakaszok
125. oldal - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
240. oldal - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
171. oldal - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
237. oldal - If chance will have me king, why, chance may crown me, Without my stir.
226. oldal - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
198. oldal - Ay ' and ' no ' too was no good divinity. When the rain came to wet me once and the wind to make me chatter ; when the thunder would not peace at my bidding ; there I found 'em, there I smelt 'em out. Go to, they are not men o' their words : they told me I was every thing ; 'tis a lie, I am not ague-proof.
4. oldal - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
46. oldal - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
96. oldal - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire ; They are the books, the arts, the academes, That show, contain, and nourish all the world...
193. oldal - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...