Shakespeare, Ben Jonson, Beaumont and Fletcher: Notes and LecturesEdward Howell, 1874 - 318 oldal |
Részletek a könyvből
1 - 5 találat összesen 18 találatból.
7. oldal
... Dialogue of the Banquet , a justification of our Shakespeare . For he relates that , when all the other guests had either dispersed or fallen asleep , Socrates only , together with Aristophanes and Agathon , remained awake , and that ...
... Dialogue of the Banquet , a justification of our Shakespeare . For he relates that , when all the other guests had either dispersed or fallen asleep , Socrates only , together with Aristophanes and Agathon , remained awake , and that ...
12. oldal
... dialogue . The exquisite feast of Adonis ( Συρακούσιαι ἢ ' Αδωνιάζουσαι ) in Theocritus , we are told , with some others of his eclogues , were close imitations of certain mimes of Sophron - free trans- lations of the prose into ...
... dialogue . The exquisite feast of Adonis ( Συρακούσιαι ἢ ' Αδωνιάζουσαι ) in Theocritus , we are told , with some others of his eclogues , were close imitations of certain mimes of Sophron - free trans- lations of the prose into ...
13. oldal
... dialogue as spectators , and acting as ( what in truth they were ) the ideal representatives of the real audience , and of the poet himself in his own character , assuming the supposed impressions made by the drama , in order to direct ...
... dialogue as spectators , and acting as ( what in truth they were ) the ideal representatives of the real audience , and of the poet himself in his own character , assuming the supposed impressions made by the drama , in order to direct ...
23. oldal
... dialogues and plots of allegorical personages . Again , some character in real history had become so famous , so proverbial , as Nero for instance , that they were introduced instead of the moral quality , for which they were so noted ...
... dialogues and plots of allegorical personages . Again , some character in real history had become so famous , so proverbial , as Nero for instance , that they were introduced instead of the moral quality , for which they were so noted ...
61. oldal
... dialogue . On the Greek stage the chorus was always before the audience ; the curtain was never dropped , as we should say ; and change of place being therefore , in general , impossible , the absurd notion of condemning it merely as ...
... dialogue . On the Greek stage the chorus was always before the audience ; the curtain was never dropped , as we should say ; and change of place being therefore , in general , impossible , the absurd notion of condemning it merely as ...
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
admirable Adonis ancient appear audience Beaumont and Fletcher beauty Brutus Cæsar cause character circumstances comedy comic contrast Cymbeline dialogue drama dramatists effect excellent excitement exquisite fancy fear feeling fool genius give Greek Hamlet harmony hath heart heaven Henry honour human Iago Iago's images imagination imitation instance intellect Jonson judgment Julius Cæsar king language Lear Lear's Love's Labour's Lost Macbeth means ment metre mind moral nature noble object observe Othello passage passion perhaps persons play pleasure poem poet poetic poetry Polonius present reason Richard Romeo and Juliet scene seems Sejanus sense Seward Shake Shakespeare Shakespeare never Shakespearian soliloquy speare speech spirit supposed syllable thee Theobald thing thou thought tion Titus Andronicus tragedy Troilus and Cressida true truth Twelfth Night unity Venus and Adonis verse Warburton's whilst whole words
Népszerű szakaszok
125. oldal - Fie, fie upon her! There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body.
240. oldal - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
171. oldal - No matter where. Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground?
237. oldal - If chance will have me king, why, chance may crown me, Without my stir.
226. oldal - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.
198. oldal - Ay ' and ' no ' too was no good divinity. When the rain came to wet me once and the wind to make me chatter ; when the thunder would not peace at my bidding ; there I found 'em, there I smelt 'em out. Go to, they are not men o' their words : they told me I was every thing ; 'tis a lie, I am not ague-proof.
4. oldal - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.
46. oldal - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
96. oldal - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire ; They are the books, the arts, the academes, That show, contain, and nourish all the world...
193. oldal - This is the excellent foppery of the world, that, when we are sick in fortune, — often the surfeit of our own behaviour, — we make guilty of our disasters the sun, the moon, and the stars...