so far imposed upon as to furnish a Preface and Postscript to his work, now dictated a letter for Lauder, addressed to Dr. Douglas, acknowledging his fraud in terms of suitable contrition.1 This extraordinary attempt of Lauder was no sudden effort. He had brooded over it for many years: and to this hour it is uncertain what his principal motive was, unless it were a vain notion of his superiority, in being able, by whatever means, to deceive mankind. To effect this, he produced certain passages from Grotius, Masenius, and others, which had a faint resemblance to some parts of the Paradise Lost. In these he interpolated some fragments of Hog's Latin translation of that poem, alleging that the mass thus fabricated was the archetype from which Milton copied. These fabrications he published from time to time in the Gentleman's Magazine; and, exulting in his fancied success, he in 1750 ventured to collect them into a pamphlet, entitled An Essay on Milton's 1 Lest there should be any person, at any future period, absurd enough to suspect that Johnson was a partaker in Lauder's fraud, or had any knowledge of it, when he assisted him with his masterly pen, it is proper here to quote the words of Dr. Douglas, now Bishop of Salisbury, at the time when he detected the imposition. It is to be hoped, nay it is expected, that the elegant and nervous writer, whose judicious sentiments and inimitable style point out the author of Lauder's Preface and Postscript, will no longer allow one to plume himself with his feathers, who appeareth so little to deserve assistance; an assistance which I am persuaded would never have been communicated, had there been the least suspicion of those facts which I have been the instrument of conveying to the world in these sheets.'-Milton no Plagiary, 2nd edit., p. 78. And his Lordship has been pleased now to authorise me to say, in the strongest manner, that there is no ground whatever for any unfavourable reflection against Dr. Johnson, who expressed the strongest indignation against Lauder. [Lauder renewed his attempts on Milton's character in 1754, in a pamphlet entitled, The Grand Impostor detected; or, Milton convicted of Forgery against King Charles I.; which was reviewed, probably by Johnson, in the Gentleman's Magazine, 1754, p. 97.-A. CHALMERS.] [Lauder afterwards went to Barbadoes, where he died very miserably about the year 1771.-M.] Use and Imitation of the Moderns in his Paradise Lost. To this pamphlet Johnson wrote a Preface, in full persuasion of Lauder's honesty, and a Postscript recommending, in the most persuasive terms, a subscription for the relief of a grand-daughter of Milton, of whom he thus speaks: 'It is yet in the power of a great people to reward the poet whose name they boast, and from their alliance to whose genius they claim some kind of superiority to every other nation of the earth; that poet whose works may possibly be read when every other monument of British greatness shall be obliterated; to reward him, not with pictures or with medals, which, if he sees, he sees with contempt, but with tokens of gratitude, which he perhaps may even now consider as not unworthy the regard of an immortal spirit.' Surely this is inconsistent with 'enmity towards Milton,' which Sir John Hawkins imputes to Johnson upon this occasion, adding, 'I could all along observe that Johnson seemed to approve not only of the design, but of the argument; and seemed to exult in a persuasion that the reputation of Milton was likely to suffer by this discovery. That he was not privy to the imposture, I am well persuaded; that he wished well to the argument may be inferred from the Preface, which indubitably was written by Johnson.' Is it possible for any man of clear judgment to suppose that Johnson, who so nobly praised the poetical excellence of Milton in a Postscript to this very 'discovery,' as he then supposed it, could at the same time exult in a persuasion that the great poet's reputation was likely to suffer by it? This is an inconsistency of which Johnson was incapable; nor can anything more be fairly inferred from the Preface, than that Johnson, who was alike distinguished for ardent curiosity and love of truth, was pleased with an investigation by which both were gratified. That he was actuated by these motives, and certainly by no unworthy desire to depreciate our great epic poet, is evident from his own words; for after mentioning the general zeal of men of genius and literature, 'to advance the honour, and distinguish the beauties of Paradise Lost,' he says: 'Among the inquiries to which this ardour of criticism has naturally given occasion, none is more obscure in itself, or more worthy of rational curiosity, than a retrospect of the progress of this mighty genius in the construction of his work; a view of the fabric gradually rising, perhaps from small beginnings, till its foundation rests in the centre, and its turrets sparkle in the skies; to trace back the structure through all its varieties, to the simplicity of its first plan; to find what was first projected, whence the scheme was taken, how it was improved, by what assistance it was executed, and from what stores the materials were collected; whether its founder dug them from the quarries of Nature, or demolished other buildings to embellish his own.'1 Is this the language of one who wished to blast the laurels of Milton? Though Johnson's circumstances were at this time far from being easy, his humane and charitable disposition was constantly exerting itself. Mrs. Anna Williams, daughter of a very ingenious Welsh physician, and a woman of more than ordinary talents and literature, having come to London in hopes of being 1['Proposals (written evidently by Johnson) for printing the Adamus Exul of Grotius, with a Translation and Notes by Wm. Lauder, A.M.'-Gentleman's Magazine, 1747, vol. xvii. p. 404.-M.] |