Pre-Raphaelitism: Lectures on Architecture & Painting, &cJ.M. Dent, 1906 - 412 oldal |
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1 - 3 találat összesen 72 találatból.
104. oldal
... present form no conception ; and capable , I believe , of exciting almost the deepest emotion that art can ever strike from the bosoms of men . And justly the deepest : for it is a law of God and of nature , that your pleasures- -as ...
... present form no conception ; and capable , I believe , of exciting almost the deepest emotion that art can ever strike from the bosoms of men . And justly the deepest : for it is a law of God and of nature , that your pleasures- -as ...
105. oldal
... present are accustomed to devote to such purposes ; but nothing more would be needed than the diversion of expen- ditures , at present scattered and unconsidered , into a single and effective channel . Nay , the mere interest of the ...
... present are accustomed to devote to such purposes ; but nothing more would be needed than the diversion of expen- ditures , at present scattered and unconsidered , into a single and effective channel . Nay , the mere interest of the ...
218. oldal
... present aspect tends so distinctly to confirm the statements of Scripture , as this condemned shore . It is therefore exactly the scene of which it might seem most desirable to give a perfect idea to those who cannot see it for them ...
... present aspect tends so distinctly to confirm the statements of Scripture , as this condemned shore . It is therefore exactly the scene of which it might seem most desirable to give a perfect idea to those who cannot see it for them ...
Tartalomjegyzék
Silicious Minerals at St Davids School Reigate 1883 The | 9 |
LECTURES ON ARCHITECTURE AND PAINTING | 49 |
his works in Padua 3 parts 1853 1854 1860 Lectures on Archi | 66 |
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Academy Albert Durer architects architecture artists ash trees beautiful believe blue building Calais campanile cathedral character chiaroscuro clouds colour composition dark decoration delight drawing Edinburgh effect endeavour execution exhibited expression exquisite farther feeling figures foreground gable Giotto give gondoliers Gothic Gothic architecture Greek grey ground Hesperides hills human imagination imitation instance interest invention kind labour landscape landscape art leaves lecture less light look matter merely Millais mind modern mountain nature nearly never noble Oakham Castle observe once ornament painter painting Paul Veronese perfect perhaps period Phryne picture piece pointed arch Pre-Raphaelites principal rendered rocks Roman architecture roof scenery sculpture seen shadow side spire stone stone pine Stonehenge strange streets suppose Temeraire things thought Titian touch towers trees true truth Turner walls Water Colour Society whole window