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been seen on the stage, and that the Scintilla of Mdlle. Pocchini is worthy of comparison with the Esmeralda of Carlotta Grisi. The music of the ballet is by no means good. The success of Scintilla, and the growing fame of Mdlle. Pocchini, is a proof that the love for the ballet is not extinct,

On Thursday, Don Giovanni was given for the third time, by desire of Her Majesty.

ROYAL ITALIAN OPERA.

THE first performance of Don Giovanni, on Saturday, attracted one of the largest audiences we remember. Madame Grisi being indisposed, Donna Anna was undertaken at a moment's notice, by Madame Rudersdorff, a thoroughly conscientious artist, who acquitted herself extremely well in one of the most exacting parts of the lyric drama. Madame Csillag, who appeared as Elvira for the first time, and Signor Gardoni, who undertook the part of Don Ottavio, Signor Tamberlik, not having arrived, were both suffering from colds. The lady displayed unusual intelligence in her acting, and occasionally sang with great power; while the gentleman gave the music with admirable taste. Signor Mario improves vastly in Don Giovanni, and could he sing the music as it is written, would be accepted as the most accomplished living representative of the character. But Signor Alary's version being necessarily retained, some of the finest pieces in the score are entirely ruined. The transposition of the serenade, "Deh vieni alla finestra," a fourth higher is, we think, a mistake. Signor Mario, no doubt, would find it inconvenient in the original key, but a tone higher, as Donzelli and Braham used to sing it, would surely be enough. Changes are the more to be lamented, inasmuch as the great tenor looks the part of Don Giovanni to the life, acts with incomparable ease, and is beginning to assume that audacity of bearing and indomitable spirit, the want of which was the principal fault of his performance last season. Signor Ronconi is the best Leporello since Lablache, and, indeed, in some respects, surpasses his predecessor. Madame Penco made her first appearance this season as Zerlina, in which she established her reputation last year. The Commendatore of Signor Tagliafico and the Masetto of Signor Polonini were as good as ever. There were four encores the duet "La ci darem," " Vedrai Carina," the trio of masks, and "Deh vieni alla finestra." Mdlle. Zina Richard, and M. Desplaces danced the minuet in the Ball.

On Tuesday, Fra Diavolo was repeated by desire of Her Majesty, who, with the Prince Consort and suite, attended the performance.

Last night, Don Giovanni was given for the second time.

MADAME ALBONI.-This eminent cantatrice will this evening make her first appearance for two years in this country, at Her Majesty's Theatre, in her popular character of Maffio Orsini, in Lucrezia Borgia.

DEATH OF MR. S. G. FAIRBROTHER.-Several friends of the late Mr. S. G. Fairbrother propose to organise a benefit at one of the principal London theatres, for the purpose of raising a sum sufficient to make some slight permanent provision for his widow, whom this unlooked-for bereavement has rendered destitute. Mr. Fairbrother was for nearly forty years the printer of the play-bills of the various theatrical establishments of the metropolis, and was well known to every member of the profession as a highly appreciated and courteously considerate exponent of the claims which they wished to make through the medium of typography on the patronage of the public. Mr. Fairbrother died very suddenly on the evening of Wednesday, the 9th ult., about half-past nine, whilst sitting in his arm-chair. The immediate cause of his death was dropsy; the water touched the heart, and he expired instantaneously without a struggle. He was in his sixty-third year. Although for so long a period the proprietor of an extensive printing establishment in Bow-street, and giving employment to a large number of hands, his later days were clouded by sad reverses, and for some time past he had obtained his only means of subsistence from the employment given to him by Mr. Francis, the printer, of Catherine-street, who had retained him as his book-keeper. There are many to whom Mr. Fairbrother rendered essential service, and frequent acts of kindness and liberality could be recorded of him, which we hope still live in the

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remembrance of those who experienced his forbearance and generosity. Numbers have had the benefit of his assistance at a time when there was but little hope of his being remunerated for his work, though the profits of his business, when his claims were honourably discharged were invariably of the smallest. Losses, arising chiefly from this source, exhausted all his means, and at his death he was literally without a penny. We earnestly appeal, therefore, to the profession, and especially to those members who have so often acknowledged his constant readiness to further their wishes, without reference to personal considerations, to come forward and assist the poor widow to perform the last sad solemn rites. It is a deserving case, that requires to be met with promptitude, and we are sure the appeal will not be made in vain. Subscriptions forwarded to the office of the Era, care of Mr. Frederick Ledger, will be gratefully acknowledged by the members of his family whom he has left behind to lament his loss.

MOZART-CHILD AND MAN. (Continued from page 306, Vol. 38.)

90.

The Same to the Same.

Milan, 9th December, 1770.

This evening, aeftr the Angelus, we shall have the second rehearsal of the recitatives. The first went so well that the pen had only to be taken up once to change a letter, della instead of dalla. This does great credit to the copyist, and every one was much astonished at it. I wish the instrumental rehearsals may proceed in the same manner. As far as I am able to judge, apart from paternal leanings, I find the opera a good one, and written with much spirit. The singers go on well. Now the thing depends on the orchestra, and at the end of the reckoning, on the caprice of the audience; consequently, in all this, there is much uncertainty-it is a perfect lottery.

91.

The Same to the Same.

Milan, December 13, 1770.

On the 12th we had the first rehearsal with the orchestra, consisting, however, of only sixteen persons, to ascertain that all was correctly written. On the 17th, the first rehearsal with the whole orchestra will take place, which consists of fourteen first and second violins, two harpsichords, six double basses, two violoncellos, two bassoons, six altos, two hautbois, two flutes, to be replaced, if necessary, by two hautbois, four French horns, and two clarinets, consequently, sixty performers.

Before the first rehearsal with the small orchestra, there were not wanting folks whose satirical tongues cried down beforehand Wolfgang's music as something which must necessarily be puerile and wretched, and who prophesied a defeat, maintaining that it was impossible a child of fourteen, and especially a German, could write an Italian opera: admitting him to be undoubtedly a great virtuoso, they did not think he could have that intelligence and knowledge of the chiaro ed oscuro necessary for theatrical success. All these people, since the first rehearsal on a small scale, have become dumb. They have ceased to utter a word. The copyist is enchanted, and this is a great guarantee in Italy, because if the music succeeds, the copyist often gains more by sending away and selling the pieces than the maestro by his composition. The singers, male and female, are highly satisfled; the prima donna and prima uomo are delighted with their duo. Now all depends on the caprice of the public. Saving a little vain glory, it is a matter of no great concern to us. We have already undertaken many things in this queer world of ours, and Heaven has already assisted us. We are now at the last stage of an affair of which circumstances conspire, perhaps, to aggravate the importance. God be our protector!

On St. Stephen's day, a good hour after the Ave Maria, you may picture to yourself Maestro Don Amadeo, seated at the harpsichord in the orchestra, his father in a box above him, and you will please in your heart to wish us a fortunate performance, adding thereunto sundry Paternosters.

To be continued.

ADVERTISEMENTS.

NEW forte

EW PIANOFORTE PIECES.-"Oberon's dream," on melody) by W. H. Callcott; Romanza in Rigoletto, by A. Gollmick; "Ye banks and braes," solo and duet, by B. Richards; "The birks of Abergeldy," by B. Richards; "The Kensington Palace March," solo and duet, by W. H. Callcott; "The Skylark's Caro!" (melody by Mendelssohn) duet, by W. H. Callcott; also other new solos and duets by W. H. Callcott, Brinley Richards, J. Rummel, &c. Published by R. Mills and Sons, 140, New Bond-street.

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T. MARYLEBONE, May 5th, 1860.-ORGANIST. prepared to receive applications from persons desirous of becoming candidates for the appointment of Organist to Christ Church, Stafford street, in this parish. Applications with testimonials, to be forwarded under cover to the Vestry Clerk, previous to 11 o'clock on Saturday the 26th day of May instant, after which time no application can be received. Notice will be given to candidates of the day on which their attendance will be required. Further information and amount of salary may be obtained on application to the Vestry Clerk. By Order,

W. E. GREENWELL,

Vestry Clerk. CLERGYMEN, ORGANISTS, AND OTHERS.—

Court House, St. Marylebone.

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and two full sets of keys. Contains fourteen stops, with the usual couplers and composition pedals, octave of independent Bourdon pedal pipes and pedals; scale CC to G in alto; in a very handsome gothic case, with gilt pipes, price £200. Apply to Peter Macphail, Esq., 22, Paternostor-row, London, E C.

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ANTONIO MINASI'S Grand Quartet for Four Flutes, "SYMPATHY," by E. Aguilar, poetry by Ellis Bell,

Dedicated to the Birmingham Flute Trio and Quartet Society, price 128. "This work has been pronounced by the most eminent judges to be a first-class composition in every respect, and worthy to be placed in competition with the hitherto unrivalled Quartet by Kuhlan."

London: Rudall, Rose, Carte, and Co., 20, Charing-cross, S. W.

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is just published, price 2s., by Duncan Davison and Co., 244, Regent. street, W., where "Sunset Glow," Reverie, for the pianoforte, by E. Aguilar, may be obtained, price 3s.

“I

WOULD I WERE A BUTTERFLY," by A. Schloesser, is just published, price 2s. 6d., by Duncan Davison and Co. 244, Regent-street, W.

FLOW
OWERS! LOVELY FLOWERS," by Charles

McKorkell, is just published, price 2s. 6d., by Duncan Davison and Co.,
Regent-street, W., where may be obtained "Souvenir de Gluck" (Armide), 58,
2nd ics Champs Elysees, 95., composed for
by C. McKorkell.

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PATENT CONCERTINAS,

as used by Signor Regondi and Mr. George Case, are remarkable for their superior tone, and being less liable to get out of tune than any other English Concertinas. Prices from four to twelve guineas each. Manufactured by Boosey and Sons, Holles-street.

EVANS'S ENGLISH HARMONIUMS.-Full par

Boosey and Sons, 24 and 28, Holles-street, London. Manufactories at Wolls-street and Davies-street.

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"THE
HE MEADOW GATE," by G. B. Allen, is just

published, price 2s. 6d., by Duncan Davison and Co., 244, Rogent-st., W.

JEW SONG FOR THE VOLUNTEERS.-"The Good" WERT THOU MINE," by Frank Mori, composed

NEW

Old Days" Patriotic song, composed by J. L. Hatton, price 2s. 6d. Pubished this day by Boosey and Sons, Holles-street.

EW RIFLE SONG, "The British Volunteers." Words
by
Grenadier." Dedicated to the Volunteers of England. 2s. per post, postage free.
London: D'Almaine, and Co., New Bond-street. Chester: Hugh Roberts,
Eastgate-street-row.

NEW SONGS BY J. W. DAVISON, "Rough wind

that moanest loud," (sung by Mr. Santley at the Monday Popular Concerts); "Swifter far than Summer's flight," (sung by Miss Palmer at the Monday Populál Concerts); "False friend, wilt thou smile or weep," Beatrice's song in the Cenci (sung by Madame Sainton-Dolby, at the Monday Popular Concerts, St. James's Hall); are published by Cramer, Beale and Co, 201, Regent-street.

The above Songs form Nos. 1, 2, and 3, of Vocal Illustrations of Shelley. "Mr. Santley was encored in one of the thoroughly picturesque and poetical settings of Shelley, by Mr. J. W. Davison, mentioned a week or two since. His ong, 'Rough wind that moanest loud,' is a thoroughly good song."-Athenæum,

expressly for, and sung by Mr. Sims Reeves with the greatest success, is published, price 2s. 6d., by Duncan Davison and Co., 244, Reent street, W.

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EONORA," by Elizabeth Stirling, is published,

price 2s., by Duncan Davison and Co., 244, Regent-street, W.

PRETTY ROSEBUD," by Julius Seligmann, (composed

expressly for Herr Reichardt), is published with German and English words, price 2s., by Duncan Davison and Co., 244, Regent-street, W.

HREE FOUR-PART SONGS, by G. A. Macfarren, for

THRE

two tenors and two basses. No. 1, "The fairies' even song," price 2s; No. 2, "The world's festivals," price 3s.; No. 3, "The arrow and the sorg, price 28. The above have been sung with great success by Mr. Henry Leslie's Choir, Mr. Benedict's Vocal Association, and the Polybymnian Choir. London: Published by Duncan Davison and Co., 244, Regent-street, W., where may be obtained the following vocal compositions of Mr. G. A. Macfarren, "Paquita, price 2s. 6d., and "The thoughts of youth," poetry by Longfellow, price 28.

NEW

MESSRS.

SONGS

PUBLISHED BY

DUNCAN DAVISON

& CO.

"GOOD NIGHT."

(Wiegenlied-Cradle Song.) Composed by A. REICHARDT. Price 2s. 6d.

The day, pretty darling, draws near to its close,
Come cease from your play-on your pillow repose;.
You peep from the cradle still laughing and bright,
Kind angels for ever preserve you,-Good night!
With freedom from sorrow, dear child, you are blest,
To you a pure heav'n is your fond mother's breast;
Wild passion some day will your happiness blight,
Kind angels preserve you, my darling.-Good night!

Ah! happy is he who can slumber like you,
Be ever, dear child, to your innocence true;
The righteous are watched by the spirits of light,
Who guard them while sleeping, my darling,-Good
night!

"THE MEADOW GATE."
Sung by Mr. WILBYE COOPER.
Composed by GEORGE B. ALLEN,
Price 2s. 6d.

Meadow gate, oh meadow gate,
'Neath the hawthorn treo,
Fondest memories of my life
Ever cling round thee.
Where the gentle voice of Spring
Wakes the earliest flowers,
Where the linnets gaily sing,
Through long sunny hours.

Thoughts of bright hours long ago,
When I was a child,

Playing mid' the meadow flowers
Round me fair that smiled;

Memories sweet of happy eves,
When I used to wait,

Till one came to meet me there,

By the meadow gate.

"UNDER THE LINDEN TREE."

Sung by Mr. ELLIOT GALER.
Composed by W. MEYER LUTZ.
Price 2s. 6d.

As under the Linden tree I lay,

Dreaming the evening hours away,
Weaving many a chaplet bright

Of Memory's flower-wreaths, bloom and blight,
My fancy fled, as it ever flies,

To my heart's dear queen with the violet eyes, And I thought, does my lady think of me,

As I lie under the Linden tree.

Ah! is she thinking of days gone by,
A smile on her lip, a tear in her eye,
Or is she wearying heart and brain,
With days to come when we meet again;
Or, under the shadow of Love's eclipse,
Lists she to love from another's lips,
Smiling on him and defrauding nie,
As I lie under the Linden tree.

"MERRY LITTLE MAUD."

Sung by Mr. ELLIOT GALER,
Composed by W. MEYER LUTZ.
Price 2s. 6d.

Here's a song to Maud, to merry little Maud,
The marvel of maidens at home or abroad,
No flower of the summer, no star of the night,
Is so fragrantly frosh, so bewitchingly bright.
On the snow of her forehead all purity lies,
Her clear sou! shines out from her eloquent eyes,
The boldest of rufflers is silenced and awed
As he meets the pure gaze of my dear little Maud.
She's a heart of her own, has pretty little Maud,
A fond heart, and free from all falsehood or fraud;
And prouder should he be than king on his throne,
Who can look on that dear little heart as his own.

I know not for which of my faults it may be
That she deigns to look down with a smile upon me,
But she loves me, and nothing on earth shall defraud
My soul of its sunlight, merry little Maud.

"COME, SISTERS, LET US DANCE AND SING."

Trio for Soprano, Mezzo-Soprano, and Contralto.
Composed by ADOLPHO FERRARI.
Price 2s. 6d.

Come Sisters, let us dance and sing
Around our beauteous fairy queen,
While calm nature is reposing,

And no mortal form is seen.

The silver waves are breaking
Upon the coral strand
All nature now is resting,
The moon shines o'er the land.

The forest trees are sleeping,
The mossy banks are green,
Our fairy haunts are gleaming
In the pale moon's soft beam.

"COME, FAIRIES, COME, THE

STARS SHINE BRIGHT."

Trio for Soprano, Mezzo-Soprano, and Contralto.
Composed by ADOLPHO FERRARI.
Price 2s. 6d.

Come, fairies, come, the stars are bright,
The night wind wanders free,

The summer moon with meagre light
Has silvered all the sea.

The dews fall chill on glade and hill,
And drench the faint sweet flowers;
Come sylph and fay, that fear the day,
The spell-bound world is ours.

Come mocking dreams, less wild and vain,
Than many a mortal plan,

Come chase your phantoms through the brain
Of every child of man,

While death-like sleep still dark and deep,
Drowns all their languid powers,
Come sylph and sprite that haunt the night,
Each yielded soul is ours.

"FLOWERS! LOVELY FLOWERS."

(Dedicated to Lady Isham.)

Composed by CHARLES MCKORKELL,
Price 2s. 6d.

Flowers are gems from heaven sent,
Man's rude heart to cheer, delight,
The stars that deck night's firmament
Less beautiful and bright!

Mark their varied perfumes blending,
Hues so brilliant and fair;

Ah! let our songs on high ascending
Thank our Maker's bounteous care.
Thus to erring mortals sending
Gifts so rich and rare.

Pinks! faint with musky odours,
Mignionette! breathing fragrance sweet,
The woodbine twining round in clusters
Where the gorgeous lilies meet;
Roses! Queen of all the garden,
Violets! Spring's first blooming child;
And thou pale Snowdrop, clad in beauty,
Purely sweet and undefiled,

Bring with thee in loving state
The Cowslip with its ruby eyes,
The primrose too, its lowly mate;
And cuckoo flowers that shepherds prize,
Wildlings born in forest dingle
Where the wood anemone blows,
With your cultured sisters mingle,
Every flower, in short, that grows;
Forming thus a garland fair
To deck a maiden's raven hair.
Flowers, lovely, lovely flowers,
How ye charm the captive hours,
A crowning joy to sorrow lending
Still beginning, never ending,
Flowers, lovely, lovely flowers.

"SUNSHINE." (Dedicated to Mrs. William oby.) Composed by ADELAIDA,

Price 2s. 6d.

I love the sunshine everywhere,
In wood, and field, and glen,

I love it in the busy haunts
Of town-imprisoned men.

I love it where the children lie
Deep in the clovery grass,

To watch among the twining roots

The gold-green beetles pass.

I love it when it streameth in
The humble cottage door,

And casts the chequered casement's shade

Upon the red-brick floor.

Upon the earth, upon the sea,

And through the crystal air,

On piled up cloud the gracious sun

Is glorious everywhere.

I love it on the mountain top,
Where lies the thawless snow,
And half a kingdom bathed in light
Lies stretching out below.
Oh yes, I love the sunshine!-
Like kindness, or like mirth
Upon the human countenance,
Is sunshine on the earth.

LONDON; DUNCAN DAVISON & CO.,

(DÉPOT GÉNÉRAL DE LA MAISON BRANDUS DE PARIS),

244, REGENT STREET, CORNER OF LITTLE ARGYLL STREET.

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"THE WORTH OF ART APPEARS MOST EMINENT IN MUSIC, SINCE IT REQUIRES NO MATERIAL, NO SUBJECT-MATTER, WHOSE EFFECT MUST BE DEDUCTED: IT IS WHOLLY FORM AND POWER, AND IT RAISES AND ENNOBLES WHATEVER IT EXPRESSES "- Göthe

SUBSCRIPTION-Stamped for Postage-20s. PER ANNUM

Payable in advance by Cash or Post-Office Order to BOOSEY & SONS, 28 Holles Street, Cavendish Square, London, W.

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GREAT NATIONAL ENTERPRISE

Organised in 1848, and developed at THE ROYAL COLLEGE OF MUSIC,
BRIDGE STREET, MANCHESTER, established by him expressly as a Great
National Institution to facilitate the Encouragement and Promotion of NATIVE
MUSICAL TALENT, and the GENERAL ADVANCEMENT OF MUSIC
AMONG THE RISING GENERATION, upon his new and effective system,
also as a NORMAL SCHOOL, for the training of masters to conduct CONSERVATOIRES
OF MUSIC to be established throughout the United Kingdom, for LITTLE Children,
the whole comprising an entirely new scheme of NATIONAL EDUCATION, by
blending music with general instruction, so that the study of music shall become a
branch of education in the humblest of schools of this country. To illustrate and to
rouse an interest in every town and city for these institutions, Dr. Mark travels with
a number of his pupils occasionally through the country-giving lectures, and intro-
ducing his highly approved and pleasing Musical Entertainment, entitled DR. MARK
AND HIS LITTLE MEN, who number upwards of Thirty Instrumentalists, and a
most Efficient Chorus, the whole forming a most unique and complete Juvenile
Orchestra, composed of LITTLE ENGLISH, IRISH, SCOTCH AND WELCH
BOYS, FROM FIVE TO SIXTEEN YEARS OF AGE, who play Operatic Selec-
tions, Solos, Marches, Quadrilles, Galops, &c., and sing Songs and Choruses in a most
effective manner, and to whom Dr. Mark gives a gratuitous General and Musical
Education.

APPOINTMENTS OF MASTERS AND ARRANGEMENTS OF CLASSES IN
THE ABOVE INSTITUTION.

Principal of the Royal College of Music; Director, Composer, and
Conductor; Lecturer to both Private and Public, Theoretical Dr. MARK.
and Practical Instrumental and Vocal Classes
Master of the General Educational Department;"
Writing, Reading, Arithmetic, Grammar, Dictation,
History, Geography, Practical Geometry, and Book-
keeping

Organ .... Pianoforte

Violin

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Mr. POWELL
and Two
Assistant Teachers.

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Violoncello, Double Bass, and Viola...
Flute, Piccolo, Oboe, and Clarionet
Cornet and other Brass Instruments
Concertina (German and English)
Vocal Classes
Dr. MARK has also made provision for the Orphans of the Musical Profession pos-
sessing musical talent, who will find the above institution a happy home, and receive
a most effective general and musical education, board, and clothing, free of all

expense.

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Messrs. PowELL and
ELDER.

Little Boys, from five to nine years of age, apprenticed for three, five, or seven years by paying a moderate entrance fee to cover the expenses of instrument and books.

Twelve appointments ready for Masters.

For Prospectuses, apply direct to the Royal College of Music, Bridge Street, Manchester.

Dr. MARK is also open to Engagements with his little Men.

Dr. MARK begs to invite the Parents and Friends, and all those interested in his Enterprise and in the Education of the Youths of this country, to visit his establishment. Visiting hours:-From Nine to Eleven, a.m., and Two and [Four, p.m. Saturdays and Sundays excepted.

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