expressing themselves, 701. Norwich Fes-

tival, 590. Novello, Madame Clara, 604,

749. Operas and Librettos, 588,604. Opera

Competition and Singers ( Revue des Theatres),

414. Opera House, the new one in Paris,

415. Pantagruel, Panurge, &c., 45, 93,

125, 141, 157, 175, 189, 205, 222, 237, 253,

270, 285, 302, 318. Philharmonic Society,

252, 684, 702, 764. Pianoforte Composers

and Pianoforte Music, 509. Piccolomini

Testimonial, The, 254, 272. Punch and the

Technical Terms in Music, 654. Religious

Tinge and Light Literature, 46. Hies,

Schmidt, Marschner, Reissigerjand Kufferath,

526. Robson, Mr. F., 399. Rossini's Se-

miramide at the Paris Opera, 412. Rousseau,

Jean-Jacques, 623. Royal Italian Opera

Prospectus for 1860, 221. Russians at

Home, The, 413. Sacred Harmonic Society,

767. Saturday Review and Le Due Job, 62.

Scotchman, The, 732. Scraps from Abroad,
716. Season of Song, The, 190. Singers'
Salaries, 541. Smith, Mr. E. T., and his
English and Italian Operas, 814. Smith,
Albert, reappearance at the Egyptian Hall, 28.
Smith, Albert, Death of, 334. Society forjthe
Encouragement of the Fine Arts, 76,350. So-
eietyfor the Relief of Literary Menin Russia,
382. Summer is icumen, 174. The lowest
thing ever done in Music, 110. The Opera in
France, 573. The Sonata, 572. The Art
of Music, 636. The two English Opera
Houses, 637. Theatrical Licenses, 717.
Tomaschck, Worsichek and Berger, 557.
Vienna Opera, The, 781. What has become
of the Ballet, 814. Wright, Mr. Edward,
Death of, 9. Yates (the late Mrs.), 590.

Leeds Musical Festival (for 1861), 592, 610
Liberator and Leveller, The. (Illustrated Times),

Lind (Jenny), 6S6*

Lola-Montez, 483, 505, 546

London Concert Season (Hiederrheinische Mu-

sih-Zeitung), 601

Ixmdon Glee and Madrigal Union, 823

London Royal Yacht Club, The, 111
Longfellow and Mr. G. B. Allen, 531
Lumley, Eliza, 514

Macfhrren's Robin Hood, 665, 686, 703,714

Mark, Dr., College of Music, 447

Mathematical Theory of the Minor Scale, 539

Mathews, Mrs., "Friend for the Fireside," 296

Marchesio, the Sisters, 704, 786

Mayhew, Horace, a Letter to, 777, 809

Mendelssohn, A., Letter of, 104

Mendelssohn's, Elijah, at the Crystal Palace,

Mendelssohn and Beethoven's Symphony in C

Minor, 329

Meyer, Leopold De, 320

Meyerbeer, 490, 594, 650, 671, 690, 704,


Molique's Abraham (Morning Post), 623, 685

Molique, Herr, the Norwich Festival, 762,


Mozart (by Otto Jahn), 80, 91,107, 210,225,


Mozart (by Otto Jahn) from the Morning Post
775, 808)

Mozart's Don Giovanni nt the It alien?, Paris,

Mozart's Impresario, 554

Mozart Child and Man, 112,178, 194,258,306,

321, 339, 353, 369. 411

Mozart and Jeliotte the Singer, 329

[Musical Pitch (Alhenaum), 609

'Musical doings in London ( Vienna Recentionen),


Music at St. Helliers, Jersey, 515

Music in France (Athenanm), 609

Music in the South Seas (Dwight), 499

Music in Germany, 610

Musical Festival in Durham, 139

Music and Mystery (Punch), 23

Music and Theatres in Paris, 22,43,59,72, 90,

121, 144, 160, 172, 209, 219, 243, 267, 299,

375, 391, 423, 439, 455, 471, 487, 509, 519,

535, 552, 568, 590, 602, 619, 647, 680, 712,

743, 759, 807

Music at Brussels, 344, 625

Music in Russia, 440

Musical Society of London, 363, 430

Music and Devotion, 465

Music and the Drama at Sydney, 466

Music by Kingsley, 547

My Church, 522

New Arrivals, 335

NewjSchool of Dancing Music (Haydn, Wilson),

New Theatre at Leeds, 573

Norfolk and Norwich Musical Festival, 171

461, 507, 538, 554, 562, 575, 615, 631
Nourrit (Adolphe). Letters to F. Hiller, 648
Novello, Madame Clara, 265, 281, 328, 363,

376, 442, 263, 673, 674, 746

Of the Relation and Progression of Chord, 699

Opening of the new Harmonium, Malew, 79

Operatic Music in Germany, 578

Opera at Crystal Palace (Punch), 363

Opera Comique, the History of (le Menestrel),

543,607, 663,719,729,759

Orpheonists (The French) in London,'155, 272,

386, 400, 415, 416, 335, 443, 450

Organs and Organ Players (Punch), 778

Organ (The) York, 577

Organ (The) by Joseph Regnier, 510, 600, 744

Organ and Organists —Churches and Clergy-

men, 491

Organ (The definition and description of the),

Organ Reed Stops, 345

Organ at St. Mark's Church, Kennington, 128

Organ at York Minster, 218

Organ at Godmanchester Parish Church 379

Organ at Manchester Cathedral, 242, 249, 815

Organ at St. Paul's Cathedral, 311

Organ at Mel lor Church, 314

Organ at All Saints, Bolton, 314

Organ at Parish Church, Stoke-upon-Trent,314

Organ at St. Michael, Cornhill, 361

Organ at Cottingham, 402

Organ at Brunswick Chapel, 432

Organ at St. Paul's, Dublin, 514

Organ at St. Ignatius, Manchester, 770

Organ for a Chamber, with German and Eng-
lish scales of pedals, 232

Organist Election, Town Hall, Leeds, 78, 273,
335, 363, 433.

Organist Election, St, Mary's, Aldermanbury,

Organist Election, Thirsk, 296
Organist Election, Christ Church, Marylebonc,

Ousely, Sir Gore, in Yorkshire, 104

Paine, Mr. John K., 475

Partant pour la Sjrie, 626

Paul, Mr. and Mrs. Howard, Entertainment,
41, 255

Philharmonic Society Meeting, 224.

Phillips, Lovell, Death of, 207
Phillips, Henry, 431

Address on behalf of the Family of Robert
Brough, 479. A Warning to Lovers. 58.

A Musical Instrument, 459. Albert Smith,
432. Anglo-French Alliance, The, 75.
Blind Fiddler, The, 10. Blind Fiddler,
Death of the, 43. Happy Swallow, 384.
Lines for Music, 496. Love-sick Sol cured
by a Cloud, 168. Marietta Alboni, 384.
Mechanic, The, to his Sweetheart, 560.
Poetry p. Prose, 627. Prologue to The
Enchanted Isle, 480. Parody on "Sweet
love, good night," 618. Trinummus of
Plautus, 818

Provincial :—

Armagh, 815. Bamsbury, 159, Bath, 24.

Belfast, 64, 96, 218, 272, 283, 402, 673, 706,

721. Berkhampstead, 723. Birkenhead,

160. Birmingham, 11, 65, 219, 257, 339,

Bradford, 632. Brighton, 104, 753, 782, 801.

Bristol, 24. Bury (Lancashire), 12. Cam-

bridge, 385. Chatham, 283. Colchester, 12.

Cork, 739. Deptford, 654. Dover, 168.

Dublin, 43, 79, 129, 160, 283,298, 419, 721,

738. Dundee, 105. Durham, 140, 682,

Edinburgh, 25, 129, 170, 187, 218, 815.

Epping, 578. Exeter, 281, 802. Falkirk,

257. tilasgow, 12. Gloucester, 160, 802.

Grantham, 547. Greenwich, 79. Hor-

bury, 513. Hull, 682. Ipswich, 754.

Kiddermin ter, 235. Leeds, 105, 203, 218,

235, 513, 531, 642, 704, 754. Leicester, 79,

203, 683. Liverpool, 48, 128,160,257,282,

513,619. Maidstone, 129, 283,824. Man-

chester, 11,24, 235, 353, 610, 673,682, 754.

Newcastle, 718. Norwich, 64. Oxford,

170. Peckham, 672, 722. Peterborough,

235. Penrhyn, 769. Plymouth, 546, 704.

Richmond (Surrey), 353. Ryde, 12, 673.
Scarborough, 451, 483. Shrewsbury, 75.
Swansea, 331. Tunbridge, 25. Wakefield,
64. Windsor, 12, 24, 112,782,783. Wood-
ford, 298. Worcester, 12, 738. York, 129,

Poole, Miss, 778

Forpora and Carrarelli, 435

Price's, Captain Morton, Entertainment, 769.'

Potter Testimonial, 47, 396, 424

Presentation to Rev. Dr. Miller, Belfast, 611

Professional Singing in Churches, 544, 570

Punch and the new Musical Pitch, 671

Public Exhibition of the "Apollo and Marsyas"

at Milan, 225

Ranoe, Miss Kate, 611
Raphael's "Apolloand Marsyas," 416
Reade and more than Reade, 593"
Reed's, Mr. and Mrs. German, Entertainment,

Reeves, Mr. Sims, 811

Reviews : — A'Beckett, Mrs. Gilbert, 87.

Althaus, B. 167. Allen, G. B., 344. An-

derson, W. 567. Andrews, Mrs. Holman,

232. Atkins, B. K., 215. Avery, Ellen,

295. Balfe, 3, 55, 88, 151. Barry, C. A.,

311. Beddoe, Alfred, 535. Benedict, Jules,

471. Berger, Emile, 21. Berger, Francesco,

263, 567. Boosey's Musical Cabinet, 711.

Borschitzky, J. F., 535. Burckhardt, C, 423.

Callcott, 55. Campana, F., 151. Chater,

W., 119. Chopin, 199. Clark, F. Scotson,

167, 247, 263. Cobham, M., 215. Doran,

Dr., 55. Dussek, 183. Enderssohn, M.,

87. Forbes, G., 215. Gabriel, Virginia, 55.

Gear, Handel, 231. Godefroid, Felix, 21.

Gollmich, A., 247. Grenier, J. de, 231.

Guernsey, Wellington, 567. Hatton, J. L.,

87, 215, 263. Hauptmann, C. F., 87, 167;

Heller, Stephen, 551, 670, 695. Henniker,

H. F., 247. Hills, W. (Songs of Beet-

hoven) 71. Hoist, M. Von, 311. Hul-

lah's "Singer's Library," 295. Julien's
last Waltz, 305. Kiko, M., 295. Lacy,

Rophino, 232. Lcftwich, H. T., 55.

Linley, G., 231, 535. Loder, E. J. (The

Night Dancers), 727. Loder, E. J„ 151.

Lubech, E., 343. Luders, C, 567. Luti,

W. Meyer, 343. Macfarren, G. A., 167,

232, 695. Malmene, W., 535. M'Ewan,

J , 167. Meyerbeer, 210. Minasi, Antonio,

695. Moore's National Airs, 3, 87. Morgan,

W., 232. Mudie, T. M., 167, 695. Mc

Korkell, C, 344. Noorden, P. Van, 231.

Nordmann, R., 215. Orpheon, The, 87.

Osborne, G. A., 151. Ould, Edwin, 535.

Psalmodia, Simplex et Selecta, 21. Raikes,

279. Randegger, A., 215, 264. lUe, An-

ton, 567. Regondi, Giulip, 167. Richard-

son, J. E., 87. Richards, Brinley, 167, 247.

[tobinson, Joseph, 232, 343. Ross, R„ 87,

343. Rubinstein, A., 247, Sampson, Mrs.,
231. Schlb'sser, A., 344. Schulthes, . Smart,
Henry, 103, 167, 215. Smith, W. Seymour,
167. Sudlow, W., 344. Taylor, Bianchi,
55. Wallace, W. V., Lurline, 135. Walker,
W., 232. Weisbecker, C, 535. Woelfl, 183.

Reltstab, Herr, Funeral of, 803,

Reynolds, Sir Joshua, 547

Ritter, Theodore, at the Philharmonic ( Times),


Rome, Philharmonic Society, 824

Rossini and his Imitators, 530

Rossini's Semiramide, by Me>y, 472, .505

Rossini's Last, 667

Royal Society of Musicians. 152

Royal Academy of Music Scholarship, 811

Rubinstein, A., 335, 351

Sacred Harmonic Society Annual Meeting, 64

Sainton, M. and Madame, at Toulouse, 568

Schrccder, Devrient, Death of Madame, 330

Schubert and the " Revivals," 460

Scraps from Abroad, 496

Smith, Albert, 9, 384.

Smith, E. T., and his management, 494

Society for the Encouragement of the Fine

Arts, 5, 283

Some Heresy from a True Believer, 547
Spark, Mr. W., and Sir Gore Ousely*s Testi-
monial, 562

Spohr's Letters, 120, 177, 249

Spohr and the Violin, 811

Spohr, how he learnt the Horn, 162

Spohr, Passages from his Life, 233

Spontini, 527

Stabat Mater, Sedebat Fater^PuncA), 427

Strauss, Herr, the Violinist, 400

Stage and Pulpit, 745

Stanley, Miss E., Entertainment, 703

Strong Prejudice, (Haydn Wilson) 433
Stuntz, J. II., Death of, 456
Sullivan, Arthur Seymour, 434

Testimonial to Mr. A. Finlayson (B-iad-
wood's), 26

The Philosophy of Music (by Joseph God-
dard), 791

The Enterprising Impresario, 777, 792, 808.


The Concert Season, 520
The largest Concert Speculator in Brighton,

The Nine o'clock Bell, 498

The Yankee Opera in difficulties, 681

Theatricals at Windsor Castle, 25, 49

Theatricals at Campden House, 169

Theatres :— .

Adelphi.—It's an 111 Wind that Blows Nobody

Good, 382. Family Secret, The, 383. Janet

Pride, 561. Bluebeard, from a new point of

Hue, 828

Astley'f Mazeppa, 577

Bijou Theatre (Her Majesty's.—Amateur Per-

formance, 689. French Playa, 719, 747

Covent Garden.—" Romance," 78. Marriage of

Georgette, 768. Lurline, 127, 641. Bianca,

784. Close of the Season, 190. Dinorah,

672. Crown Diamonds, 687. Trovatore, 688.

Rose of Castille, 719. Night Dancers, 735.

Bluebeard, 828

Dniry Lane.—A Story of the,'45,736. Maritana

(Conductor, Dr. James Pech), 241. Benefit

of the Family of Robert Brough, 489. Mr.

and Mrs. Mathews' Engagement, 688, 769.

Peter Wilkina, 828

Haymarhct.—Love Chase, 688. Lion Slayer,

752. Queen Ladybird, 828

Her Majesty's.—Almina, 273, 287. Barbiere,

320, 383, 392. Don Giovanni, 287, 296,

351, 392, 673. Ernani, 362. Fleur des

Champs, 240. Favorita, 240, 477. Hugue-

nots, 362, 705. Lucia, 392, 477. Lucrczia

Borgia, 273, 287, 338, 687. Matrimonio

Segreto, 410. Marta, 240, 752. Norma,

296. Oberon, 426, 477. Otello, 255, 287

Prova d'un Opera Seria, 392. Rigoletto'

.320,339. Scintilla, 320. Semiramide, 338,'

351. Traviata, 255, 273. Trovatore, 255,

338, 655. Last nights of the Season, 446,

461. Robin Hood, 655, 672, 799. Resume

of the Season (1860), 488. English Opera

Prospectus, 642. Christmas Pantomine, 827

Lyceum—.Pioneers of America, 688. Pets of

the Parterre, 719. Handy Andy, 769. Se-

cret of a Life, 737. Chrystabelle, 828

Olympic.—Uncle Zachary, 382. Savage as a

Bear, 627. Home for a Holiday, 753. Daddy

Hardaore, 799. Timour the Tartar, 828

Princess't..— Garibaldian Excursionists, 752.

Corsican Brothers, 799. Robinson Crusoe.


Pavilion.—The Opera Season, 560, 594

Royal Italia* Opera. Barbiere, 297, 337.

Dinorah, 240, 297. Don Giovanni, 321,

337. Favorita, 273, 288. Fidclio, 256,

273. Fra Diavolo, 288. Gazza Ladra,

337, 351. Huguen^ - 362, 411. Lucrezia

Borgia, 427. Martha, 392, 411. Norma,

411. Orfeo e Eurydice, 411, 427. Pro-

phete, 467, 478-. Puritani, 383. Rigoletto,

477. Trovatore, 296. Resume' of the Sea-

son (1860), 504

ft. Jamci's.—La Tenlation, 3S3. Fortunio,

560. Hamlet, 577. Still Waters Run Deep,

752. Smack for Smack, 768. The Loves

of Diana and Endymion, 818

Strand.—The Miller and his Men, 383. Hit

Him, he has no Friends, 627. Did I Dream

It, 752

Theatricals in New York, 562
Theory of Harmonies, by W. W. Parkinson,

Thomas, Mr. Harold, 48

Tinney, Death of Mr., 747

Titiens and Alboni in Semiramide, 431

Tonic Sol-fa Association,Letter to Mr. Bowley,


Toujours Grisi, 547


Uniform Musical Pitch, 529
Unmusical Poets, 363

VandenhofT, Miss, Death of, 531
Viardot, Madame, 431
Vivicr and Alboni, 363

Wagner, Herr Richard, in Paris, 48, 73, 670
Wagner, Herr Richard, Tannhauser, in Vienna,

107, 609

Wagner, Herr Richard, 706

Wallace, W. V., 499, 512

Ward, Lord, v. Lumley, 103

Weiss, Mr. W. H., 811

West Middlesex Rifle Corps, and their band,


Whitty, Miss Anna, 496, 810

Worcester Musical Festival, 466, 498, 554,

583, 599, 656
What is Buffo Singing? 386

York Organ, The, 577

Zingarclli, 483.


"The Wobte or Aet Appeaes Most Eminent In Music, Since It Eequibes Ho Mateeiai, So Be Bject-mAttee, Whose Effect Must


SUBSCRIPTION:—Stamped for Postage, 20s. per annum—Payable in advance, by Cash or Post Office Order, to B00SEY & SONS, 28, Holies Street, Cavendish Square.

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HER MOST GRACIOUS MAJESTY THE QUEEN, H.RH. THE PRINCE CONSORT, THEIR ROYAL HIGHNESSES THE PRINCESSES AND PRINCES OP THE ROYAL FAMILY, The Most Worshipful the Grand Master of Ireland, • His Grace the DUKE of LUINSTKR, And Several other Distinguished Freemasons; His Excellency the Lord Lieutenant of Ireland, the EARL of EGLINTON and WINTON, The LORD BISHOP OF MANCHESTER, The Bight Worshipful the MAYOR OF MANCHESTER, 1VIE MACKIE. Esq. His Worship the Mayor of Salford, W. HARVEY, Esq. SIB FREDERICK GORE OU8ELEY, Bart., Director of Muslo at the University of Oxford. And many of the Nobility, Gentry, Clergy, and distinguished,Families of the Empire



Organised In 1848, and developed at THE ROYAL COLLEGE OF MUSIC BRIDGE STREET, MANCHESTER, established by him expressly as a Great .Vationil Institution to facilitate the Encouragement and Promotion of NATIVE MUSICAL TALENT, and the GENERAL ADVANCEMENT OF MUSIC AMONG THE RISING GENERATION, upon his new and effective system, also as a Normal School for the training of masters to conduct Conservatoires or Music to be established throughout the United Kingdom, for Little Child Res', the whole comprising an entirely new scheme of NATIONAL EDUCATION, by blending music with general instruction, so that the study of music shall become a branch of education in the humblest of schools of this country. To illustrate and to rouse an interest in every town and city for these institutions. Dr. Mark travels with a number of bis pupils occasionally through lbs country—giving lectures, and introducing his highly approved and pleasing Musical Entertainment, entitled DR. MARK AND HIS LITTLE MEN, who number upwards of Thirty Instrumentalists, and a most Efficient Chorus, the whole forming a most unique and complete Juvenile Orchestra, composed of LITTLE KNGLISH, IRI8H. SCOTCH AND WELCH BOYS. FROM FIVE TO SIXTEEN YEARS OF AGE, who play Operatic Selections, Solos, Marches, Quadrille*. Galops. Ac, and sing Songs and Choruses in a most effective manner, and to whom Dr. Marie gives a gratuitous General and Musical Education. APPOINTMENTS OF MASTERS AND ARRANGEMENTS OF CLASSES IN THE ABOVE INSTITUTION. Principal of the Royal College of Music; Director, Composer, and \ , Conductor; Lecturer to both Private and Public, Theoretical >Dr. Mark.

and Practical Instrumental and Vocal Classes )

Matter of the General Educational Departments j,.„.T.
Writing, Reading, Arithmetic, Grammar, Dictation, I „a-?tm

^"T; PTMto»1G^7.»nd Bo°k; j AssiSSeaohors.


Organ Mr. Bakes.

Pianoforte ( Herr Siemkrs.

( Mr. Elder.

Violin J Mons Roguif.r. (Mr. Beabd.

Violoncello, Double Bass, and Viola i JJon?; V"5"xtemps.

'(Mr. T. Donovan.

Flute, Piccolo, Oboe, and Clarionet Slg. Cortesi.

Cornet and other Brass Instruments Mr. H. Russell.

Concertina (German and English) Mr. Elder.

Vocal Classes .... / Messrs. Powell and

_ } Elder.

Br. Mare has also made provision for the Orphans of the Musical Profession possessing musical talent, who will find the above institution a happy home, and receive a most effoctivo general and musical education, board, and clothing, free at all expense.

Little Boys, from five to nine years of age, apprenticed for three, five, or seven years by paying a moderate entrance fee to cover the expenses of instrument and books.

Twelve appointments ready for Masters. For Prospectuses, apply direct to tho Royal College of Music, Bridee-strcct. Manchester.

Dr. Jjark Is also open to Engagements with his Little Men. Dr. MARK begs to invite the Parents and Friends, and all those interested in aim Enterprise aud in the Education of the Youths of this country to visit his .rtAr,i,«n«««sjt. _ VMtEBg hours:—From Nine to Eleven, a,m., and Two and Saturdays and Sundays excepted.

GLEES AND MADRIGALS.—EGYPTIAN HALL, PICCADILLY, (DUDLEY GALLERY). Change of Programme Mr. Mitchell has the pleasure to announce, that the Entertainment of G lees. Madrigals, and Old English Ditties, by the London Glee and Madrigal Union, under the direction of Mr. Land, interspersed with illustrative remarks by T. Oliphant, Esq., having been received with distinguished favour and approbation, wi 11 be continued every evening during the ensuing week, at half-past eight; and on Monday, Wednesday, and Friday mornings, at half-past two. Reserved seats, 3s,; unreserved, 2s. A few fauteuils, fis. each, which may be secured at Mr. Mitchell's Royal Library, 83, Old Bond-street, W.

ATISS DOLBY begs to announce that she will give

1T1 TWO SOIREES MUSICALES at her own residence, No. 2, Hinde-street, Manchester-square, on the following evenings:—Tuesday, Jan. 10, and Tuesday,


Jan. 81, to commence at half-past eight precisely.

following Artists will

have the honour of appearing at the first soiree:—Miss Freatli, M. Sainton, M. Bezeth, Mr. Doyle, Mr. Paque, and Hiss Dolby. Accompanylst, Mr, Randcggor. Tickets for the two soirees, 15s.; single tickets, 10s. 6d., to be had only of Miss Dolby, at her residence.

WANTED, immediately, a Pupil in a Musical Establishment, where he will have an opportunity of acquiring a thorough knowledge of the profession in all its branches. Apply to Herr Winzer, Newcastle, Staffordshire.

"rpHE ARION" (Eight-Part-Choir).—The members of

A this Society will meet until further uotice every Thursday evening, at 81 o'clock, at 18, Berncrs-street, Oxford-street. Conductor, Mr. ALFRED GILBERT.

F. F. REILLT, Hon, Sec Persons desirous of joining the choir are requested to address the Secretary.

MEYERBEER'S DINORAH AND STERNDALE BENNETT'S MAY QUEEN, are sung nightly at the CANTERBURY HALL. CONCERTS. Comic vocalists—Messrs. George Hodson (tho Irish comedian and mimic), W. J. Critchfield, and E. W. Mackney. Several interesting pictures are added to the Pine Arts Gallery. The suite of Halls have been re-decorated and beautified, and constitute one of tho most unique and brilliant sights of the metropolis.

THE Committee of the former pupils of Mrs. BARCLAY, daughter of the late comedian, John Fawcctt, in acknowledging with thanks the kind liberality of those friends who have already contrib "d to the fund for purchasing an annuity for this deserving lady, desires to mak known that the subscription list must shortly be closed, they therefore hope 'all who desire to testify their sympathy for this respected lady by subscri .ig to the fund will kindly forward their donations to Mrs. O. Webb, 36. Green-s' ,*eet, Park-lane, and Messrs. Hatchard, Piccadilly. Total amount received, x 250.

MUSICAL DIRECTORY, REGISTER & ALMANAC FOR 1800.—Contents: Almanac with musical data; list of musical societies throughout the kingdom; musical transactions of the past year; names and addresses of professors, music-sellers and instrument makers; and list of music published between the 30th November, 1858. and 30th November. 1859. Price Is. 6d. ; per post. Is. Sd. Publishers: Rudall. Rose, Carte and Co., 20, Charing Cross, S.W.; and Keith, Prowse and Co., 48, Cheapside, E C.

THE BAY OF DUBLIN QUADRILLES, on Irish Melodies by Wellington Guernsey, as performed by the bands of tho Coldstream Guards, Royal Artillery, Ac, has become ono of the most popular of tho day. Price 3s. Beware of spurious imitations. London: Brewer and Co.

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I of this Association is to bring together the amateur instrumentalists i aud its suburbs, for the practice and performance of oratorios, masses, , symphonies, operatic selections, aud orertures, including compositions Utile known to the general public, with other chef-d'osurres of the great masters, suitable for baud and chorus conjointly or separately.

It is proposed to establish, for the benefit of the amateur department, weekly rehearsals, on overy Saturday Evening, at Bight o'clock, at St. James' Hall, Regent-street, commencing this evening, January 7th. I860; and th ,t, during the season, contorts sliall be given at one of the large the.ties or concertrooms, with tbo important a-sistanoe of the honorary professional members, aud in conjunction with the chorus, as soon as the necessary proficiency is uttained.

In the profess onal department tbcro aro still vacancies ibr honorary members ^ ti,c foilv-'-u--: instruments:—Four first violins, one second violin, and two

dentions to be addressed to tho Honorary Secretary of the London "i,s'- James's Hall, (tickot office) Piocadilly W.



THREE GRAND MARCHES FOR THE ORGAN, WITH PEDAL OBBLIGATO.—Mendelssohn's Wedding March (Midsummer Night's Dream), No. 1; Beethoven's Marcia Punebre sulla mono d'un Erce, No. 11; and Meyerbeer's Coronation March Irom Le Prophete (by permission of Messrs. Cramer and Co.). No 16 of the CLA8SICAL ORGANIST, a selection of celebrated compositions from the works of the great masters, arrauied from the orchestral scores for the or^an, with pedal ohbligato, by J. T. STONE. Price 3s. each. Vols. 1, 8, and 8 are now published, price 16s. each. A specimen copy may be had,

S'atis and postage free, ou application to tbe publishers, or to Mr. J. T. Stone, 40, ernors-streot, W. The copyright of the Classical Organist is the sole and exclusive property of Mesirs. D'Almaine and Co.,110. New Bond-street, W.

FERRARI'S WORK ON THE VOICE AND SINGING, price 8s., may be had at his residence, Devonshire-lodge, Portland-road, Portland-place, and at all tbo principal music-sellers.

"Of all the treatises on tbe cultivation of the voioe that bare appeared for many years, it is the moat sensible, concise, and useful."—Daily Ntvt.

"There is more sense in this work than wo find in nine out of ten publications of a similar kind."—AtJtenatum.

"Here is a really sensible work."—Musical World.


11 celebrated DRAWING-ROOM ARRANGEMEN TS of the favourite SCOTCH, IRISH, ami ENGLISH AIRS Each 3a. (Index gratis).

"WILLIE, WE HAVE MIS8HD YOU." For Pisno. By W. Vincent Wallace, Ss.

GEMS FROM THE GREAT MASTERS. For Piano. By G. F. Wost. Twenty-four numbers, each 2s. 6d. and 3s (Index gratis).

CONTEMPLATION. Andante G.utabile. By Briuley Richards. 3s

"WARBLINGS AT EVE." Romance. By Brinley Richards. ?s. Duet, 3s.

"SHE NEVER TOLD HER LOVE," and "MY MOTHER BIDS ME" (Haydn). For Piano. By Brinlcy Richards. 2s. fid.

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"IU8T PUBLISHED.—Eight Ballads by

•J price 2s. each :—








8. "I LOVE THE OAK," for contralto or barytone.

London: Duncan Darison and Co., 244, Regent-street, W., Where may be obtained Two Chamber Trios for soprano, mezzo-soprano, and contralto: "Gome sisters, let us dance and sing," 2s. (id. M Come, fairies, come, the stars shine bright," 2s. 6d, Three Italian Songs: "Vleni, Vieni," serenade, 2s.; "L1 onda che mormora, romance, 2s. Od.; "Ah, so placer mi vuoi," romance, 2s.

Just published, in post 8ro., clotb,

ACOLLECTION OF WORDS OF 2,270 ANTHEMS, with 452 Biographical Accounts of Authors, tc. By B. St. J. B. Joule, Esq., Follow of the Genealogical and Historical Society of Great Britain, and Honorary Organist of St. Peter's Church, Manchester. Price 6s 6d. TheAutbor will be happy to make arrangements for the supply of a number of copies to any cathedral, or other church, cither in cluth or sheets.

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"Christmas comes but once a year"—a jovial song—words by John Oxenford, Esq., music by M. W. Balfe. (Boosey and Sons).—A right "merrie carol," most appropriately designated a "jovial song," written in good homely vernacular of the olden stamp, with an exhilarating burthen at the end that might have been indited in the days of Queen Bess. The wordsare full of "Christmas," as the reader will own when he has devoured them with the same relish as ourselves: Christmas cones but onoe a year,

Thus our fathers sung;
With their noisy, jovial cheer

Vaulted ceilings rung.
Boar's head and wassail bowl,

And lovmg mistletoe,
Joy'd the hearty Briton's soul <

In winters long ago.
Christmas comes but once a year,
Hang the holly tree;
Thus our grandfather's sung,
When England was yonng,
And so sing we!
Wassail bowls no longer flow,

Bristly boars hare fled,
Still the loving mistletoe

Bangles over head.
Deeply our fathers quafTd,
When daintily we sip j
But like them we hail the draught

From beauty's rosy lip.
Christmas comes but once a year,
Hang the holly tree;
Thus our grandfathers sung,
When old England was young,
And so Bing we!
Christmas comes but once a year,

Brief his joyous reign!
Shall we all assemble here,

When he comes again?
Some rise while others fall,

As moments swiftly flow,
Yet • living thing to all

Will be the mistletoe!
Christmas cornea but once a year,
Hang the holly tree!
Thus our grandfathers sung,
When old England was young,
And so sing we!"

By such suggestive lyrics could Mr. Balfe fail to be inspired? The melody, in fact, smacks of the mistletoe and holly, and is as merry as a" Cricket on the Hearth." The whole song is a perfect "Christmas Carol."

"Moore's National Airs" with symphonies and accompaniments for the pianoforte, edited by Charles William Glover—No. 8. (Addison, Hollier, and Lucas.)

The present number of this edition (the "People's ") contains twelve songs, two or three of which, it will be seen, attained great popularity in their day. The set comprises "Those Evening Bells," "When Love was a Child," "See the dawn from Heav'n k breaking," "Oh! come to me when daylight seta," "Oh! days of youth and joy long clouded," "WhoU bay my Love-knots," "Farewell, Theresa," "Bring the bright garlands hither," "Go now, and dream o'er that joy in thy slumbers," "When thro' the PiaJSetta," "Oh, no! not even when first we lovM," and "The Bashful Lover." The work will be completed in ten numbers, so that the purchaser, for ten shillings, will become possessor of the entire collection of "Moore's National Melodies," which, if inferior in point of interest and merit to the "Irish Melodies," are at all events deserving of a place in every lady's Canterbury.


(Edition of the German Handel Society, II. 1.*)

When, last spring, the day came round on which, one hundred years previously, George Frederick Handel died, all classes of the German nation were penetrated with anxious fears as to the fate the future might have in store for them. Not that, on this account, they were forgetful of the debt of gratitude they owed the great master ;—that they were not, the statue now erected in his native town of Halle bears witness—or that the day was passed over without being duly celebrated. No! from countless throats resounded those tunes which he has bequeathed, like some rich legacy, to us. But men's spirits were bad, their attention was distracted, and the festive sounds, as a necessary consequence, died away only half heard. We have not yet made the legacy, left us by Handel, so entirely our own as to know how to extract from it the utmost profit in every phase of life;—as to know how to derive from it the purest, noblest enjoyment in days of calm, as well as manly strength, combined with confidence, whatever may turn up, at periods of painful uncertainty.

Meanwhile, though, the project of publishing all Handel's creations, and thus naturalising them in the hearts of the people, has progressed bravely. The latter numbers of the work published by the Handel Society have proved beyond a doubt that the future of this worthy monument is assured. On the publication of the first volume, containing the oratorio of Susanna, a practised pen directed public attention to the importance of the undertaking as a whole, and threw out some hints for the conception and rendering of the above work, previously quite unknown to us. The other works for the first year were:—a volume of pianoforte music, part of which was already known in Germany, through an edition published by Peters, Leipsic, and the public performances of artists of repute; and, in addition to this, the pastoral of Acis and Galatea, into which Chrysander enters at length, at the end of the first volume of his Biography of Handel.

A third oratorical work—Hercules was issued, as the first instalment of the series for the second year, a few weeks since. There is hardly any other so well calculated to gain fresh ground for Handel's genius. If we look around the circle of those works of Handel, which are more or less known, we shall find none immediately near which, on account of the mere subject, this powerful Hercules can be placed. This fact affords a proof of the master's boldness, while the manner in which a subject so foreign to our usual train of thoughts is inspired with musical life, and made evident to us, serves the more to dissipate both prejudice and ignorance, and to establish the universal character of Handel's art. The work treats of the return of Hercules to his home, from the destruction of GSchalia, of his wretched end, through Dejanira's jealousy, and of his exaltation into the blessed sphere of the gods. The author of the text—according to the short remarks affixed by Chrysander to the score— a clergyman of the name of Thomas Broughton, found, in the Trachinim of Sophocles, a classical model for his task, which, from its nature, requires to be treated with reverential devotion. He had, however, evidently so' identified himself with this antique subject that, in his hands, the figures of the heroic world were moulded into a new ensemble, perfectly in keeping with the requirements of the story, and, at the same time, adapted in a manner hardly to be surpassed to the purposes of the composer. If, on the one hand,. the merit of the author appears less great than it otherwise would, because he drew his inspiration from a source which furnished him with more than the mere subject, it must, on the other hand, gain considerably in our eyes, when we remember the numerous versions with which we have been favoured of classical models for so-called musical purposes. There is a natural means of satisfying every want, and that musical art which, from its want of character, has lost the art of musical characterisation, would scarcely dare to complain—and, indeed, would never seriously do so—of the barren infertility of the sister

* From the Hiederrheinische Musik-Zeiivng.

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