Varié, in B flat-"posthumous"-and Weber's Rondo Brillant, in E flat, neither of which, though both gems, are suited to that aspiring jeweller's heavy style of setting. The piano upon which Herr Pauer performed was one of the most gorgeous, magni-seuses, Mdlles. Maraquita and Benoni, doubtless suggested to ficent, wealthy-toned instruments we ever heard, even from the inexhaustible manufactory of the house of Broadwood, where fine-toned pianofortes veritably constitute an embarras de

richesses.

Mr. Ella, surrounded by his noble, rich, and comely lady patronesses, was as courteous, dignified, and pains-taking as ever. His ancient and appropriate motto

"Il più grand' ommaggio alla musica sta nel silenzio❞— stood as usual at the head of the programmes, and seemed to find an echo in the sparsely-populated room. Announcing the unwelcome fact, that "no analytical synopsis will be printed for these concerts," the director of the Musical Union glides into the following observations :

"The general depression of the public mind, owing to disasters of the war in the East, for a while made me hesitate about renewing these Winter Concerts. Upon inquiry, both in London and the provincial towns, I was assured that, although balls and other amusements repugnant to the present feelings of the people had been relinquished, all entertainments of good music had been patronized as in former years. After this assurance, and yielding to the persuasions of friendly advisers, I decided upon giving these performances. I have since discovered, much to my regret, that the mournful consequences of the war have deprived me of several constant attendants at these Winter Evenings. With the talent secured, and by introducing some novelty each night in the programmes, I hope to satisfy those who honour me with their presence, that no exertions on my part shall be wanting to make these evenings, in every way, equal to those of former seasons."

We heartily wish him success. With such patronesses as the Duchess of Roxburghe, the Dowager Lady Rivers, the Lady Cranworth, the Hon. Mrs. C. Bruce, the Lady Clerk, and Miss Cornewall, why indeed should he not find fair and healthy patronage?

DRAMATIC.

great success, Mdlle. Fanny Ellsler representing the bayadere
and Mdlle. Theresa the Brahma deity.
The engagement at the Adelphi of the two accomplished dan-
Madame Celeste the revival of Le Dieu et la Bayadère. Although in
possession of no operatic force, the Adelphi company is not entirely
wanting in singers-witness Miss Woolgar, Miss Mary Keeley,
and Mr. Paul Bedford-and consequently Madame Celeste, in
considering the reproduction, did not leave music altogether out
of the question. It was not to be expected that the whole could
be given, nor that what was given should be performed exactly
as it should be. On the whole, the general performance-making
every necessary allowance-was creditable to a non-operatic
establishment. As much of the original music as could fairly be
executed by the company was retained; and, as far as the
scenery, dresses, and appointments were concerned, an improve-
ment could hardly be pointed out. The music was "adapted and
arranged" for the company by Mr. Alfred Mellon, and Madame
Celeste had the superintendence of the ballet department. One
dilemma the fair manageress was placed in, from which, how-
ever, she contrived to come out with flying colours. It might be
said that the ballet corps of the Adelphi laboured under an em-
barras de richesses. It acknowledged two premières danseuses.
What to do with them? How prevent feelings of rivalry?
Madame Celeste discovered a way, vide daily bills, where it is
announced as follows:

"Zoloe (the Maid of Cashmere), on Monday, Wednesday, and Friday, Mademoiselle Maraquita; on Tuesday, Thursday, and Saturday, Mademoiselle Benoni;-Fatma (her companion) on Monday, Wednesday, and Friday, Mademoiselle Benoni; on Tuesday, Thursday, and Saturday, Mademoiselle Maraquita."

Again the celebrated shawl dance was to be alternated; so that, in fact, everything was done openly, that could be done openly, to demonstrate to the world, that Mademoiselle Maraquita was not considered superior to Mademoiselle Benoni-and vice versa. Nevertheless, both dancers had their special favourers. Mademoiselle Maraquita was more generally admired for her ease, bird-like motion, and simplicity of style; Mademoiselle Benoni was recommended to many by her firm poses, the boldness of some of her steps, and her undeniable strength. It was, in short, a friendly " passage of feet," a struggle of grace against muscle. Both artists were loudly applauded in the pas de deux of the second act, and to neither was allowed the title of conqueror.

The piece which, in the Adelphi version, rejoices in the title of The Unknown and the Bayadère, was so successful, that we literally read the announcement of its success at Knightsbridge, on Monday morning, ten hours before the first performance took place. A genuine triumph, therefore, must have been anticipated by the management, and a genuine triumph was achieved. The Unknown and the Bayadère has been repeated every night during the week, and the alternation of the part of the first bayadère by the charming danseuses Mdlles. Maraquita and Benoni appears to lend an additional attraction to the performance.

ADELPHI.—It is more than twenty years since Auber's balletopera, Le Dieu et la Bayadère was first produced at the GrandOpéra at Paris. The subject was entirely new; the legend was striking; the piece sufficiently well constructed; the getting up magnificent; the general performance unexceptionable; the music delicious; and, by a natural consequence, the success immense. As every new production in the French capital is watched with keen interest by the London managers, it is not to be supposed that a piece which had achieved such a triumph would have remained long untransferred to one of our principal theatres. Le Dieu et la Bayadère was brought out at Drury Lane, shortly after its production in Paris, under the title of The Maid of Cashmere-a better title, perhaps, than the original. The tale upon which the drama is founded may be seen in Göthe; but the legend is very old. One of the Hindoo gods, as a punishment for some dereliction, is driven from the heavens and condemned to wander on the earth until such time as he can find a woman with a pure, uncontaminated heart. The exile of the skies finds the pure, uncontaminated heart in a young wandering dancing girl with very short petticoats, whom he straightway carries off to Heaven-backwards and upwards, according to stage management-without depriving her of mortal breath, or foregoing as much as a spangle of her earthly costume. There is one signal advantage the charming bayadère seems to have possessed over other women, which doubtless recommended her so strongly to the Brahma deity, and constituted her crowning virtue in the eye of the supernals-she never spoke. When questioned, she danced a response. The Bayadere was produced at Drury Lane, Mr. Wood played the exiled angel, Mdlle. Duvernay the principal bayadere, and Miss Betts, Ninka, the singing bayadere. It was got up with great splen lour, and had a long run. Some years afterwards, during the dynasty at Her Majesty's Theatre of the fair sisters Ellsler, La Bayadère was brought out as a ballet, and had a | speculator.

When

HAYMARKET.-On Saturday Miss Cushman appeared as Meg Merrilies in Guy Mannering, the first time since her re-engagement. The performance of the accomplished actress in her popular part was as vigorous and powerful as ever, and created the greatest enthusiasm. Miss Cushman's Meg Merrilies, in a word, may be pronounced one of the most vivid and striking On Saturday examples of melodramatic acting on record. evening, Mr. George Tedder made his first appearance at this theatre, in Henry Bertram. He has got a fine voice, and sings with much energy.

The

LYCEUM THEATRE.-The indefatigable Mr. Allcroft has announced for Wednesday evening (see our advertising columns) one of his "monster" entertainments at this theatre. array of names set forth in the programme will doubtless attract an overflowing audience. This is the eighteenth year Mr. Allcroft has got up entertainments for the multitude on this large scale. From this it may be surmised that they have been both attractive to the public and profitable to the

DRAMATIC GOSSIP.-The St. James's Theatre will re-open on Saturday with two new pieces, under the management of Mrs. Seymour. The bills do not specify any changes or additions having taken place in the Company. A new farce has been brought out at Drury Lane during the week, entitled, Writing on the Shutters. Notwithstanding all the rumours respecting Meyerbeer's paying Mr.E. T. Smith a large sum of money not to bring out an English version of L'Etoile du Nord, its performance is announced in the bills for Monday next. Malle. Jenny Bauer-a German soprano of some reputation, and of whose vocal abilities we had occasion to speak in our notice of one of the concerts of the Réunion des Arts-has been engaged for the part of Catherine, and Mr. Whitworth, we believe, will sustain the part of Peter.

...

Mendelssohn.

having to sing in such a booth-it is little better-no voice could make itself tell in such an ill-ventilated wooden building; she gave Mozart's "L'Addio" as well as it could be given under the circumstances; she was encored in "Minnie," when she sat down to accompany herself on the pianoforte in "Over the sea." Mad. Pleyel, after all, was the grand attraction; she was warmly welcomed on her appearance, and gave the andante and rondo from Mendelssohn's grand concerto in G minor in the most brilliant manner, fully proving that she merited all the eulogium the press have bestowed on her; she was unanimously encored at the end, when she gave variations on the "Tu vedrai" from Il Pirata, showing herself as complete a mistress of the romantic as of the classic school. On the whole, the audience were enchanted with Madame Pleyel, but I am certain the renowned pianist would be heard to greater advantage in a more suitable room, as indeed would M. Jullien's admirable band also.

The third concert of the Concerts for the People was given on Saturday evening last; but, owing to various attractions elsewhere, it was far from being supported as it deserved. The programme was well selected, and the general character of the performance creditable. Mr. Walker opened the concert with the overture to the Caliph of Bagdad upon the organ. Mrs. Brooke sang "O'er the lea," and "O bay of Dublin." Calcott's glee, "Queen of the valley," was rendered in a careful manner. Miss Shaw sang the new song of "Peace," and "Minnie," with taste and feeling. Mr. Delavanti was encored in Mendelssohn's "I'm a roamer."

Quartet (In E minor, Op. 44) ... Solo-Violin Duet-Violin and violoncello (Guillaume Tell)... Schubert and Kummer. WORCESTER.-Madame Pleyel gave a concert on Saturday at An accident to Mr. Charles Hallé's left hand disabled him the Music Hall, in conjunction with Miss Dolby, Miss Amy from playing on the pianoforte; the consequence was, the concert Dolby, and Mr. Hamilton. The weather could not have been became a Quartet-in lieu of a Chamber one. Messrs. Baetens more unfavourable, and the Hall was, consequently, but half and Carrodus, as tenor and second fiddle, being called in to full. The chosen few, however, who, despite of wind and frost aid the other principals, Messrs. Sainton and Piatti. The conon- and snow, did not stay away, were compensated for their boldcert, notwithstanding, went off well. Beethoven and Mendelssohn's ness by the magnificent performance of Mad. Pleyel, and the quartets were both given with finish and delicacy. M. Sainton sweet singing of the fair sisters Dolby. - is an admirable leader in a quartet, he plays so little for mere display. Signor Piatti's solo on the violoncello was encored, and repeated the last variation. M. Sainton was accompanied in his solo performance (fantasia on La Figlia) by a M. Hecht, on the pianoforte. The applause was enthusiastic. The serenata of Beethoven was well played-almost a novelty here, and a greater treat in consequence. The duet of Schubert and Kummer was a good contrast to the more important pieces. The weather was wintry, so the hall was not so full as usual.

SHEFFIELD. The third concert of the Vocal Union for the present season was given at the Bath Saloon, on Thursday the 8th inst. The soloists were Masters Giles and Appleyard, of the choir of the Parish Church, Leeds. The concerted music was executed with precision. Mr. J. S. Booth, organist of Wortley Church, has resumed the conductorship, vice Mr. Monk, resigned.

WHITBY.-A concert has lately been given in this town by Mr. Mercer and the Whitby Philharmonic Society, in aid of the Patriotic Fund. The net proceeds amounted to £6, which has been paid over to the account of the Patriotic Fund.

On Saturday evening M. Jullien gave us one night, on his way to Liverpool, Dublin, Edinburgh, etc. Again he had to put up with that vile place 'yclept a Philharmonic Hallforsooth-simply because it was the only place he could get in Manchester wherein he could pack an audience of two or three thousand persons! However, your own correspondent and many hundreds besides him wished to see and hear Madame Pleyel, so had to bear all the discomfort of the place as well as we could. The rush was fearful, and the arrangements as bad as could be. The holders of tickets at 3s. 6d. for reserved seats in the ring (the sawdust being covered) had to struggle for admission (highly respectable parties and ladies among the number) by the same door of entrance as the crowd for the 2s. seats! The place was crammed from orchestra to the roof on every side-the best seats, 5s., being as well filled as the 1s. ones; but the effect of all this crowd in a confined enclosure of wood and canvas (being a mere temporary building put up for a circus) was, that the very applause, when M. Jullien made his appearance on the platform, punctual to a minute, at eight o'clock, seemed muffled and deadened. How then could the music be heard to advantage? The programme contained most of Jullien's recent productions, as "The American Quadrille," "The Sleigh Polka," "The Allied Armies Quadrille," ," "Valse d'Adieu," "The Pantomime Quadrille," wound up by the "Vive l'Empereur Galop." Mingled with this were a few of his more classic selections; the concert, beginning with the Leonora overture, played ad- if mirably by the band. The andante from the American composer, Mr. Bristow's symphony in D minor, made us long to hear the entire work. Miss Dolby had not half a chance in

THE REAL BULL CAUGHT BY THE HORNS.

"THAT tower of Danish strength, the Ole Bull," says the New York Musical World," who, when he takes you by the haud in friendly grip, reminds you that there are still live men in the world, has thrown his physical and artistic energy into a new enterprise. He has slid his broad shoulder under the New York Academy, and offers an inspiriting inducement to the latent, or already developed, opera talent in this country. Our friends will read all about it in the advertisement. Now this is a fine thing. Rather humiliating to some American who did not do it; but still a bold and brave thing in Ole Bull; who, by the Bull, Maretzek and Strakosch, we have a combination of more positive, way, is an American after all-by naturalization. We think that in practical talent, and managerial experience, than in any other three men of the same stamp we have ever hard in this country. Ole Bull and Strakosch have been uniformly successful in their concertgiving in the United States: at all events, where anybody could succeed, they have succeeded. At the time the lamented Madame Sontag, with her accompanying troupe, were on travel through the United States, Ole Bull and Strakosch went over the same route, and actually made more money, it is confidently believed, than the other enterprise. The truth is, our champagny friend Strakosch, is a shrewd business man, as well as clever artist: while Mr. Maretzek had more operatic experience than any other manager in the country. The combination of three such men is a favourable augury for the future Academy, and there is success to be attained in the enterprise, they will secure it." [Here then is the secret of the Strakosch Expedition. We wish, as we said before, our "champagny friend" may see Sophie, Johanna, and Sims, and they the terms.-ED.]

Μ'

CA

ASE'S CONCERTINAS, manufactured under the personal superintendence of MR. GEORGE CASE, the eminent professor, whose talent and energies have been devoted so many years to the improvement of this instrument. Prices from £4 4s. to £12 128. each. Case's Four Guinea Concertinas are intended to supersede the imperfect cheap Concertinas which, being made with only half the proper number of notes, are really worthless as musical instruments. A post-office order for £4 48., will ensure the delivery of a Concertina in a handsome mahogany case, carriage free to any part of England. Residents in London are respectfully requested to call between the hours of Three and Four, when Mr. Case attends to try over Concertinas and music. Boosey and Sons, sole dealers in Case's Concertinas, 28, Holles street.

ISS BLANCHE CAPILL (Pupil of Louis Leo-Voice, R.

Mezzo-Soprano), Professor of Music and Singing, 47, Alfred-street, Riverterrace, Islington, where letters respecting pupils or engagements may be addressed.

MR. H. COOPER, Concert Agent. - Professors and others

giving Concerts in Town or Country, may be supplied with Vocal and Ins rumental Performers on applying, by letter, to Mr. Cooper, No. 44, Upper Charlotte-street, Fitzroy-square.

ISS MILNER, Vocalist (Soprano), will be happy to

MIS

accept engagements to sing at Oratorios, Concerts, etc., etc.-For terms apply to Mr. Cooper, No. 44, Upper Charlotte-street, Fitzroy-square.

TAINMENTS, with Optical Dioramic View, at the Regent Gallery, 69, Quadrant, every evening at Eight Special Morning Performances on Wednesday and Saturday at Three. Grand pianoforte, Miss St. Arnaud. Stall tickets to be nad at Mitchell's Royal Library.

G

OLLMICK'S CHANSON À BOIRE.-" Lively and original, full of true Bacchanal spirit, yet free from coarseness and common place."-Liverpool Mail. Price 3s. Also by Herr Gollmick, "Europa" Galop de Concert. Second edition. Price, 23. Loosey and Sons, 28, Holles-street.

E RÊVE DU PASSÉ-Romance sans Paroles, pour

LE

le Piano, par Mde. Oury-London: Boosey and Sons, 28, Holles-street, Oxford-street. Price 48. "This is a very charming composition, just suited for a morceau du salon, elegant in style and full of spirit and expression. We need give no higher recommendation than that it is in every respect worthy to be the production of a lady so high in the profession as Mde. de Belleville Oury."-Brighton Herald.

PRINCIPAL TENOR SINGER WANTED for the SIX GERMAN VOLKSLIEDER, transcribed for the

Temple Church. Salary, 65 Guineas per annum; attendance, on Sundays and Christmas-day. There is also a vacation of about two months every autumn. No one need apply who has not been regularly educated in a Choir. The strictest testimonia s will be required as to qua ification and character. Applications to be addressed to the Under Treasurer, Inner Temple, on or before the 20th of March, 1855.

MESSRS. GRAY and DAVISON have much pleasure

in announcing that Mr. W. T. Best will give a performance on the Grand Organ for Magdalen College Chapel, Oxford, on Saturday evening, the 24th February, in the Exhibition Room of their manufactory, New-road, Fitzroy-square, being the last occasion on which the instrument can be heard in London previous to its removal.

Programme.-Part I. (Organ Music.)-Grand Offertoire (Op. 35), Lefsbure Wely (Organist of La Madeleine, Paris); Trio and Fuga (B minor), J S. Bach;

Piano by GOLLMICK:

EUG

8. d.

UGENIE VALSE, by WALDMULLER, illustrated with Portrait of the Empress of the French. Price 1s. 6d., formerly 38. Boosey and Sons, 28, Holles-street.

Variations on a Russian Church Melody, Bortuliansky. 4 artsEOE
HE ELECTRIC GALOP, by GOLLMICK. Second

Price 28. for Pianoforte, Flute and Piano, 3s., Band parts 5s., Septett copy 3s. 6d. Boosey and Sons, 28, Holles-street.

M. PRUDENTS' LA CHASSE. This favourite com

position performed so frequently at the Author's concerts, always roceived an encore. Extracts from the Pr ss.-"An exceedingly effective descriptive piece of music, fresh, quaint, racy. and full of local colouring."-Chronicle. "A most tuneable piece "A comp sition of great merit and originality."-Times. full of gay spirit."-Athenaum. Boosey and Sons, 28, Holles-street.

SONGS, by the Author of "Charles Auchester.' T. MARTIN'S HALL. MENDELSSOHN'S ST. PAUL THREESON Cry, by the dedicated, by permission, to the Marchioness ST. MARTIN'S HALL. MENDELSSOHN'S ST. PAUL

direction of Mr. John Hullah. Principal vocalists, Mrs. Sims Reeves, Miss Palmer; Mr. Sims Reeves, Mr. Henry Buckland, and Mr. Thomas (his second appearance in London). Tickets, 1s., 2s. 6d., and 5s., may be had of the musicsellers, and at St. Martin's Hall. Commence at half-past seven.

of Hastings, by the Author of "Charles Auchester." No. 1, Jerusalem;" No. 2, "Suspense;" No. 3, "By the Carrier Pigeon." Price 28. each. Boosey and Sons, 28, Holles-street.

NO

JOVELLO'S GLEE HIVE: a Collection of the most popular Glees and Madrigals, in vocal score, with ad. lib. accompaniment Lists gratis. J. A. Novello, London, and New York.

respectfully for piano. In 3 volumes, cloth, gilt, 8s. each. Also in 83 Numbers, from 2d. to

6d. each. announces that, by general request, the first of his Annual Series of Performances of Classical Pianoforte Music will take place at the Hanover-square Rooms, on Tuesday Evening, March 13 (instead of Tuesday, February 20). The

second and third performances on Tuesday Evenings, Ayril 3 and May 1. Sub-THE CONCERTINA MISCELLANY.-Just Published, GRAND

THE LONDON ORCHESTRA.-Conductor, Mr.

OTICE-BOOSEY'S UNIVERSAL SINGING THE

NOT

METHOD (just published) is the cheapest and the most instructive and useful system of singing that has appeared. It contains the best exercises by Bordogni, Garcia, Vaccaj, Righini, Rossini, &c., besides a complete course of instruction in the mode of cultivating and producing the voice, and five popular songs and duets by celebrated compos.rs. Edited by JOHN WASS. Price ús., in a large vol., cloth, Boosey and Sons, 28, Holles-street."

THE MUSICAL DIRECTORY

CONTENTS:

1. An Almanack, with musical data.

2. A List of Musical Societies throughout the Kingdom. 3. The Musical Doings of the past year.

FOR

FRANK MORI; Leader, Mr. THIRLWALL. Including Messrs. Barret, Lazarus, Baumann, Rémusat, Lovell Phillips, Prospère, Mount, Mann, Cioffi, Zeiss. Tolbecque, Nadaud, Chipp, &c. For terms apply to Mr. A. Guest, 1, Kingston Russell-place, Oakley-square, Camden-town, or Messrs. Cramer, Beale, and Co., 201, Regent-street.

PRIZE GLEE-ARDWICK GENTLEMEN'S

GLEE CLUB.-The Committee of this Club hereby OFFER a PREMIUM of 1855. FIVE GUINEAS for the Best ORIGINAL CHEERFUL GLEE, for four male voices, such glee to be written for the occasion and sent in on or before the 10th March next, addressed to the Secretaries, at the club room, George and Dragon Inn, Ardwick Green, Manchester. Each composition is to be distinguished by a motto, and accompanied by a sealed letter containing the real name and address of the composer, the glee and letter being endorsed on the outside with a corresponding motto. The manuscripts will be retained by the club, but the copyright will not be interfered with. The name of the successful competitor will be announced to each candidate immediately after the decision is given. S WOOD, THOS. DAKIN,

4. Complete List of Music published throughout the Kingdom between 1st of January and 31st December, 1854.

5. Names of Professors, Music-sellers, and Musical Instrument Manufacturers, throughout the Kingdom, with their Addresses, &c.

Rudall, Rose, Carte, and Co., 100, New Bond-street, and 20, Charing Cross.

GUNGL'S TWO LAST WALTZES.

JOSEPHANA GUINAGE, Op. 113, Wice 2s. 6d.

THE ZEPHYR

COMPOSERS ABOUT TO PUBLISH.-JEWELL

Op CAJETANA WALTZUS ed at the Universal Circulating Musical Library; T and Luton, Music Publishers, 17, Soho Square, London, undertake the

86, Newgate-street.

J

UST PUBLISHED.-A Supplement of 15,000 new and interesting works to the Catalogue of the Universal Circulating Musical Library, price 3s., by G. Scheurmann & Co., importers of foreign music and publishers, 86, Newgate-street.

SLOWLY AND SOFTLY MUSIC SHOULD FLOW, , and

TWO MERRY ALPINE MAIDS, two new and most effective duets, the words by J. E. Carpenter, composed by Stephen Glover. Wil be found equal to the most popular compositions of these celebrated writers. Price 2s. 6d. each, postage free. London, Brewer & Co., 23, Bishopsgate-street within.

Printing and Publishing of every description of Musical Work, greatly under the usual charges. The works are produced in the best style, combining taste with economy. Attention is also particularly paid to the publishing department. M.S. works revised and prepared for press. Estimates given. JEWELL and LETCHFORD, Music Publishers and Pianoforte Manufacturers, 17, Soho Square.

IMI

MPROVED SYSTEM OF PENMANSHIP, by MR. MARTER, at the Writing Institution, 93, Farringdon-street, Fleet-street, City.Persons of any age (however bad their writing) can, by taking Eight Lessons, speedily acquire an expeditious and well-formed style of Penmanship, adapted either to business, professional pursuits, or private correspondence, at 1s. 6d. per Lesson, or the Course of Eight Lessons for 10s. 6d. Arithmetic and Book-keeping practically taught in all its branches. Short-hand taught in a few lessons. Separate Rooms for Ladies. Prospectuses to be had at the Institution.

THE PATENT DUETT CONCERTINA,

ordinary instrument comprises two Concertinas in one; each having unison notes, enabling a single performer (without difficulty) to play duets or melodies with a separate accompaniment. It is also admirably suited to the voice, and combines results not to be obtained in any diatonic instrument of the description now in Inventors, Wheatstone and Co. (original patentees of the Concertina), 20, Conduit-street, Regent-street.

use.

this day, price 3s., Illus rated by Messrs. Leighton. The Band Parts are nearly PRICE FIFTY GUINEAS.-This instrument has (unlike the ordinary

NEW

EW PIANOFORTE MUSIC, by ADOLPH GOLLMICK. Chanson à boire 38.; Farewell (transcription), 4s; Minerva-Grand Valse, 3s. Six Etudes, 4s.; Grand Marche Héroïque, 38.; Grand Caprice sur des Airs Ethiopiens 3s.; Valse Styrienne, 28.: Consuelo-Mazurka, 2s.; Le RevoirMorceau de Salon, 2s. 6d; L'Espoir-Romance, 23. 6d.; Europa-Galop de Concert, 2s Six German Volks ieder, each 2s. 6d.-1. Treue Liebe-True Love; 2. Wanderlied- Parting Song; 3. Liebe und Glück-Love and Happiness; 4. Rheinweinlied-Rhine song; 5. Aennchen von Tharau-Serenade; 6. Der Gute Kamerad-The Faithful Friend. Boosey and Sons, 28, Holles-street.

OTHIC HARPS, Double-action, with every improvement on Erard's principle, warranted for any period, from 30 Guineas. H. Haarpack, Harp Maker, 35, Berners-street, Oxford-street Harps repaired, redecorated, strung, and regulated at moderate prices. N.B.-32 years experience in Harps.

SONGS IN THE NIGHT.-Job. ch. 35, v. 10.-Six

Sacred Airs, for the Voice and Pianoforte. The music by Mendelssohn,
Weber, Dr. Callcott, &c. The poetry by Bishop Heber, James Montgomery, &c.
Edited and arranged by W. Hutchins Callcott. Price 78. A suitable gift for the
present times.
Addison and Hollier, 210, Regent-street.

HAPPELL'S FOREIGN MODEL PIANOFORTE.cottage pianoforte) THREE STRINGS, and the fullest grand compass of SEVEN OCTAVES. It is strengthened by every possible means to endure the greatest amount of wear, and to stand perfectly in any climate. The workmanship is of the best description, the tone is round, full, and rich, and the power equal to that of a Bichord Grand. The Case is of the most elegant construction in Rosewood, (vide the sketch), the touch elastic, and the repetition very rapid. Every possible precaution has been taken to insure its standing well in tune. Mr. Chappell especially invites the attention of the public, the profession, and merchants to the FOREIGN MODEL, feeling assured that no pianoforte, in all respects comparable, has hitherto been made in England at the same price. Every instrument will be warranted, and (if desired) exchanged within twelve months of the purchase. 50, New Bond-street, London.

A1

LBINOLO'S OINTMENT having been forwarded by the Army Medical Board to the Hospital at Scutari, the Proprietor of this invaluable discovery having been severely wounded, and cured with this ointment 48 years ago, at the battle of Jena, will present every soldier going to the seat of war with a box to dress his wounds or sores, as a token of sympathy for his sufferings.-Apply, 29, Marylebone-street, Regent-street.

In Pots, duty included, 1s. 1d., 2s. 9d.. 4s. Gd., 11s., 22s., and 33s.

On the 22nd November, I delivered eight large tin boxes, containing together 200lbs., to Dr. Andrew Smith, Director to the Army Medical Board, to send them to the Army in the Crimea.

OLLOWAY'S PILLS a sure remedy for Indigestion Bile, and disordered Stomachs -Mr. Patrick O'Brien, of Newtownards, had frequent attacks of bile and indigestion, particularly after indulging freely in the luxuries of the table. His appetite was good, but his digestion weak, which obliged him to have recourse to medicine as oft-changed as told, for he seldom obtained more than temporary relief, relapsing again into the same unpleasantness. Holloway's Pills were recommended to him after all, and it is quite astonishing to see the benefit he has derived from them, as he can now eat indiscriminately, without fear of suffering from his former ailments.-Sold by all Vendors of Medicine, and at Professor Holloway's Establishment, 244, Strand, London; and 80, Maiden-lane, New York.

Published by JOHN BOOSEY, of 27, Notting Hill Square, in the parish of Kensington,
at the office of BOOSEY & SONS, 28, Holles-street. Sold also by REED, 15, John-
street, Great Portland-street; ALLEN, Warwick-lane; VICKERS, Holywell-street;
KEITH, PROWSE, and Co., 48, Cheapside; G. SCHEURMANN, 86, Newgate-street;
HARKY MAY, 11. Holborn-bars. Agents for Scotland, PATERSON AND SONS,
Edinburgh; for Ireland, H. BUSSELL, Dublin; and all Music-sellers.

Printed by WILLIAM SPENCER JOHNSON, "Nassau Steam Press," 60, St. Martin's
Lane, in the Parish of St. Martin's in the Fields, in the County of Middlesex.