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MUSIC FOR CHURCH of ENGLAND SERVICES
In the TONIC SOL-FA NOTATION.
Edited by John Curwen.

The CHORAL SERVICE of WESTMINSTER and ARMAGH. Harmonies bj
James Tuble, Esq. Price One Penny.
TALLIS'S RESPONSES to the CHORAL SERVICE. Price One Halfpenny.
JACKSON'S TE DEUM, In the " Tonic Sol-fa Reporter, No. 53." Price. One

JACKSON'S JUBILATE, SANCTUS, and GLORIA. In the " Tonic Sol-fa Reporter, No. 60." Price One Penny.

JACKSON'S DEUS MISEREATUR, CANTATE DOMINO, and KYRIE ELEISON, in the " Tonic Sol-la Reporter, No. GO." Price One Penny.

EBDON'S MAGNIFICAT and NUNC DIMITTIS, In the "Tonic Sol-fa Reporter, No. 7rt." Price One Penny.

CONGREGATIONAL ANTHEMS, twelve in number. Including CamMge'i Sa-ictui. Price Three Halfpence. Can also be obtained in the ESTABLISHED NOTATION, Part A (nine anthems), price Twopence, and Part B (three anthems), price One Penny.

KENT'S " SING O HEAVENS," in the " Tonic Sol-fa Reporter, No.46." Price One Penny.

Dr. WHITFIELD'S "IN JEWRY IS OOD KNOWN," and Dr. CROFT'S "CRY ALOUD AND SHOUT," in the "Tonic Sol-fa Reporter, No. 63." Price One Penny.

TALLIS'S "ALL PEOPLE THAT ON EARTH," and PALESTRINA'S "I WILL GIVE THANKS," in the "Tonic Sol-fa Reporter, No. 71." Price One Penny.

MASON'S "LORD OF ALL POWER," WINTER'S HEAR MY PRAYER," and HARWOOD'S "VITAL SPARK," in the "Tonic Sol-fa Reporter, No. 90." Price One Penny.

CHANTS. RESPONSES, Ice, containing 3 Sanctuses, 5 Responses, | Gloria!, 37 Cban:s, and the Canticles marked for Chanting. The music iu both notations. Price Twopence.

THE SABBATH TUNE BOOK (Edition T), containing HI Psalm Tuncl and 13 Chants. H irmonised by Jame* Turlk, Esq. Price Kourpence. The lame in the Established Notation with pianoforte accompaniment (Edition K), price One Shilling. "The Sab'iatli Hvmn-Book " (Ktiitlon J), price Eigiitnence,containing 630 pieces, including the " CbUtt'l Own Hymn-Bonk," and Ihe Canticles of the Church of England, with Scripture references to the principal hymns, Is adapted to this tune-book.

THE SABBATH HYMN and TUNE BOOK (Edition F), containing 467 hymns, 77 tunes, with " Congregational Anthems," " Chants. Responses," &c. and the Westminster Choral Service (as above). Price Two Shillings. Th~ same (Willi the exception of the Choral Service) in the Established Notation (Edition E). Price Two

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R. CURWKN'S PUBLICATIONS IN THE ESTA

BLISHKD NOTATION.

HOW TO OBSERVE HA.RMONY, so as to sing more correctly, confidently, and pleasantly. A tract founded on an Analysis of Palestrlna's *' Missa Papa Marcello," of H*noVl'» '* Meisiah," of Haydn's "Creation," and of Mendelssohn's ** Elijah," made by Mr. James S. Stallybrass, under the direction of the Editor; with examples, consisting of short pieces of music by some of the best composers. By John Ci'kwen. Trice/id.

SONGS AND TUNES FOR EDUCATIONS k for "the Piano-, forte Edition ").— Two hundred and sixty-seven songs for the School and the Family from the bc-.t German, English and American sources, Harmonised by James Tuhlb, Esq., organist of Westminster Abbey. Price 2*. 6d.

SCHOOL MUSIC —One hundred and thirty-three popular pieces, harrron'jed by George Hogarth, Esq.; specially adapted for young pianoforte players. Price Is. Connected with " School Songs " (containing the words), price 6d.

THE SABBATH HYMN AND TTJNE BOOK, a book for the Congregation and (he Sunday School.—Edition A, 4G7 hymns and 77 tunes, harmonised by James Tuble, Esq. Price Is. 6d.

Ed. I..—Congregational Amhenn, witli pianoforte accompaniment. Part A, containing • Pray for the peace," " Holiness hecometh," " Sing, O heaven*," " Now unto Him," Benediction, "The Lord is merciful," "I was glad," "I will arise," and Camidge's Sanctus; price 2d. Part B, containing ''Come unto me," "Thine, O Lord," and " I*ord, bless us stillprice Id,

En. N.—Bible Chants (41). Price lid.

Ko. Q.—Chants, Responses, Canticles, and Sanctuscs (49 pieces of music). Price 2.1.

Ed. C—A, L, and N combined. Price 2s.
Ed. E. —A, L,and Q combined. Price 2s

Eo. J.—All the words to the above, with the addition of the "Child's Own Hymn Book " (G33 pieces in all), and Scripture References to the principal hymns. Price, In cloth, Pd.

Ed. K_—" Sabbath Tune Book," with pianoforte accompaniment, and the Tenor in the common clef; containing all the tunes for Edition 3 (127). Price Is.

THE PEOPLE'S SERVICE OP SONG.-Twohundred and twelve Psalm Tunes, Chants, and Anthems, with simpler harmonies than the abore. Pianoforte and Full Score edition, targe type, with four verses of a hymn, marked for ex pression, to each tune ; cloth, 5s. Short Score and Organ edition, price 2s.

THE STANDARD COURSE OP LESSONS on the Tonic Sol-fa method of teaching to sing ; the exercises in the Established Notation, Price Is. Cd. "Facile, true, and inexpensive," Is the motto of this method; It has already secured more than 700 teachers in England and Scotland, and more than loO.OOO pupils. Correspondence in reference to it may be addressed to Mr. Wm. H. Thodey, Richmond House, Plaistow, London, E.

THE SHORT COURSE OP LESSONS for ditto ( the exercises in

the Established Notation. Price 2d.

London: Ward and Co., 27 Paternoster Row, E.C.

NEW OPERA.

THE PURITAN'S DAUGHTER.

A GRAND ROMANTIC OPERA IN THREE ACTSi

THE LIBRETTO WRITTEN BY J. V. BRID GEMAN)

THE MUSIC COMPOSED BY

M. W. BALFE.

COMPLETE—PRICE TWO GUINEAS.

CONTENTS.
ACT !.

No. Voice, S. 4.

Overture -40

1. Chorus "Here's to wine, and here's to beauty." - - -40

2. Duet, "Hate, hate." T. B. 30

3. Duet, "I would ask a question" (Comic) - • S. B. 4 0

4. Song, "Mr own sweet child." - - • - • B. 2 6

5. Aria, "What glorious news" (Comic) - - - B, 3 0

6. Recit & Chorus, with Solos, "Let us haste." • Soprani. 3 0

7. Solo & Chorus, "By earth and air." - Male voices. 3 0

8. Concerted Piece, "What do we see?" ...... .80

8a. Duet, "Oh, father, pity I" - - . . S. B. 3 0

8b. Duet, "Oh, reflect ere you decide." - - - S. B. 3 0

9. Carat ina, •* Pretty, lowly, modest flower." - - S. 2 6

10. Finale, Act I. .-.-.......-60

lOf * Ballad, "Bliss for ever past." - - . - S. or B. 2 G

x ACT II.

11. Reclt. & Romance, "How peal on peal of thunder rolls." - - B. 2 6

12. Trio, "Bv the t.mpest overtaken." - • - T. B. B. 3 0

13. Trio, "My welcome alio to this roof." - - T. B. B. 3 0 13$. Cabaletta, "Can it be, do I dream ?" - - - - - B. 2 0

14. Duet ti no, "Let the loud timbrel" (Unison.) - - T. B. 2 0 14$. Recitative, "N.ir, do not run away." - - - - - - 20

15. Air, ** Though we fond men all beauties woo." - • - T. 2 6 1G. Duet, "Thou wcepest, gentle girl." - - - S. B. 6 0

17. Drinking Song, "Let others sing the praise of wine." - - T. 3 0

18. • Batlad, "The Paradise of Love." - - - S. 2 6

19. Finale, Act II. - - - - - - - 90

19a. Trio, "What man worthy of the name." - - S. B. B. 8 0

Act in. i

I9J. Entr'Acte 20

20. * Ballad, "Hall, gentle sleep." T. 2 6

21. Concerted Piece 10 0

22. Ballad, "A loving daughter's heart." - - - S. 2 6

23. Concerted Piece ...........60

24. Rondo, Finale, "With emotion p**st all feeling." - S. 3 0

N.B.—Those marked thus (*) have transposed Editions.

Favourite Airs from Balfe's Opera, " The Puritan's Daughter," arranged by

\V. H. Callcott, in 2 Books - - - - - Solos, 5i.; Duets 6 0

W. H. Holmes's Fantasia, " The Puritan's Daughter ** . - . - -40 Brinley Rtchards's " Bliss for ever past.'' ....... -30

Brintey Richards'* Fantasia on the Favourite Airs - - - - . - 40

Galop, from "The Puritan's Daughter." arranged by C. Coole - - - - 3 0

The Storm Valse, from " The Puritan's Daughter," arranged by C. Coote - 4 0
Quadrille, from " The Puritan's Daughter," arranged by C. Cuote - - .40
Kiihe's Fantasia on "The Puritan's Daughter." - - - - . -40

Other Arrangements in the Press.
London: Addison, Holubr and Li:cas, 210 Regent Street.

EVANS'S ENGLISH HARMONIUMS for Cottages, Schools, Drawing Rooms, Churches, Literary and other public Institutions, are made in every possible variety at prices from 6 to 140 guineas. The Manufacturers have to announce the complete succeis of a New Patent Self-Acting Blowing Machine, the only self-acting blower that has ever succeeded, which may be seen lu operation at Holies Street dally.

The most distinguished living musicians, including Balfe, Sterndale Bennett, Cipriani Potter. Best, Henry Smart, &c, have testified to the extraordinary merits of Evans's Harmoniums.

See testimonials attached to Illustrated Catalogues of Harmoniums, to be had gratis of the Manufacturer*.

Boosbt aud Ching, 24 Holies Street, London.

EVANS'S ENGLISH MODEL HARMONIUM, with two rows of keys, price 66 guineas in oak case, or 70 guineas in rosea ood case, combines every modern improvement. The most beautiful and varied orchestral effects can be produced upon this instrument, which possesses every gradation of tone from the greatest power to the most delicate piano pieces. The Knglish Model Harmonium Is managed with that facility which characterises all Kvans's Harmoniums, and la equally effective both in the drawing room and church.

Boosly and Ching, Manufacturers, 24 Holies Street, London, \V.

EVANS'S PEDAL HARMONIUMS, with independent Pedal Reeds, can be had either with a single or double row of keys, at prices from s?M to 130 Guineas; also with the new patent self-acting blowing machine, Booisy and Ching, Manufacturers, 24 Holies Street, London, W,

MESSRS. CRAMER, BEALE AND WOOD'S CHAPPELL & CO.'S
NEW PUBLICATIONS.

NEW MUSICAL PUBLICATIONS.

Ditto

HELLER, STEPHEN. Deuxième Canzonette. Price 4s.

CRAMER, BEALE and Wood, 201 Regent Street, W.
LEON, ARTHUR. Andante Finale, from Lucia
di Lammermoor, Op. 2. Price 3s. 6d.

CHAPPELL AND CO.'S NEW MUSICAL ALBUMS.
CRAMER, Beale and Wood, 201 Regent Street, W.

In volumes, beautifully bound in various coloured cloths, with gold APOLEON, A. Grand Galop de Concert. Price 4s.

- letters and gilt edges, price 4s. each. Cramer, Beale and Wood, 201 Regent Street, W. (APOLEON, A. Un Ballo in Maschera, Grand Fan

tasia. Price 4s.
Cramer, Beale and Wood, 201 Regent Street, W.
CALLCOTT, J. G. Perpetual Motion Galop. Price 3s.

CHAPPELL'S ENGLISH BALLAD ALBUM,
Autumn Leaves, Nocturne. Price 3s,

Containing 36 Songs by Balfe, Wallace, Barker, Glover, Linley, Lover,
CRAMER, BEALE and WOOD, 201 Regent Street, W.

Walter Maynard, and other popular Composers, all with Pianoforte
E VOS, P. Il mio tesoro, from Don Giovanni. Accompanimente.
Price 3s.

Price 4s. bound and gilt edges.
CRAMER, Beale and Wood, 201 Regent Street, W.

In this Album will be found many of the most popular Ballads of these TAVARGER, R. Pas Redoublé. Price 3s.

favourite composers. F Ditto

Morro ma Prima in Grazia, from Un Ballo.

Price 39. 60.
CRAMER, Beals and Wood, 201 Regent Street, W.
CALLCOTT, W. H. Simon Boccanegra. Favourite CHAPPELL'S FIRST ALBUM DE DANSE

Airs, in two Books. Solos, 5s. : Duets 6s.
CRAMER, Beals and Wood, 201 Regent Street, W.

For the Pianoforte ; containing 10 sets Quadrilles, 50 Valses, 40

Polkas, chiefly by Charles D'Albert.
DANCE MUSIC.

Price 4s. bound, with gilt edges.
BUCALOSSI, PROCIDA. Sweet Violets' Waltzes

(illustrated). Price 4s.
Ditto Flowers of the Valley Waltzes, illustrated. Price 4s.
Ditto Merrie England Waltzes

do.

Price 4s.
Ditto Water Lily Waltzes,

do.
Price 4s.

CHAPPELL'S SECOND ALBUM DE DANSE
Ditto Crown of Roses' Polka,

do.

Price 3s.
Ditto Regatta Galop,

do, Price 3s.

For the Pianoforte ; containing Quadrilles, Valses, Polkas, Galops, Ditto Gipsy Polka Mazurka,

do. Price 3s. Ditto Midnight Galop,

do. Price 3s.

Schottisches, Varsovianas, Polkas, Mazurkas, Redowas, and French CRAMER, BEALE and WOOD, 201 Regent Street, W.

Country Dances.
COOTE, CHARLES. Carolina Polka (illustrated).

Price 4s. bound, with gilt edges.
Price 3s.

N.B._. The two Albums de Danse comprise a complete collection of Ditto

Simon Boccanegra Quadrilles, Illustrated. Price 4s.
Ditto
Un Ballo in Maschera Quadrilles, do. Price 4s.

all Music requisite for the Ball-room.
CRAMER, BEALE and WOOD, 201, Regent Street, W.
STANLEY, G. Summer Rambles Waltzes. Price 4s.
Ditto.
Prairie Flower Waltzes (illustrated). Price 48.

CHAPPELL'S CHRISTY MINSTREL ALBUM,
CRAMER BEALE and Wood, 201 Regent Street, W.
CROAL, G. Old England Quadrille (illustrated).

Containing 52 Songs, with Choruses and Pianoforte Accompaniment. Price 4s.

N.B.-- This collection alone contains various popular Songs, including Cramer, Beals and Wood, 201 Regent Street, w.

“I'm leaving thee in sorrow, Annie,” “ Friends of my Youth," " I'm

returning to thee, Annie," " Rosaline,” &c. VOCAL MUSIC.

Prico 4s. bound, with gilt edges. MAMMA WON'T BRING ME OUT. Sung by Mrs.

. G. Reed, composed by T. GERMAN REED (illustrated). Price 3s. I NEVER DOES NOTHING'AT ALL. Sung by Mrs. G. REED, composed by T. GERMAN REED (illustrated). Price 3s.

CHAPPELL'S SACRED VOCAL ALBUM
CRAMER, Beale and Wood, 201 Regent Street.
THOU TO WHOM MY LOVE IS ALL MY CARE. Contains 36 Songs and Duets, by Handel, Barnett, Glover, the Hon.
Sung by Mr. WALTER BOLTON, composed by E. LANO), Price 2s.6d.

Mrs. Norton, Smart, Abt, Moore, Marcello, &c.
CRAMER, BEALE and WOOD, 201 Regent Street.

Price 4g. bound, with gilt edges.
DRIGHTLY O'ER LAND AND OCEAN. Song.

Words by G. LINLEY, Music by VERDI. Price 28. 6d.
ONLY FOR Thee. Song. Sung by Mile PAREPA, Words by G. Linley. Price
28. 6d.

CHAPPELL'S ITALIAN SONG BOOK,
CRAMER, Beale and Wood, 201 Regent Street, W.

Containing 32 Italian and German Songs, by Verdi, Mozart, Flotow, 'LL TELL YOU WHY I'D LIKE TO BE A ROSE.

Schubert, &c., all with English as well as the original Words, and
Song. H. SMART. Price 2s. 6d.
TELL ME. SWEET ZEPHYR. Song. H. SMART. Price 25. od.

Pianoforte Accompaniments.
CRAMEE, BEALE and WooD, 201 Regent Street, W.

Price 4s. bound, with gilt edges.
LIORNO D'ORRORE. Duet Semiramide, as sung by

the Sisters MARCHISTO (illustrated). Price 2s. 60. LE ZINGARELLA. Duet. Composed expressly for the Sisters Marchisio.

BILETTA. Price 3s.

LONDON:
CRAMER, BEALE & WOOD, 201 REGENT STREET, W.,

LONDON:
AND 67 CONDUIT STREET; ALSO, 207–209 REGENT STREET. CHAPPELL AND CO., 50 NEW BOND STREET.

TE Sung by Mrs.

I'LL TELL YOU WERE AD LIKE TO BE A ROSE

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N E W EDITION.

THE VOICE AND SINGING

(THE FORMATION AND CULTIVATION OF THE VOICE FOR SINGING),

By ADOLFO FERRARI.

WHEN this book first nppeared we foretold its success; our conviction being founded on the author's freedom from conventional trammels, the strong good sense of his opinions, the novelty and yet evident soundness of his precepts, and the conciseness and practical value of his examples and exercises, of which every note is dictated by a clear and definite purpose. The influence of Signor Ferrari's method of forming and cultivating the voice, as it is explained in this treatise, is enhanced by the efficacy of his personal lessons in his practice as one of the most eminent teachers of the day •, and this work has consequently come into general use as a manual of vocal instruction, not only in the metropolis but throughout the kingdom.

In this new edition the author has made various important additions to the work, especially to tho Exercises. Formerly they were confined to soprano or tenor voices; exercises for the one voice being also available for the other. But, for the contralto, or the barytone, provision was not made. This desideratum is now supplied, partly by means of entirely new exercises, partly by giving the old exercises likewise in transposed keys, and partly by adapting the soprano exercises also to the contralto or barytone, by the insertion of alternative passages in small notes. By these means the utility of the work is very greatly increased.

We have said that the remarkable qualities of this book are the author's freedom from conventional trammels, the strong sense of his opinions, and the novelty yet evident soundness of his precepts ; and this we will show by quoting, unconnectedly, a few passages which cannot fail to strike every reader.

"Voices are too often ruined by giving pupils difficult songs, in order to gratify their vanity or that of their friends, before they have acquired the power of sustaining the voice, throughout its natural extent, with a firm and clear intonation. When it is recollected that it has taken years of application and study to enable professional singers to execute properly the songs we are accustomed to hear attempted by almost every young lady who is requested to sing in a drawing-room, the absurdity of the prevailing system becomes self-evident.

"I strenuously advise all who wish to sing not to defer the commencement of this study, as is generally the case, till the pupil arrives at the age of 17 or 18, by which time young ladies ought to be good singers, but to commence early, at about 13 or 14 years of age, and resisting the gratification of singing a number of songs for the amusement of their friends (the word may be taken in more senses than one), to devote sufficient time to what may be termed the drudgery of singing, so as to enable them to acquire the power of sustaining the voice, easily to themselves and agreeably to the air.

"Many young ladies now-a-days speak habitually in a feigned voice. Here lies the greatest difficulty in teaching, or practising singing) for should neither the pupil nor master know the real tone of the voice, the more earnestly they work together the sooner the voice deteriorates. In my experience I have found this difficulty most easily overcome by making the pupil read any sentence in a deep tone, as though in earnest conversation, beginning two or three notes below what they consider their lowest notes; but, as the lower and richer tones of the voice are generally objectionable to young singers, all of whom arc ambitious to sing high, it requires much firmness and some coaxing on the part of the master to get the pupil to submit to this exercise. I cannot advise too strongly the greatest attention to the free and natural development of the lower tones of tho voice : it is to the stability of the voice what a deep foundation is to the building of a house.

"In conclusion, I must add a few words on a subject of great importance to the pupil who makes singing a study. I mean the spirit in which instruction is received. Every emotion of the mind affects the voice immediately; therefore it is of the utmost importance that the pupil should receive the lesson with the mind entirely unprcoccupied by other matters, and in a perfect spirit of willing submission to the teacher's corrections, however frequent, and however unimportant they may appear; for it is simply by the constant correction of little nothings that beauty of intonation and elegance of singing are obtained."—Daily News.

London t Published, price 12s., by
DUNCAN DAVISON and CQ-, 244 Regent Street, W.

POPULAR INSTRUMENTAL WORKS

PUBLISHED BY

BOOSEY & SONS, HOLLES STREET, LONDON.

THE CONCERTINA MISCELLANY. I

THE CORNET MISCELLANY.

THE ORGANIST'S REPERTOIRE.

A Magazine of Modern Music for Concertina and Piano By George Case. Price FOR THE CORNET-A-PISTON AND PIANOFORTE. Arranged by THOMAS

HARPER. Price 35. each number. 25. 6. each number.

1. Rigoletto

15. Don Pasquale 1. Masaniello 27. Il Trovatore (2nd)

2. I Trovatore

16. Norma 2. The Creation 28. Les Huguenots

3. I Puritani

17. Les Vépres Sicilieopez 3. Lucia 29. National English Melodies

4. Lucrezia Borgia

18, La Sonnambula 4. Irish Airs 30. Norma

5. Ernani

19. Fra Diavola 5. French Airs 31. Fra Diavolo

6. Lucia di Lammermoor

20. Favorita 6. Guillaume Tell 32. I Lombardi

7. La Traviata

21. I Lombardi 7. Popular Dance Music 33. Prendi l'anel, Duet

8. Der Freischutz.

22. Guillaume Tell 8. Il Trovatore 31. La Carita and I Marinari

9. Masaniello

23. Second Selection, Trovatore 9. American Melodies 35. Robert, toi que j'aime

10. Linda di Chamounix

24. Nabuco 10. Don Giovanni 36. Beethoven's Kreutzer Sonata

11. Elisire

25. Satanella 11. Stabat Mater 37. Crown Diamonds

12. Robert le Diable

26. Dinorah 12. Rigoletto 38. The Midsummer Night's Dream

13. Les Huguenots

27. Martha 13. Puritani 39. La Traviata (2nd)

14. Fille du Régiment.

28. Don Juan 14. Lucrezia Borgia

40. Popular French Songs 15. Stabat Mater 41. Stabat Mater (3rd)

A. English Airs

C. Scotch Airs 16. Don Pasquale 42. Luisa Millar

B. Irish Airs

D, American Airs. 17. Ernani

43. Martha 13. Songs without Words

44. Stabat Mater (4th) 19. La Traviata

45. La Favorite 20. Les Vépres Siciliennes

46. I Martiri 21. Wedding March

47. Stabat Mater (5th) 22. Zampa

48. Stabat Mater (6th) 23. Scotch Airs

49, Satanella 24. Figaro

50. Dinorah (1st). 25. La Fille du Régiment

51. Dinorah (2d) 26. The Bohemian Girl

A Selection of Classical Compositions from the Masses, Oratorios, and Motetts of the

great Masters, arranged from the Orchestral Scores for the Organ with Pedal Obbli.
gato, by J. T. STONE. Price 38. cach.
1. Santa Maria and Marcia Religiosa

Dinorah

Meyerbeer Gloria in excelsis Deo

12th Mass

Mozart Cujus Animam . .

Stabat

Rossini Quoniam tu solus

Ist Mass

Haydn Gran Dio, padre nostro

Dinorah

Meyerbeer Splendente te Deus

Mozart Worthy is the Lamb.

Messiah

Handel Et Resurrexit

Mass in C Beethoven (Gloria in Excelsis Deo

Pergolesi Price 1s. each.

Fac ut Portem .

Stabat Mater Rossini 9. Der Erdkreis ist nun I

St. Paul

Mendelssohn 20. Libiamo, Brindisi 10. Te Deum laudamus.

Te Deum . Graun 1. Robert, toi que j'aime

1. Dies Iræ, Tuba mirum, a 21. Parigi o cara

Requiem , Mozart 2. Quand je quittais 22. Di provenza

12. How are the Mighty fall'a 3. Nobil Signor

Funeral Anthem Handel 4. No caso egual

23. Ah ! fors è lui 5. Va pensiero

24. Sempre libera 6. Ernani involami

25. Rovers, Rulers of the Sea 7. Tutto è sprezzo

26. Wouldst thou win me 8. La mia letizia

27. The Power of Love 9. La donna è mobile

28. The Glorious Vintage of Cham. 10. E il sol dell'anima

pagne ll. Questa o quella

29. Come into the Garden, Maud 12. Bella figlia

30. M'appari tutt' amor 13. Introduction and Galop Rigoletto 31. Ombra leggiera 14. Miserere-Ah! che la morte

32. Sei vendicata assal 15. Il balen del suo 33. Da quel di' and Fancuille che

Price Is. each.' 16. Si la stranchezza

34. Santa Maria 17. Merci, jeunes amics 35. Se l'ora suonera

1. Robert, toi que j'aime

20. Libiamo, Brindisi 18. Ami! le cour d'Hélène 36. Gran Dio, padre nostro

2. Quand je quittais

21. l'arigi o cara: 19. Jour d'ivresse

3. Nobil Signor

22. Di provenza 4. No caso egual ..

23. Ah ! fors è lui 5. Va pensiero

24. Semipre libera 6. Ernani involami

25, Rovers, Rulers of the Sea 7. Tutto è sprezzo

26. Wouldst thou win me 8. La mia letizia

27. The Power of Love 9. La donna è mobile

28. The Glorious Vintage of Cham. 10. E il sol dell'anima

pagne 11. Questa o quella

9. Come into the Garden, Maud 12. Bella figlia

30. M'appari tutt' amor.

13. Introduction and Galop Rigoletto. 31. Ombra leggiera A Series of Fantasias for Flute and Pianoforte. Price 38. 6d. each,

14. Miserere-Ah! che la morte

32. Sei vendicita assai 15. Il balen del suo

23. Da quel di' and Fancuille che 1. Fantaisie on American Airs 5. Mazurka Brillante

16. Si la stranchezza

34. Santa Maria 2. Fantaisie on English Airs 6. Polka di Bravura

17. Merci, jeunes amies

35. Se l'ora suonera 3. Fantaisie on Scotch Airs 7. Grande Valse Brillante

18. Ami! le cour d'Hélène

36. Gran Dio, padre nostro, 4. Fantaisie on Irish Airs 8. Fantaisie on Dinorah

19. Jour d'ivresse

R. S. PRATTEN'S RECREATIONS FOR

FLUTE AND PIANO.

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CASE'S POPULAR RECREATIONS FOR

VIOLIN AND PIANO.

PRATTEN'S FLUTE MISCELLANY.

Pripted by GEORGE ANDREW SPOTTISWOODE, of No, 12 James Street, Buckingham Cate, in the Parish of St. Margaret, in the City of Westminster, at No. 5 New.street Square

in the Parish of St. Bride, in the City of l.ondon. Published by JOHN BOOSRY, at the Office of Boosky & Sons, 28 Holles Street. Suturday, January 25, 1862.

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"the Wobth Op Abt Appears Most Eminent In Music, Since It Requires No Material, No Subject-matter, Whose Effect must Be Deducted: It Is Wholly Form And Tower, And It Baisf.s And Ennobles Whatever It Expbesses"Gothe.

SUBSCRIPTION—Stamped X ML 20s. PEE ANNUM Payable in advance by Cash or Post-Office Order y es & SONS, 28 Holies Street, Cavendish Square, London, W.

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