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NICCOLI DE' LAPI.

BROKEN PLEDGES-UN-DRESS AUDIENCES-AND MLLE. TITIENS.
(From the Saturday Review, August 30, 1862.)

THE manager of Her Majesty's Theatre deserves the (thanks of
many a Londoner and his country cousins. If half guinea motions
are heaven-sent manna to cheer a briefless barrister through the
term, Mr. Mapleson's admission to his opera at play-house prices
is a grateful concession to foreigners as well as home-bred visitors
to the Exhibition. This commendable step is an index, it is to be
hoped, of a prosperous state of the manager's exchequer, and an
earnest of good things for seasons to come. If, at the outset of
his campaign, the manager promised a great deal he did not
perform, at the close of it he has performed a great deal which he
never promised. Signor Schira has been rather hardly used. Had
his music proved in any way worthy of being wedded to one of the
most beautiful stories of this or any other age-the Niccolo de'
Lapi, by the Marquis d'Azeglio-every Italian would have hailed
the production of such a work as a compliment to himself as well
as the composer. Day after day was the promise renewed. That
the Marquis could paint a picture was undeniable, for the fact was
patent in the Foreign Art Gallery at the Exhibition, and people
gave ample credit to the Minister for versatility in studio as well
as study. Signor Giuglini will not take it ill if it be affirmed
that the anticipated joint production of M. d'Azeglio and Signor
Schira was an affair of far deeper interest than the utterances of
the voce misteriosa, and the uomo del popolo, in the ode which now
acts as a supplement to the closing performances of Her Majesty's
Theatre. Niccolo de' Lapi, with its stirring scenes of Florentine
history, familiar as household words to Italian readers, has been a
mockery and a snare to believers in the good faith of managers.
Alas! the faith of that order has always been, and ever will be,
Punic. Usually, the glittering falsehood obtains currency once,
and once only, and that in the elaborate prospectus at the
beginning of the season. True it is that a saving clause-"if
time will permit "-is occasionally added, by way of break-water to
the waves of popular wrath when the promise is unfulfilled; but
what man is so infatuated as to believe that the "time" alluded
to is any but the Greek Kalends? Where are the Euryanthes, the
Der Frieschutzes, the Vestalins, which blossom annually in the
flowery prospectuses, but never come to fruit or maturity? What
"time" will ever 66
permit "their appearance? It is very hard
that a man must go to Berlin and Dresden to feel and see what he
can only read of in England. So large an amount of froth is
compounded for by buyers at an auction and subscribers to an

opera-house, that Mr. Mapleson may complain of our having

selected him as a victim for special stricture. Does he differ in this respect from preceding managers? Perhaps not. We smart, however, from the fresh memory of the every-day announcement that the Schira-d'Azeglio opera was ready for production. The mountains were perpetually parturient, but nothing was produced. At last the notice was withdrawn.

IMPORTANT TO MUSICIANS.

AN ingenious yet simple invention has recently come under our notice, in the shape of a small gymnastic apparatus, called the "Ranelagh.' Its object is the expansion of the chest, the prevention and correction of spinal curvature, and general strengthening and developing the muscles of the arms, back, loins, and legs. It has the merit of being so portable, that when packed it occupies little more space than the crown of an ordinary sized hat; it can be fixed in a moment in any room, and used without the slightest fear of strain or undue exertion by ladies or children, and enjoys the additional advantage of not getting out of order. Of the agreeable sensation it communicates to the whole frame we can speak highly, from our own personal experience. To singers, the Ranelagh" would be of inestimable value, expanding that part of the body in which the lungs are situated, giving the whole breathing apparatus full play, and fortifying the system generally throughout. We have, therefore, no hesitation in recommending this admirable contrivance, of which full particulars may be learned of Mr. F. Milnes, Gloucester.

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Advertisements.

ROBERT COCKS & CO.'S

LIST

TH

OF NEW MUSIC.

THE NEWEST DUNDREARY POLKA for the
Pianoforte (dedicated to my Bwothew Tham), by ADAM WRIGHT. Finely
Illustrated. 3s.
VINCENT WALLACE.-For Piano, SOUVENIR
des INDES ORIENTALES, Melodie, from the Burlington Album, 3s.
Blue Bells of Scotland, solo, 3s. ; duet, 4s. Ye Banks and Braes, solo, 38.; duet, 4s.
Twilight Romance, 2s. Fading Away, 3s. Annie Laurie, 2s. 6d. Rosebud Polka,
2s. 6d. Home, Sweet Home, 3s. Robin Adair, 48. Croyez-moi, 2s. 6d. Twilight
Romances, 2s. Catalogue of his most recent works gratis and post free.

W.

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By HENRY F. CHORLEY.

"Every reader will follow Mr. Chorley's chronicle with unflagging interest. We can hardly name two volumes of pleasanter gossip about music and singers."-— Cornhill Magazine.

is

characterised by the highest critical acumen."-Post.

"Mr. Chorley's interesting, amusing, and instructive work, while full of anecdote,

The manager has, however, made up for this shortcoming by THIRTY YEARS' MUSICAL RECOLLECTIONS. his liberality towards the close of the season. The waiver of the restrictions on dress is, during this summer season, a real boon; and it is a satisfaction, while habitués are off to the moors, for the less privileged classes to occupy, at a reasonable price, the patrician boxes and stalls. People in walking costume are just as competent to criticize Mlle. Titiens as the exquisites who lounge in Fop's Alley; and, if that artist values appreciation conveyed from other quarters besides May Fair, she may be sure of an audience as intelligent as well as demonstrative. As a real artist, she probably

"Every page of these volumes offers pleasant reminiscences. Whether as a con

scientious history, a graceful series of portraits, or an anecdotical record, the author

must be congratulated on the work he has accomplished.-Athenæum.

HURST AND BLACKETT, Publishers, 13 Great Marlborough Street.

does set store by these latter-day cheap audiences. Charles Young, NEW PIANOFORTE MUSIC BY R. ANDREWS.—

the late actor, preferred acting, to Manchester cotton-spinners in their own city rather than in London; Mrs. Siddons played three years consecutively at Edinburgh in preference to the metropolis; and Mlle. Titiens probably has the good sense to share these artistic views.

MR. H. C. COOPER AND MADAME TONNELIER.-We beg to call the attention of musical entrepeneurs in Brighton and its neighbourhood to the advertisement of Mr. H. C. Cooper and Madame Tonnelier, whose services will doubtless be largely called into requisition throughout Sussex and the adjacent counties.

Easy Transcriptions of REICHARDT's Popular Songs.
"Are they meant but to deceive me?" (Mazurka Polonoise)
"The Golden Stars" (Die Goldenen Sterne)
"Good Night" (Cradle Song)
"Thou art so near and yet so far" (Cradle Song)

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London: DUNCAN DAVISON & Co., 244 Regent Street, W.

BRINLEY RICHARDS'

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COMPOSITIONS.

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2s. 2s. 6d.

4s. 3s.

BRINLEY RICHARDS" "Leopold" (Mazurka)
BRINLEY RICHARDS' "Ethel" (Romance)
BRINLEY RICHARDS" "Once too often" (Fantasia)
BRINLEY RICHARDS "The Harp of Wales" (Sung by Mr. L. THOMAS)
BRINLEY RICHARDS' "The Blind Man and Summer" (Sung by MISS PALMER) 35.
BRINLEY RICHARDS' "The Suliote War Song" (Sung by MR. SANTLEY)
London: DUNCAN DAVISON & Co., 244 Regent Street, W.

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35.

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"A great number of Studies for the Pianoforte already exist, solely intended to form the mechanism of the fingers.

"In writing a series of short characteristic pieces, I have aimed at a totally different object.

"I wish to habituate both Students and Amateurs to execute a piece with the expression, grace, elegance, or energy required by the peculiar character of the composition; more particularly have I endeavoured to awaken in them a feeling for Musical Rhythm, and a desire for the most exact and complete interpretation of the Author's intentions.

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"STEPHEN HELLER.”

THE EDITION CONSISTS OF FIFTEEN BOOKS, PRICE SIX SHILLINGS EACH.

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FOR

OR ORCHESTRA.-MEYERBEER'S GRAND EXHIBITION OVERTURE is now ready, for full orchestra. Price 12s. Also AUBER'S GRAND EXHIBITION MARCH, for Orchestra. Price 7s. 6d. BOOSEY & SONS, Holles Street.

SIGN

CIGNOR GARDONI'S NEW SONG, "Pourquoi."
Romance. By SIGNOR MURatori. Sung by SIGNOR GARDONI at the Concerts
of the Nobility during the present Season, with immense success. Price 2s. 6d.
BOOSEY & SONS, Holles Street.

SIMS

IMS REEVES' NEW SONG, "She may smile on many." By HOWARD GLOVER. Sung by Mr. SIMS REEVES with unprecedented success. Encored on every occasion. Price 3s.

OZART'S

MOZA

BOOSEY & SONS, Holles Street.

DON

JUAN. 98, BOOSEY & SONS' New Edition, complete, for Voice and Pianoforte, with English and Italian words. The whole of the Recitatives and Notes of the Author's Instrumentation. Price 9s. In cloth (400 pages).

This splendid Edition, the best and cheapest ever published, of Mozart's great work, should be in the hands of every professor of music. Also Figaro, 98. Zauberflöte, 5s.

JOSEPH

BOOSEY & SONS, Holles Street.

OSEPH GODDARD'S PHILOSOPHY OF MUSIC.
Price 7s. 6d. (To Subscribers, 5s.)

BOOSEY & SONS, Holles Street.

QOOSEYS' SHILLING MESSIAH, complete Vocal

cal Cabinet"). Price 15.-BOOSEY & SONS have much pleasure in announcing their Score, with Accompaniment for Pianoforte or Organ, demy 4to (size of "Musinew Edition of the "Messiah," printed from a new type, on excellent paper, and in a form equally adapted for the Pianoforte or the Concert-room. The text revised by G. F. HARRIS, from the celebrated Edition of Dr. JOHN CLARK. As a specimen of cheap music, this book is quite unprecedented, and it is only in anticipation of the universal patronage it will command at the approaching Handel Festival the publishers are able to undertake it. Orders received by all Booksellers and Musicsellers. Post free, 15. 4d. An edition in cloth boards, gilt, 25.

BOOSEY & SONS, Holles Stroot.

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THE EXHIBITION MUSICAL SOUVENIR.

Hood."

Chappell's Favourite Airs in “Lurline'

and "Victorine."
Chappell's 100 Operatic Airs.
Chappell's 100 Dances (principally D'Al-
bert's).

Chappell's 100 Irish Airs.
Chappell's 100 Scotch Airs.

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Chappell's 100 Christy Minstrel Melodies.
Chappell's Twenty-five Duets for two
Cornets.

ENGLISH CONCERTINA.

Chappell's 100 Sacred Songs, Anthems,
Psalms, and Hymns.

Chappell's Favourite Airs in "Robin
Hood."

Chappell's Favourite Airs in "Lurline,"
and "Victorine."

Chappell's 100 Operatic Melodies.
Chappell's 100 Dances (principally D'Al-
bert's.)

Chappell's 100 Irish Airs.
Chappell's 100 Scotch Airs.
Chappell's 100 Christy Minstrel Melodies.
GERMAN CONCERTINA.

N ENTIRELY NEW WORK, containing Original Chappell's 100 Operatic Melodies, Songs, Chappell's Popular Songs. In 2 Books

AN

Contributions of Vocal and Pianoforte Music, by Balfe, Hatton, H. Smart, G. Linley, Goodban, Brinley Richards, Glover, and most of our popular English Composers. Illustrated by the best Artists, and most handsomely bound. Price One Guinea.

Exhibited, Class 16, No. 3425, as a Specimen of Music Engraving and Printing, and Chromo-Lithography.

METZLER & CO.

37, 38 & 35 GREAT MARLBOROUGH STREET, W.

AND

PIANOFORTE AND HARMONIUM WAREROOMS AT No. 16.

Dances, &c.

GUITAR.

each 1s. 6d.

HARMONIUM.
Chappell's 100 Dances.
Chappell's 50 Sacred Melodies.
Chappell's Popular Songs, Guitar Ac- Chappell's 50 Secular Melodies.
comp., 2 Books.

Care should be taken to Order CHAPPELL'S Cheap Works, as they
alone contain D'ALBERT'S and other popular Copyright Songs.
LONDON: CHAPPELL & CO., 49 & 50, NEW BOND STREET W.

Printed by HENDERSON, RAIT, and FENTON, at No. 13, Winsley Street, Oxford Street, in the Parish of Marylebone, in the County of Middlesex.
Published by JOHN BOOSEY, at the Office of BOOSEY & SONS, 28 Holles Street.-Saturday, September 20, 1862.

"THE WORTH OF ART APPEARS MOST EMINENT IN MUSIC, SINCE IT REQUIRES NO MATERIAL, NO SUBJECT-MATTER, WHOSE EFFECT MUST BE DEDUCTED: IT IS WHOLLY FORM AND POWER, AND IT RAISES AND ENNOBLES WHATEVER IT EXPRESSES."-Göthe.

SUBSCRIPTION-Stamped for Postage-20s. PER ANNUM

Payable in advance by Cash or Post-Office Order to BOOSEY & SONS, 28, Holles Street, Cavendish Sq. London, W.

VOL. 40-No. 39.

SATURDAY, SEPTEMBER 27, 1862.

S4d. Unstamped. PRICE 15d. Stamped.

T. MARTIN'S HALL, LONG ACRE.-To be Let

PROVINCIAL TOUR, OCTOBER, NOVEMBER,Son Lease or Sold, these very valuable Premises, consisting of Large and enl

ARTISTS.

MAD. GASSIER (Her first appearance in the Provinces these three years). MLLE. MARIE CRUVELLI (Of the Grand Imperial Opera, Berlin). MR. SWIFT (The popular English Tenor).

HERR JOSEPH HERMANNS (Primo Basso of Her Majesty's Theatre).

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MEDAL FOR PRATTEN'S PERFECTED

FLUTES, WITH THE OLD SYSTEM OF FINGERING.-BOOSEY & SONS have much pleasure in announcing that these instruments have received the Prize Medal of the International Exhibition. An Illustrated Catalogue may be obtained upon application to the manufacturers, BooSEY & SONS, 24, Holles Street, W.

PRIZE MEDAL FOR BOOSEY & SONS' MILITARY

BAND INSTRUMENTS, CORNETS, &c.-BOOSEY & SONS have much pleasure in announcing that these instruments have received the Prize Medal of the International Exhibition. An Illustrated Catalogue may be obtained upon application to the manufacturers, BOOSEY & SONS, 24, Holles Street, W.

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music halls, admirably adapted for musical, religious, or literary purposes, or for any object requiring large space, together with class-rooms, a good dwelling-house, cellars, and conveniences. For particulars apply p.p. to Messrs. DANGERFIELD and FRASER, Solicitors, 26, Craven Street, Charing Cross.

SON

ONGS OF SCOTLAND.-HANOVER SQUARE ROOMS.MONDAY NEXT, September 29, at Eight o'clock. Mr. KENNEDY will repeat his ENTERTAINMENT on the SONGS OF SCOTLAND, including Selections from the "Gentle Shepherd." Pianoforte, Mr. E. Land. Stalls, 4s.; Area, 28.; Back Seats, 1s.; may be obtained at the Rooms, and at the principal Music-sellers.

R. SCOTSON CLARK begs to announce that he has Messrs. Ashdown and Parry, 18 Hanover Square.

SHDOWN & PARRY (successors to Wessel & Co.)

references in town. Returns to be made at Midsummer and Christmas. Their Catalogues, which contain a great variety of Music calculated for teaching purposes, may be had, post-free, on application.

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M. THONJOCEL, will play his admired Waltz, NEW ORGAN MUSIO, BY HENRY SMART,

SILVER CORD,"

and during the ensuing week, in

the English and German Courts, at the International Exhibition.

R. HENRY WEBB (VIOLA) begs to announce his

Place, Harrington Square, N.W.

R. FREDERIC PENNA will sing ALFRED MELLON'S DAY," at Devonport, September 30; at Plymouth, October 1; at Teignmouth, October 2; at Exmouth, October 3.

Tr

NO CONCERT GIVERS IN BRIGHTON AND TOWNS ADJACENT.-MR. H.C.COOPER (Solo Violinist) and MADAME TONNELIER (Prima Donna) are in Brighton for the season. Terms for Concerts, &c., either separately or together-may be known on application (by letter) to Mr. COOPER, No. 3 Cobden Place, Brighton.

NEW PIANOFORTE MUSIC BY R. ANDREWS.—

Easy Transcriptions of REICHARDT's Popular Songs. "Are they meant but to deceive me?" (Mazurka Polonoise) "The Golden Stars" (Die Goldenen Sterne)

"Good Night" (Cradle Song)

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"Thou art so near and yet so far" (Cradle Song)

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EW SONGS BY W. VINCENT WALLACE."The Song of May" "When thou and I last parted"

London: DUNCAN DAVISON & Co., 244 Regent Street, W.

EW SONGS BY ALEXANDER REICHARDTS 26

NEW

"Good Night" (Cradle Song),

"Memory" (dedicated to Miss Helen Hogarth) "Are they meant but to deceive me?"

"The Golden Stars"

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"Thou art so near and yet so far," as a VOCAL DUET

London: DUNCAN DAVISON & Co., 244 Regent Street,

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Mr.

"These are three morceaux de salon of the most elegant description. AGUILAR'S Dream Dance' is a graceful and imaginative movement, which would make a charming accompaniment to a dance of sylphs or fairies in a ballet. Mr. Berger has selected as the themes of his fantasia the two most favourite airs, There's truth in woman still,' and 'A young and artless maiden,' in Mr. Howard Glover's pretty operetta; working them, by adding a short introduction, and a brilliant coda in tempo di valsa, into a masterly and animated pianoforte piece, in which the vocal melodies are embellished by a rich and varied accompaniment. Mr. Macfarren's Tarantella is of course in the time and measure of this Neapolitan dance, and preserves the rapidity of its breathless whirl. While, however, it is thus conventional in its form, it is new and original in its details. There occurs, in particular, in the midst of it, a deliciously soft and flowing melody, played with the left hand, as if an the violoncello or bassoon, with a light and airy accompaniment in the upper part which contrasts beautifully with the impetuous current of the rest of the movement." -The Press.

THE AIRS, BALLADS, FANTASIAS, QUADRILLES,
WALTZES, &c. IN THE OPERETTA OF
"ONCE TOO OFTEN."

COMPOSED BY HOWARD Glover.
Performed with the greatest success at the Theatre Royal, Drury Lane.

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"Oh! Glorious Age of Chivalry." Duet. For Soprano and Contralto "The Solemn Words his Lips have spoken." Grand Air. For Soprano "The Love you've slighted still is true." Ballad. Sung by Mlle. JENNY BAUR "Stratagem is Woman's Power." Ballad. Sung by Miss EMMA HEYWOOD... "Love is a gentle Thing." Ballad. Sung by Miss EMMA HEYWOOD "A young and artless Maiden." Romance. Sung by Herr REICHARDT "There's Truth in Woman still." Romance. Sung by Herr REICHARDT ... "The Monks were jolly Boys." Ballad. Sung by Herr FORMES "In my Chateau of Pompernik." Aria Buffa. Sung by Herr FORMES

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New Vocal Music.

SI TU SAVAIS. Romance. Composée par M. W.

BALFH. 38.

BELO

ELOVED ONE, NAME THE DAY. Ballad. The Words by JOHN LAB, Esq. The Music by ALFRED MELLON. 2s. 6d. TEMORY. Song. The Poetry by DESMOND RYAN.

MEM

The Music by ALEXANDER REICHARDT. 3s.

HAST THOU NO TEAR FOR ME? Ballad.

Words by M. DEIGH. The Music by CIRO PINSUTI. 33.

The

LEEP AND THE PAST. Canzonet. The Poetry

SLE

HARRIET POWER. The Music by J. P. KNIGHT. 35.

Romanza. The Poetry by
Mrs. CRAWFORD. The Music by EDWARD LAND. 3s.
London: DUNCAN DAVISON and Co.

MY GENTLE ELODIE.

"The above are a few of the prettiest vocal pieces that have appeared during the past publishing season. They are all by well-known and popular composers, of whose talents they are agreeable specimens. Balfe's French romance is in his happiest vein. Our countryman has successfully contended with the Parisian composers on their own ground-witness the reception of his fine operas, Les Quatre Fils Aymon and Le Puits d'Amour, at the Opéra Comique; and in the little song before us he shows how entirely he is at home in the French style. It is tender and passionate, with that infusion of graceful lightness and gaiety which gives the French poetry and music of this class their peculiar charm. Signor Gardoni has sung it in public with delicious effect; but it by no means requires the aid of such a singer to make t charming. Mr. Alfred Mellon's ballad is worthy of that able and eminent musician. The melody is simple and natural, without being trite or commonplace; and the whole composition shows that new and striking effects of modulation and harmony may be produced without setting at defiance (as is too often done) the established principles and rules of art.-Few vocal pieces of the present time have obtained greater popularity than Herr Reichardt's song, "Thou art so near," not only in English, but (by means of its German and French versions) all over the Continent. His new production, Memory,' is of a similar character, and bids fair to have a similar sucMr. Desmond Ryan's verses are elegant, and Reichardt has united them to a melody at once pure, simple, and expressive. Signor Pinsuti's ballad, Hast thou no tear for me?' has been recommended to the attention of the public by the pleasing performance of Mr. Tennant, for whom it was written, and by whom it has been sung at many of the best concerts of the season. Signor Pinsuti, an Italian, has produced an air of Italian grace and beauty, while he has entirely avoided the faults into which foreign composers so often fall in setting English words to music. The melody not only expresses the sentiment conveyed by the poetry, but does not present a single misplaced emphasis or accent-a most important requisite in vocal music. Mr. Knight's canzonet is melodious, flowing, and extremely well fitted for a mezzo-soprano or contralto voice. There is a flaw in one place which dims the clearness of the harmony. In bar 8, page 2, G flat in the melody is accompanied by E natural in the bass, creating a diminished third (or tenth)-an interval very rarely allowed, and not, we think, in the present case. There is much that is masterly in Mr. Land's romanza, and Mr. Santley, for whom it was composed, has sung it with deserved success. We could have wished it had been a little less elaborate; that the flow of the melody had been less disturbed by extraneous modulation; and that the pianoforte accompaniment had been lighter and less loaded with notes. It is a fine song, nevertheless, and not unworthy of the author's well-merited reputation."—The Press,

cess.

NEW AND REVISED EDITION. Price 12s.

THE VOICE AND SINGING (The Formation and Cultivation of the Voice for Singing).

ADOLFO FERRARI.

"The great and deserved success of this work has brought it, in no long time, to a second edition, carefully revised, and enriched with a number of additional exercises, which greatly increase its value."—Illustrated News.

LONDON: DUNCAN DAVISON & Co. 244 Regent Street, W.

Just Published,

NEW BALLAD, SIX OPERATIC RECITALS for the PIANOFORTE,

MLLE
LELE ADELINA THEATER'S. N Poetry BBALLAD,

Sung with the greatest success by Mile. ADELINA PATTI, for whom it was expressly composed by HOWARD GLOVer.

London: DUNCAN DAVISON & Co. 244 Regent Street, W.

THENLEY AUCHARDS, Sung with such distinguished success at the CARNARVON HARP OF WALES. Ballad.

FESTIVAL, by Mr. LEWIS THOMAS, is published, price 3s. by

DUNCAN DAVISON & Co. 244 Regent Street, W.

BY

IMMANUEL LIEBICH.

No. 1. "Freyschütz," dedicated to Miss Catherine M. Pfeil. 2. "Freyschütz," dedicated to Miss Taylor

3. "Norma," dedicated to Miss Katherine Greenhill

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4. "Norma," dedicated to the pupils of Miss Gilbertson

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