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heroine not for the first time. Mlle. Parepa does not betray any

PARIS. ambition to attain histrionic excellence; but we may praise unresertedly her clear and finished vocalisation. The deep feeling we have noted in

(From our own Correspondent.) other impersonators we missed in Mlle. Parepa, but her singing was THERE is little stirring just now in the musical way. At above reproach. In the “Shadow song” the waltz movement was the Opera we have had the Prophète, with Mad. Tedesco encored. Mad. Laura Baxter's début on the English stage was full of

and M. Gueymard, to a receipt of 10,274 francs. The promise. In spite of the effect of the canzonetta “ Fanciulle che il core” being impaired by exceeding nervousness, the rich quality of Mad.

attraction of the grand operas of Meyerbeer seems peren

nial. Mad. Ferraris has been dancing in the ballet of Baxter's voice, and her firm singing, elicited an encore.

The other characters were sustained, as on former occasions, by Miss L'Etoile de Messine with her accustomed success, and a Thirlwall, Mr. St. Albyn, Mr. Corri, and last, not least, Mr. Santley. new dancer, Mad. Dulaurens, has made her debut in Fanny

Cerito's favourite ballet of La Vivandière, without making CRYSTAL PALACE.

anybody forget Fanny Cerito, although by no means devoid

of talent. (Communicated.)

At the Opéra Comique, Pergolesi's La Serva Padrona The month of September opens well for the Crystal Palace. With an excess of visitors, two hundred thousand beyond any former year, it

(which, by the way, though more old fashioned, is less steadily advances in public estimation, and up to the period of closing | pleasing and less dramatic than Paesiello's opera of the the International Exhibition, it will no doubt continue the same pro- same name) continues to draw money. Grétry's Zémire et gressive increase which has marked the past two months.

Azor (which, by the way, though more old fashioned, is less One cause for this is owing to the varied attractions put before the pleasing and less dramatic than Spohr's opera of the same public. As these are always announced a week beforehand, visitors have their choice of the particular speciality most suited to their tastes.

name) is now being revived at the same theatre, where It is not to be inferred, that the peculiar and unrivalled attractions | Dalayrac's Deux Mots (first produced in 1806) is also of the Crystal Palace proper – so to speak -- are on the wane ; on the promised ; so that, but for La Fille du Régiment, in which contrary, the admiration and gratification expressed by the thousands of Mlle. Bléau pursues her débuts, we should be all among the foreigners and strangers who visit it daily are unbounded. As, however, ancients. M. Warot's engagement is renewed for three years. a particular attraction suits various tastes, the variety brought to bear on

Signor Calzado, manager of the Italian Opera, has at length each week adds many to those who would visit Sydenham without any speciality beyond those comprised in the building and grounds.

got over his difficulties, and signed an agreement with the In the coming week, on Monday and i Saturday, the whole of the present proprietors of the Ventadour, who outbid him at Great Fountains will play. On Monday, Mr. Coxwell will make an the sale. Thus the anomaly of one speculator having a comascent in his great balloon, which has acquired so much celebrity from any of artists with no thentre and other speculators & theatre its ascents with Mr. Glashier, for the scientific objects connected with the British Association. Mr. Coxwell's late exhibitions at the Crystal

with no company of artists, is squashed. Patrons of Signor Palace have done much to popularise ærostation, several hundreds of | Calzado (who has still two seasons of privilege) will be sorry persons having availed themselves of the recent opportunities of as- to learn that he has been unable to secure the cooperation of cending for a few hundred feet. As the car of this great balloon is of Signor Mario, and glad to learn that he has obtained those almost omnibus size, and will contain sixteen persons, it is not surprising of Mlle. Adelina Patti. I hear that Tamberlik is engaged that applications to accompany Mr. Coxwell in his ærial trips are becoming frequent. Monday is likewise the day fixed for the excursions

for one month only. In revenge, Signor Calzado announces of the South London Foresters.

two new tenors, Signori Videl and Cantoni, of whom nobody The great Autumn Show of Flowers and Fruit will be held at the ever heard. The season commences on the first of October. Palace on Wednesday and Thursday, the 3rd and 4th of September. M. Berlioz is returned to Paris from Baden-Baden,. where The reputation the Crystal Palace has acquired for its flower shows is

the success of his Beatrice et Benedict will probably induce well known. Being always under the roof of the Palace they are unaffected by vicissitudes of weather. Those which have been already

the manager of the Opera, or Operas, in Paris, to reconsider held during the present year have been unusually successful. That the their policy with regard to his Trojans. After all, it would present show may be no exception to the popular rule which is being so appear, from Baden correspondents, that M. Hector (Bersuccessfully carried out, the charge for admission to the Palace on the lioz) has been able to personify Achilles and vanquish days of the flower show will not be increased, but continue at the one I himself, by which I mean to change his style. The tour of shilling rate, and thus, all classes may have the opportunity of participating in the pleasure of these great displays. M. Blondin will walk the

the Orpheonists in Italy, undertaken by M. Delaporte, who high rope over the Fountains on Tuesday, and give low rope exhibitions was organising grand fêtes to take place at Milan and Turin, on the Friday.

is indefinitely postponed. The ship promised by Minister Commencing with the 1st of September, Season Tickets, admitting to'the Ratazzi to transport the Orpheonists to the Italian shores Palace up to May 1, 1863, will be issued at Half-a-Guinea each. The being now it appears. required for other purposes. The large sale of these tickets is not to be wondered at, when it is known that they admit to all the attractions of the Palace for eight months.

entire receipts derived from theatres, concerts, balls, singingOn Tuesday September 9, the Great Brass Band Contest will be held cafés, and spectacles of every kind, for the month of July at the Palace. Forty-nine of the principal champion district bands of last, amounted 947,791 francs, 72 cents. England have entered as competitors for the prizes to be awarded, and Letters from Milan, by the way, inform us that the these will be reinforced by a large staff of regimental draminers and

music of Beethoven and Mendelssohn, so long neglected buglers. The contest will commence in the grounds of the Palace at ten o'clock. The combined bands will perform in the great Orchestra

even at the most musical of Italian towns, is becoming in at three, at the conclusion of which, the selected bands will contest for

| the Lombard capital quite in vogue. At a recent public the prizes, which will be afterwards presented to the winners in front of meeting of the pupils of the Conservatory, one of Beethoven's the Orchestra.

symphonies and the music of Mendelssohn's A Midsummer During the month of August upwards of four hundred thousand Night's Dream, were performed, and not only well performed, persons entered the Palace, by far the larger proportion of whom it is

| but received with extraordinary enthusiasm. estimated visited it for the first time.

M. Jean Hindle, the veteran double-bass player at the SCHWALBACH. - The members of the Liedertafel lately serenaded

Imperial Court Theatre, died recently, in his 70th year. M. Meyerbeer by torchlight. To mark his appreciation of this compliment, the world-renowned composer has promised to dedicate to MILAN.-M. Gounod's Faust will be produced in the course of this them a new choral piece.

season at La Scala. HOMBURG. – Vieuxtemps and Alfred Jaell have been playing at COLOGNE.-The new Stadt-theater will be opened about the 20th concerts to the great satisfaction of the visitors.

October.

NEW MUSICAL PUBLICATIONS.

SI TU SAVAIS. Romance. Composée par M. W.

BALPg. 38. RELOVED ONE, NAME THE DAY. Ballad. The

Words by John LAMB, Esq. The Music by ALFRED Mellon. 2s 6d. TEMORY. Song. The Poetry by DESMOND RYAN.

The Music by ALEXANDER REICHARDT. 38. LAST THOU NO TEAR FOR ME? Ballad. The 11 Words by M. Deigh. The Music by Ciro PIN UTL. 38 SLEEP AND THE PAST. Canzonet. The Poetry by W HARRIET Power. The Music by J. P. KNIGHT. 38. MY GENTLE ELODIE. Romanza. The Poetry by VI Mrs. CRAWFORD. The Music by EDWARD LAND. 35.

London : DUNCAN DAVISON & Co.

“ The above areason. They are all "Balfe's French Parisian composers and Le Puits

“The above are a few of the prettiest vocal pieces that have appeared during the past publishing season. They are all by well-known and popular composers, of whose talents they are agreeable specimens. Balfe's French romance is in his happiest vein. Our countryman has successfully contended with the Parisian composers on their own ground-witness the reception of his fine operas, Les Quatre Fils Aymon and Le Puits d'Amour, at the Opéra Comique; and in the little song before us he shows how entirely he is at home in the French style. It is tender and passionate, with that infusion of graceful lightness and gaiety which gives the French poetry and music of this class

LIVERPOOL.-On Saturday evening last, Miss Alice Dodd gave another very successful concert in the large ball of St. George's Hall. The occasion was remarkable for a good display of talent, and a wellselected programme. Miss Dodd enjoyed even more than her usual success, which is always assured in her native town, as it has lately been in the metropolis. Her first appearance was in the trio "Te Sol ;" but her principal success was in a ballad composed expressly for her, which was sung with much taste. In the second part, besides the concerted pieces, Miss Dodd gave a new waltz of Arditi's and “ Barney O'Hea," and “Within a mile o' Edinbro' toun," with excellent comic and national piquancy

-to cite the “excellent comic and national piquancy" of a writer in the Lirerpool Daily Post. Mlle. Georgi has a fine contralto, and, in response to one of her encores, gave “The deep, deep sea,” with effect. Mr. Herrman Slater, besides contributing to the programme as a composer, sang a tenor song, and (again to cite the “ excellent comic and national piquancy” of a writer in the Liverpool Daily Post), Mr. Henry Ashton is a barytone of whom great things may be expected, if he devotes to his voice the study which its quality will well repay.” Herr Wilhelm was the conductor.

AMERICAN PIANOFORTES. — Steinway's instruments in the Exhibition - two grands and one square piano — stand in the first rank, with the pianos which have excited most attention. These instruments win by their full, round tone, and also interest by ingenious mechanical inventions. The bass strings in them are overstrung, both saving room and increasing the fullness of tone ; the metallic frame consists of a single piece of cast iron, &c. Of all the numerous mechanical improvements — partly revivals of old ideas long since exploded, partly relating to little subordinate details, and partly useless — Steinway's method, young and little tried as it yet is, seemed to us to have the greatest capacity of developement, the most of a Future in it. The history of this greatest (?) pianoforte establishment in America is interesting enough. The old Steinway went to seek his fortune in America twelve years ago, having found little business in Brunswick He and his four sons (all piano makers) entered various manufactories in New York as workmen, to educate themselves in the different branches of their art according to the American system. After an assiduous apprenticeship of three years they began, in a small and cautious way, to manufacture on their own account. They finished scarcely one piano a week. But soon their fame began to spread ; they erected a larger establishment, and brought home medals from every Exbi. bition. Finally, in the course of the last three years the business became so expanded, that “ Steinway and Sons” built their six-story factory, which abuts on two streets, and employs about 350 workmen. A steam-engine of fifty horse power drives all the machinery; the most powerful plane every constructed planes the largest boards smooth at one stroke. About 600 pianos are constantly in hand, and a private telegraph works between the factory and the place of sale. Such a swift and high industrial flight is absolutely inconceivable upon the Continent.-Dwight's Journal of Music.- Boston.

AMERICAN COMEDIANS. — It is singular enough that a tendency towards under-acting seems generally prevalent among American artists. People who study the character of our cousins by the highly-seasoned viands administered to them in popular speeches and newspaper leaders would imagine that something coarse and very 'gaudily-coloured prevailed on the American stage. The reverse, however, seems to be the case. Founding our opinion on the somewhat liberal teaching of recent experience, we arrive at the conclusion that American acting is, for the most part, rather too delicate than too robust in its nature ; and that the performers, far from running the risk of plunging into vulgar caricature, are likely to stop short before they reach a full delineation of character. The sole exception to this general rule appears to be the Lord Dundreary of Mr. Sothern, which is a masterpiece of highly-finished eccentricity.

A GOOD EXAMPLE. — A lady, who died recently at Leipzig, has bequeathed 500 thalers to the orchestra of the Gewandhaus concerts, to be distributed among the musicians, as a mark of her gratitude for the pleasure she has had in listening to them. She has also left a special legacy to the servants employed in the concerts. The same lady has given 1000 thalers to the Leipzig musical Conservatoire. NEW SONGS BY W. VINCENT WALLACE.

"The Song of May ” ... ... ... ... ... ... ... ... 38.
" When thou and I last parted"

London: DUNCAN DAVISON & Co., 244 Regent Street, w.' NEW SONGS BY ALEXANDER REICHARDT.

“Good Night” (Cradle Song) ...
"Memory" (dedicated to Miss Helen
a Are they meant but to deceive me?"

2s. 60.
« The Golden Stars” ...

28. 6d. “Thou art so near and yet so far," as a VOCAL DUET ... ... 48.

London : DUNCAN DAVISON & Co., 244 Regent Street, W.

by no means requires the aid of such a singer to make it charming.-Mr. Alfred Mellon's ballad is worthy of that able and eminent musician. The melody is simple and natural, without being trite or commonplace; and the whole composition shows that new and striking effects of modulation and harmony may be produced without setting at defiance (as is too often done) the established princi. ples and rules of art. - Few vocal pieces of the present time have obtained greater popularity than Herr Reichardt's song." Thou art so dear," not only in English, but (by means of its German and French versions) all over the Continent. His new production, “ Memory," is of a similar character, and bids fair to have a similar success. Mr. Desmond Ryan's verses are elegant, and Reichardt has united them to a melody at once pure, simple, and expressive. Signor Pinsuti's ballad, “ Hast thou no tear for me?" has been recommended to the attention of the public by the pleasing performance of Mr. Tennant, for whom it was written, and by whom it has been sung at many of the best concerts of the season. Signor Pinsuti, an Italian, has produced an air of Italian grace and beauty, while he has entirely avoided the faults into which foreign composers so often fall in setting English words to music. The melody not only expresses the sentiment conveyed by the poetry, but does not present a single misplaced emphasis or accent -- a most important requisite in vocal music. Mr. Knight's canzonet is melodious, Aowing, and extremely well fitted for a mezzo-soprano or contralto voice. There is a flaw in one place which dims the clearness of the harmony. In bar 8, page 2, G flat in the melody is accompanied by E natural in the bass, creating a diminished third (or tenth)-an interval very rarely allowed, and not, we think, in the present case. There is much that is masterly in Mr. Land's romanza, and Mr. Santley, for whom it was composed, has sung it with deserved success. We could have wished it had been a little less elaborate ; that the flow of the melody had been less disturbed by extraneous modulation ; and that the pianoforte accompaniment had been lighter and less loaded with notes. It is a fine song, nevertheless, and not unworthy of the author's well-merited reputation."-The Press.

foreign compos the sentiment conve most important regull fited for a mezzo-sop the

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No. 1. “ Frerschütz," dedicated to Miss Katherine M. Pfeil

2. " Freyschütz, dedicated to Miss Taylor ...
3. “ Norma," dedicated to Miss Katherine Greenhill ...
" Norma," dedicated to the pupils of Miss Gilbertson

Oberon," dedicated to Miss Parkes
6. ^ Martha," dedicated to Miss Frances Gurney ...

London: DUNCAN Davison & Co., 244 Regent Street, W.

so00000

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Price 4s.

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ASHDOWN & PARRY, 18 Hanover Square. manner, invaluable to Pianists who believe that the instrument of their choice can, under skilful management, emulate the violin itself in the ADAME OURY.-IL BARBIERE DI SEVIGLIA. delivery of cantabile passages.”The Times.

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LONDON : ASHDOWN & PARRY, 18 HANOVER SQUARE.

RE

MESSRS. DUNCAN DAVISON & CO.'S PUBLICATIONS.

VOCAL.

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Composer.
Poetry by s. d. Composer.

Poetry by S. d. ADELAIDA "The Cuckoo" .

- Logan 2 0 LODER, GEORGE The Songs and Ballads in the Lyric and Dramatic EnDitto “Sunshine" . , , . . Mary Howitt 2 0

tertainment, " The Old House at Home," written by Ditto “ Sweet dreams or happy youth'

- F. R. 2

Frank Ibberson Jervis, and sung by Miss Emma Ne. ADRIAN "Self-deception” (Selbsthetru

• Goethe

ville and Mr. George Loder :AGUILAR, E.

" In a wood or
a windy day"
Acton Bell

No. 1.-Ballad, “The milkmaid's song".
Ditto
“Sympathy"

Elis Bell 2

2.-Buffo Air, “ The jealous wife" Ditto “ The fairies' farewell to the flowers," from the Frost King 2

3.-Ballad, “The dew on the tender grass Ditto " Farewell” - Bishop Ileber 2

4.-Hunting Song, “The silver-toned bug ALLEN, G. B. "The meadow-gate". - Beatrice Abercrombie 2

5.-Ballad, "The ploughman's delight" ASCHER, J. "Alice, where art thou?"

W. Guernsey 2 6

6.-Comic Ballad, " Lavinia's lament" BAKER, H. "The stepping-stones"

Charles Mackay

Ditto

* In a leafy garden," sung by Mr. Richard Seymour. Balfe, M. W " I'm not in love, remember"

Jessica Rankin 2

Ditto

" This world is a garden " - - Stirling Coyne 3 Ditto “Oh! take me to thy heart again'

Ditto
Lutz, W.M.
“ Under the linden tree"

J. P. Wooler 2 Ditto " I love you" G. P. Morris 30 Dicto “ Merry little Maud" .

. Ditto 2 Ditto

“If I could change as others change" Jessica Rankin 2 6 MEYERBEER, G. " Here on the mountain" (Clarinet accomp: obbligato) Ditto “ Fresh as a rose

Ditto
30

J. Oxenford 4
Ditto
" Mary!
G. P. Morris 3

Violin and Violoncello (in lieu of Clarinet) each o Ditto “The banner of St. George(Defence and not defiance)

Ditto

""* Near to thee" (with Violoncello) J. Brougham

Ditto

" The Fishermaiden" (Das fishermädchen) - Heine 1 0 BENEDICT, J. “ Now the shades grow deeper". - J. Oxenford 20 MACPARREN, G.

“ The thoughts of youth".

- Longfellow 2 0 Ditto "The echo song"

Ditto

“Paquita" (I love when the sun has set) - . . 2 BERGER, E.

“ That handsome volunteer" Sung by Miss E. Stanley 2 61 McKORKELL, C. “ Flowers, lovely flowers ". . . 'J. H. Horncastle 2 BLUMENTHAL, J. " The days that are no more"

Tennyson
MACLEANE, C.

“I think of thee" (Ich denke dein), with Violoncello acBRAHAM, C. “ Persevere" (The career of Havelock) - J. Oxenford 3 0

companiment

. - Goethe BRUCE, E. " When I was young".

D. Ryan
Ditto

Three Songs:
Ditto
" When first you shone before me"

Ditto

No.1." Birdie, birdie".(Voglein, voglein) - COBHAM, M. "Awake, little pilgrim"

2 6

2._" O love, why thus desert me?" (Die liebe hat gelogen) 2 Ditto Look on the brightest side"

-" Cradle Song" (Wiegenlied) CRUWELL, G. One night as I did wander" (Flute and Violoncello

Moxk, E. G.

Go sit by the summer sea"
accomp.) - - -

- Burus
Mort, F.
" Wert thou mine” .

- Charles Mackay 3 7 Violin or Horn part, in lieu or Violoncello, each

Ditto

Twelve Songs in one Book Ditto “ Mournfully, sing mournfully".

Ditto

Ditto, separately, each (Violin or Flute accomp. obbligato).

No. 1.--"A thousand miles from thee"

Charles Mackay Ditto “ Where is the sea ?" .

2.-“O'er the sunny sea" .

Ditto (Violoncello or Viola accomp. obbligato).

3._" Solitude" . -

• Kirke White Cusins, W. G. “Gently row, gondolier," duet for Contralto and Tenor

4.-" The parting"

Desmond Ryan J. L, Ellerton 2 6 5.--"Maiden mine under the vine"

Charles Mackay Ditto Ditto (duet for Soprano and Mezzo-soprano) . .

6_“The blue waves are sleeping

. Mrs. Rogers DAWEX, ALBERT “I slept, and oh! how sweet the dream" L. M. Thornton 2

7.-" The open window" .

Longfellow Ditto “Good bye, my love". . T. P. Casciani 8.-"Mary the sempstress”

• John Oxenford DESSAUER, J. " Quick, arise, maiden mine” - J, Oxenford 2 9.-"Be quiet, do!".

Charles Mackay DIEyl, Loris " Yet ere I seek a distant shore"

10.-" Mine, ever mine"

Anon. DOUGLAS, FRANK " The songs of happier days"

11.-" That is the way"

Charles Mackay ENDERSSOHN, M. "My Mary” . .

John Ellison
12.- England over all"

Ditto
Ditto
" Sweet little Jenny"

Ditto
MORLEY, H. K.

" I never knew how dear thou wert . C. Warfield 2 FOSTER, ALICE “Merrily shines the morn".. . Rev. W. Evans 2 0 MOZART, W. A. " The very angels weep, dear"

. J. Oxenford 3 FERRARI, ADOLFO “The Voice and Singing" (The formation and cultiva

NORTH, E.
"Hurrah for old England'

Gerald Massey 2 tion of the voice for singing. New Edition) . . 10 6 OSBORNE, G. A. " The dewdrop and the rose"

- Isabella Hampton 2 Ditto Three Italian Songs :

Pech, Dr. J.
“ Fare thee well"

. - Lord Byron No. 1.-" Vieni, vieni"

. Maggioni 2 0

Ditto
" Weeds and flowers".

Mrs. Alfred V. Newton
2.-" Ah se piacer mi Vuoi !
Ditto 2 PAILLIPS, LOVELL "The Christmas rose".

M. A. Stodart 2 3.-“ L'onda che mormora" - - - - Metastasio 2 0 RICHARDS, BRINLEY " The harp of Wales"

• E. Gilbertson Ditto! Eight Ballads :

Ditto
# The blind man and summer"

• W. Jones 1.-"Sweet days of youth"

. Mrs. Gent 2

Ditto
"The Suliote war song " .

E. Gilbertson 3
2.-" Long years of care"
W. W. Cazalet 2 REICHARDT, A.

Thou art so near, and yet so far"

- J, Oxenford 3 0 3."When 'mid the festive scenes" . - - Ann Riskey 2 0

Ditto

" Are they meant but to deceive me?" . Ditto
4.-" Break not by heedless word the spell”

Ditto
Good night" (Wiegenlied)

- Ditto 2 Lady Flora Hastings

Ditto

“The golden stars ” Von Heine) Campell Clarke 5.-“ Sweet hope"

. W. W. Cazalet

SELIGMANN, J.
"Pretty rosebud "

M.'s. Malcolm 6.-" Remembrance".

Ditto
Sr. LEGER, H. J. " The old willow tree"!

S. Whittesley 2 7.-" Gratitude".

Ditto
SCHLESSER, A. "I would I were a butterd

- Zeila 2 8.--" I love the oak”. - - Right Hon. W. M. S. 20 SMART, HENRY " The fairy's whisper"

.P. Douglas 2 pitto Two Chamber Trios (Sopr. Mez. and Contr.)

Ditto
" The lady of the Lea"

- W. H. Bellamy 2 6 No. 1.-" Come sisters let us dance and sing". .

Ditto

“ May" (duettino for equal voices) "Come, fairies, come,'. -

F. A. L. 261 SPILLANE, D.

" Yes, I have roamed" (sung by Miss Oliver) GLOVER, HOWARD “ The old woman of Berkeley” (Legend) . Sonthey 40

J. W. Thirlwall 2 6 Ditto “Love's philosophy".

- Shelley
STIRLING, E.

“ Leonora " - - - - - - R. Howitt 2 0 GRESHAM, EMILY "Ave Maria" (Melody by Flotow)

2 0 SWIFT, B.

" Old England's star is gleaming" - . . . 2 0

3 0 GREVILLE, Hon. Mrs. "Oh ! I would wend with thee?

THOMSON, JESSIE "Music breathes in everything" . A. J. Symington 2 0
Ditto
Ditto (as a duet for Soprano and Barytone

3 01 Weiss, W. H.
"The knight's vigil'

• J. P. Douglas Ditto "Quand on me donnerait" (with Guitar accomp.) . 101 White, CLEMENT “My ain Donald

John Brougham
Ditto
Ditto (as a duet for Soprano and Tenor) -

2 0
Ditto
" The woodland flower'

Desmond Ryan
HARGITT, C, J.
To-morrow" .
- - - R. S. Gowenlock 2 6 YARNOLD, E.

"The troubadour's lament

Ion. Mrs. Greville HALEVY, F. “Lord hear us, we implore thee" (La Juive) J. Oxenford 20 Ditto

" The maiden's lament" .

- - Ditto 3 0 Ditto " He will be here" . . . (ditto).

2 0 Ditto
La Giovinezza del poeta”

. - Prati 2 0 HAY, WALTER " Elaine's song" (Idylls of the King) - . Tennyson

VIVIER, EUGENS “ When o'er the meadows green "(with Horn accomp. JOHNS, Mrs. “The merry lark” (a lament) . - Rev. C. Kingsley 2 0

obbligato).

. Kusten, ERNEST "The pathway along the green fields".

Ditto

(Violoncello part in lieu of H LANDEGHEM, H. VAN “Weep not, my gentle Mary"

M. A. D. 2

oha Dittovarli

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P ART SONGS,

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MACPARREN, G. A. Three Four-part Songs, for two Tenors and two Basses :-
No.1.-" The fairy's evensong"

G. Macfarren
24" The world's festival's " . . Douglas Thompson 3 0
3.-" The arrow and the song".

. Longfellow 2
Separate rocal parts, each. . .

. MEYERBEER, G. "The Lord's Prayer," for four voices (in score), So

prano, Alto, Tenor, and Bass, and Organ, ad lib. 3 0

Separate vocal parts, each . Ditto

“ Aspiration” sor Bass solo, and chorus of three Sopranos,

two Tenors and Bass (in score)

« This house to love is holy," serenade for eight voices (in

score) two Sopranos, two Altos, two Tenors, and two Basses - • •

J. Oxenford 40 Separate vocal parts, each "The Battle of the Baltic," for four voices (in score) two

Sopranos, Tenor, and Bass - - Campbell 2 0

Separate vocal parts, each .
« The bridal morn,” for four voices (in s
Alto, Tenor and Bass .

- D. Ryan 2 “God save the Queen," for four voices (two Tenors and two Basses) in score

06

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LONDON: DUNCAN DAVISON & CO., Dépôt Général de la Maison Brandus, de Paris ; 244 Regent Street, comer of Little Argyll Street.

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THE NEW OPERETTA,
BLONDE OR BRUNETTE,

WRITTEN BY
J. P. WOOLER, ESQ.,

THE MUSIC COMPOSED BY
W. M. LUTZ.

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1. Thirteen Songs, by M. W. Balfe.
2. Ten Songs, by the Hon. Mrs. Norton.
3. Ten Songs, by Wallace.
4: Ten Songs, by Mozart, with Italian and English Words.
5. Twelve Sacred Songs, by John Barnett, George Barker, the Hon. Mrs. Norton,

Charles Glover, &c.
6. Twelve Songs, by Handel. Edited by G. A. Macfarren.

. Ten Sets of Quadrilles, by Charles D'Albert, &c.
'8. Forty Polkas, by Charles D'Albert, Jullien, Kænig, &c.

9. Fifty Valses, by D'Albert, Gung'i, Lanner, Strauss, Labitzky, &c.
10. Nine Pianoforte Pieces, by Brinley Richards.
11. Six Pianoforte Pieces, by Wallace.
12. Beethoven's Sonatas. Edited by Charles Hallé (No. 1). Containing Sonatas

ACT I.
Nos. 1 and 2 of Op. 2, complete.

1. Overture. 13. Twelve Popular Duets for Soprano and Contralto Voices.

2. Duet. “Sir ! my sister's reputation." Tenor and Barstone ...

... 30 14. Ten Songs, by Schubert.

3. Song. "Merry little Maud." Tenor 15. Eighteen of Moore's Irish Melodies. 16. Twelve Sacred Duets.

4. Duet. “ See your lover at your feet." Sopranos ... 17. Nive Pianoforte Pieces, by Osborne and Lindahl.

5. Duet. “Is that what all lovers say?" Soprano and Tenor 18. Twelve Songs, by Verdi and Flotow.

6. Trio. “Whoe'er would trust." Sopranos and Barytone 19. Favourite Airs from the Messiah. Arranged for the Pianoforte,

7. Song. "'Tis gone! the Hope that once did beam." Soprano 20. Beethoven's Sonatas. Edited by Charles Hallé (No. 2). Containing Sonata No. 3 of Op. 2, and Sonata Op. 7, complete.

8. Song. “Hurrah ! for the Chase,” Barytone ... ... ... ... 21. Nine Pianoforte Pieces, by Ascher and Goria.

9. Finale. " Farewell, for ever." 22. Twenty-one Christy and Buckley Minstrel Melodies.

ACT II. 23. Twenty-five Juvenile Pieces for the Pianoforte. 24. Thirteen Popular Songs, by the most popular Composers.

10. Serenade. “As I lay under the Linden Tree.” Tenor ...

... 76 25. Sims Reeves' Popular Songs.

11. Ballad. “Love's brightest dream." Soprano ... ... 26. D'Albert's Galops, Mazurkas, &c.

12. Quartet. “Ah! I fear he sees resemblance." Soprano, Tenor, and Barytones 4 0 27. Five Sets of Quadrilles as Duets, by Charles D'Albert. 28. Beethoven Sonalas. Edited by Charles Hallé (No. 3). Containing the Sonatas

| 13. Song. "The Belle of Ballingarry." Soprano Nos. 1 and 2 of Op. 10.

14. Duet.. " Which is mine, the hand or flower?" Soprano and Tenor 29. Ten Contralto Songs, by Mrs. Arkwright, Hon. Mrs. Norton, &c.

15. Song. “How oft unkindly thus we chide." Barytone ... ... ... ... ? 30. Beethoven Sonatas. Edited by Charles Hallé (No. 4). Containing the Sonata

16. Trio. “Hold ! you wish to fight, I see.” Soprano, Tenor, and Bargtone ... No. 3 of Op. 10, and the Sonata Pathétique. 31. Beethoven's Sonatas. Edited by Charles Hallé (No. 5). Containing Sonatas Nos.

17. Ballad. “Sweet Maiden, mine!" Tenor ...' .. .. ... ... 26 1 and 2 of Op. 14.

18. Finale. "Mine, at last." 32. Beethoven's Sonatas.Edited by Charles Hallé (No. 6). Containing Sonata Op.

22, and Sonata Op. 26, with the celebrated Funeral March. 33. Juvenile Vocal Album, containing Songs, Duets, and Trios, 34. Christmas Album of Dance Music, consisting of Quadrilles, Valses, Polkas, and

Pianoforte and other Arrangements in the Press. Galops. 35. Vocal Christy Minstrel Album. A New Selection. 36. Christy Minstrel Album, for Pianoforte alone. 37. Standard Dance Music, comprising 72 Country Dances, Hornpipes, Reels,

THALBERG'S NEW COMPOSITIONS. Jigs, &c.

ELODIES OF SCHUBERT.-Transcribed for the Schottisches, &c. 39. Christy Minstrel Song Book. A New Selection.

Pianoforte. 40. Valses by D'Albert and other eminent Composers.

No. 1. Die Taüschung.

2. Der Neugierige. The whole of the Songs are printed with Pianoforte Accompaniments.

3. Die Post.

• Complete, Price 4s. CHAPPELL'S NEW MUSICAL ALBUMS, 1 Last rose of Summer.” do. ... ... ... ... ..

| “Home, sweet Home!” Fantasia In Volumes, beautifully bound in various coloured cloth, with gold

As performed by M. THALBERG, at his Concerts, with great success. letters, borders, and gilt edges. Price 4s. each,

HALBERG'S SONG._" WITHIN THE CONVENT CHAPPELL'S ENGLISH BALLAD ALBUM; containing 36 Songs by Balse.

GARDEN," with German and English Words. Wallace. Barker Glover, Linley, Lover, and other Popular Composers, all with

Price 2s.
Pianoforte Accompaniments. Price 4s., bound and gilt edges.

CHAPPELL'S ALBUM DE DANSE for the Pianoforte : containing 10 Sets of
Quadrilles, 50 Valses, 40 Polkas, chiefly by Charles D'Albert. Price 4s., bound with

Now Ready, gilt edges.

CHAPPELL'S SECOND ALBUM DE DANSE for the Pianoforte : containing
Quadrilles, Valses, Polkas, Galops, Schottisches, Varsovianas, Polka - Mazurkas,

EXHIBITION MUSICAL SOUVENIR. Redowas, and French Country Dances, by Charles D'Albert, &c. Price 4s., bound with gilt edges,

AN ENTIRELY NEW WORK, containing Original ... The Two Albums de Danse comprise a complete collection of all music requisite A Contributions of Vocal and Pianoforte Masic, by Balse, Hatton, H. Smart, to the Ballroom.

Brinley Richards, Glover, and most of our popular English Composers. Ilustrated by CHAPPELL'S CHRISTY MINSTREL ALBUM : containing 52 Songs, with the best Artists, and most handsomely bound. Price One Guinea, Choruses and Pianoforte Accompaniments, including "I'm leaving thee in sorrow. Exhibited, Class 16, No. 3425, as a Specimen of Music Engraving and Printing, and Annie." “ Friends of my youth," “ I'm returning to thee, Annie," " Rosaline," &c. Chromo. Lithography. Price 48., bound, with gilt edges.

CHAPPELL'S SACRED VOCAL ALBUM contains 36 Songs and Duets by Handel, Barnett, Glover, the Hon. Mrs. Norton, Smart, Abt, Moore, Marcello, &c. Price 4s., bound, with gilt edges.

CHAPPELL'S ITALIAN SONG BOOK ; containing 32 Italian and German Songs, by Verdi, Mozart, Flotow, Schubert, &c., all with English as well as the original Words and Pianoforte Accompaniments. Price 4s., bound, with gilt edges.

37, 38 & 35 GREAT MARLBOROUGH STREET, W.

38. Fashionable Dance Book, consisting of Quadrilles, Valses, Polkas, Galops, M

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METZLER & CO.

AND

LONDON : CHAPPELL & CO., 49 & 50 NEW BOND STREET, W.

PIANOFORTE AND HARMONIUM WAREROOMS at No. 16.

Priated by GEORGE ANDREW SPOTTISWOODE, of No. 12 James Street, Buckingham Gate, in the Parish of St. Margaret, in the City of Westminster, at No.5 New-street Square,

In the Parish of St. Bride in the City of London. Published by John Boogey, at the Office of BoostY & Sons, 28 Holles Street, Saturday, August 30, 1002

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