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this country, is, we have reason to believe, universal. A more graceful are beautiful things of their kind, and were played to perfection by the means of expressing it than that which has so readily been afforded by composer. Mlle. Anna Molique played Beethoven's pianoforte sonata the director of the Monday Popular Concerts could not, we think, have in D minor, Op. 29, with great spirit, solid execution, and the most real been devised."

expression, and M. Paque execuied a violoncello solo by Schubert with The quartet has, we understand, been disposed of for the sum undeniable effect. The singers were Mue. Parepa, Miss Palmer, Mr. of 1001. The score of parts will shortly be engraved and

Wilbye Cooper, and Mr. Lewis Thomas. Signor Randegger was the published.

conductor.

MR. APTOMMAS'S HARP Recitals are among the most agreeable CHARITY ORATORIOS AT EXETER HALL..—The three oratorio per

and interesting entertainments of the season. Five have already been formances lately given by Mr. and Mad. Goldschmidt, at Exeter Hall,

given, and their success seems to increase with each performance. But after deducting the expenses (in each case amounting to about 500l.), produced the following results :--Messiah, May 14, 9001. 128.; the l hold out allurement in his programmes. We attended the fourth

not alone to the admirers of this special instrument dues Mr. Aptommas Creation, May 28, 8991. 148. 7d. ; Elijah, June 4, 8831. 168. 2d. ; total,

29; ; total, “Recital," which took place on the 10th insty, and were infinitely 2,6841. 28. 9u. The net proceeds of the Creation have been paid to the

pleased with the variety as well as the excellence of the programme. Hospital for Consumption at Brompton; those of the Elijah have been

Mr. Aptommas's performances comprised Bochsa's Grand Trio for divided eqnally between the Royal Society of Musicians of Great Britain

harp, piano, and violoncello, which he played with Messrs. Emile and the Royal Society of Female Musicians. The profits arising from

Berger and George Collins ; Parish Alvars' Grand Fantasia on Lucre. the performance of the Messiah were distributed in the following man

zia Borgia for barp, solus ; Zanetti's Capriccio Brillante, founded on Il ner :-To the rectors of the Lambeth Society for the Employment of

Bravo, ditto; Labarre's Fantasia on Zingarelli's “ Ombra adorata," Needlewomen, 1501. ; to Miss Stanley's Establishment, York Street,

ditto; and Czerny and Alvars' Grand Duo Concertante, for harp and Westminster, 1501. ; and 6001. 8s. to the Institution for Needlewomen,

piano, from Anna Bolena and Sonnambula, performed with Mr. G. A. Hinde Street, Manchester Square.

Osborne. Mr. Aptommas's brilliant execution, splendid tone, admirable REMARKABLY CHOICE VIOLINS.- A collection of fine Cremona in

feeling and expression, and varied style, were abundantly manifested in struments was yesterday brought to the hammer by Messrs. Puttick

these pieces, Bochsa's trio coming in for the largest share of applause. and Simpson of Leicester Square. Prominent amongst them were the

The other instrumental feature was Mr. G. Collins's solo on the violonwell-known instruments of the late Count Castelbarco, of Milan, to

cello, which showed very expert mechanism whom

in general, and great M. Fétis has dedicated his “Mémoire sur Stradivarius." The

command of pizzicato playing in particular. The vocal music was following were the more remarkable lots, with the prices at which they

shared between Miss Messent, Mr. Hubert Bond, and Mr. Leonard sold :-Lot i, a violin by Stradiuarius, date 1712, 701.; lot 2, a

Walker. Mr. Bond is a tenor, and sang, with laudable endeavour, if violin by Stradiuarius, date 1699, 561. ; lct 5, a tenor by Stradivarius,

with no very great effect, the air, “ M'appari tutt' amor," from Murtha, date 1715, 1001.; lot 6, à violin by Stradiuarius, date 1701, 135l.;

and the ballad, “ Eily Mavourneen,” from the Lily of Killarney. Miss lot 8, a violin by Stradiuarius, date 1685, 135l.; lot 9, a violin by

Messent gave Mozart's “ Deh per questo," and Bishop's “ Tell me, my

M. Stradiuarius, date 1713, 901.; lot 12, a violin by Nicolas Amati, 39

heart," in her neatest and most expressive manner ; and Mr. Leonard guineas ; lot 13, a violin by Andreas Amati, 36 guineas ; lot 26,

Walker, who has got a nice capable baritone voice, sang capitally, and à violoncello by Stradiuarius, date 1697, 2101.; Lot 28, a violoncello

was loudly applauded in Figaro's air from the Barbiere, “ Largo al by Stradiuarius, dated 1687, 115l. ; lot 30, a violoncello by Nicolas

factotum.” We have heard no English singer of late years give 60 Amati, date 1687, 130l.; lot 31, an autograph letter of the celebrated

much point to and show so much genuine comic spirit in this most Stradivarius (fac-similed in Fétis Memoir of him), 8l. The seventeen

glorious of buffo songs. articles of this collection produced the large sum of 1,2391. 158.

MR. APTOMMAS'S FIFTH HARP RECITAL, at Collards' Rooms, on There were some other fine instruments in the sale, particularly a

Tuesday last, was as fully and fashionably attended as any of the grand Amati, jewelled at the corners, which sold for 60l., and a violin

former, and the talent of the concert given was as prominently disby Guarnerius, which produced 38 guineas. There was a large atten

played. Mr. Aptommas's performances consisted of Weber's “ Concertdance of amateurs and professors. The total amount realised for the

stück” (from the original text), the orchestral accompaniments comday's sale was 1,7171. lls.

pressed into a part for the pianoforte (admirably played by Herr

Wilhelm m Ganz). A note in the programme says :-" This great com. Concerts.

position, the chef-d'auvre with which pianists make their début, is admirably well adapted for the barp, on account of its containing a number of

urpeggios, which passage is characteristic of, and essentially belongs to, HERR MOLIQUE'S ANNUAL CONCERT, which was given at the Hanover the sphere of harp music.” An introduction and rondo brillante, by Square Rooms, on Friday morning, the 13th instant, was one of the N. De Witte ; a study for the harp (“Studio per il arpa ") the composi. most interesting we have attended during the season. Three composi |tion of Mr. Charles Salaman; and Oberthur's popular duet for two tions of his own allowed the great violinist to exhibit his double talent | harps, on Meyerbeer's Huguenots, in which he had the valuable assist. as player and producer, in both of which, need we say, he holds a high ance of Herr Oberthur ; a solo on the violin, played by Mr. N. Mori, position among the highest. Herr Molique is emphatically an artist, deserves praise for its intrinsic merit as a composition, as well as for the one who loves music for music's sake, and who has cult vated it through excellent manner in which it was executed. The vocalists were Mlle. out his whole life wiih zeal and earnestness. Ardour, reverence, and a Parepa, Mr. Wilbye Cooper, and Mr. Leonard Walker. The two thorough classic feeling, are no less conspicuous in his playing than informer well-known artists acquitted themselves, as always, admirably; his compositions. He has little or no sympathy with the so-called and Mr. Leonard Walker, a new aspirant to vocal honour, made a great “romantic" school, and looks upon virtuosity as an antagonism to true impression in Rossini's “Largo al factotum(Il Barbiere). He has art. He is, in short, a real master of his instrument as well as of music, a fine bass voice, which he manages with considerable skill ; and he and cannot be made to pander to falsc tastes and prurient imaginations. sings with all the case of an "old stager,” and will, without doubt, For his reason his popularity may not be so wide.spread as if he were become a valuable addition to the concert-room. Mr. Aptommas's more conciliating and less difficult to please. His admirers are “legion," | sixth and last recital is fixed for Tuesday, July 8. nevertheless, and among those who look up to him with veneration and Mad. SaINTON-DOLBY'S CONCERT, on the 20th instant, attracted å respect are some of the first artists in the land. The three compositions numerous and fashionable audience, filling to repletion the large room of Herr Molique alluded to were, quartet in B flat, Op. 42, for stringed at St. James's Hall. There are few artists before the public who have instruments, in the execution of which the composer was joined by M. achieved a greater reputation than our gifted English contralto, and Carrodus, Herr Goffrie, and M. Paque; Grand Duo Concertante, for certainly none who has more thoroughly done her best to deserve it. pianoforte and violin, in E minor, Op. 20, played by Mlle. Anna Molique Endowed naturally with a voice combining all the necessary qualificaand Herr Joachim; and three melodies for the violin — " Bolero," tions, every care has been taken to turn the gift to the utmost advan. · Consolation,” and “Rural Scene," - performed by himself. The tage, and the result has been the highest position to which any singer quartet is ingenious and masterly from beginning to end, and moreover | could hope to aspire. From no festival of importance (with one ex. original and infinitely attractive. The duo for pianoforte and violinception, to which it would be needless to allude) has the name of Dolby crented intense excitement, not merely on account of the charm of the been oinitted for many years past, and of our own experience we know composition, but from the playing of two such accomplished artists as that at th: mectings of the choirs at the Birmingham or more northern Mlle. Anna Moliquc and Herr Joachim. The young and admirable triennial gatherings the lady is invariably one of the foremost favourites, pianist was by no ineans obnubilated in the splendour and perfection or and never fails to meet with that hearty reception which the British the great German's fiddling, but held her own in every movement and public only accords to a very few of the many candidates for their ap. fairly won half the applause at the termination. The "three melodies” probation. As an oratorio singer, Mad. Sainton-Dolby stands almost

Patters to the Editor.

alone as the exponent of certain pieces which seem to be inevitably tion of a trio by Bonoldi, “Felici Donzella," sung by Mrs. Andrews associated with her name, and justly so, as she possesses a breadth and and the Misses Pyne. The instrumentalists were Herr Klindworth dignity of style, together with an amount of genuine feeling and pathos (piano), Messrs. H. Blagrove, Clementi, and Daubert (violin, tenor, and never exaggerated that eminently render her the fit representative of violoncello) M. Aguilar accompanied several of the vocal pieces, the highest class of music. Equally at home in the works of all the Mrs. Holman Andrews has announced a soirée musicale for Weduesday great composers, Mad. Sainton-Dolby is no less so with the more un. next. pretending ballad, and much of the popularity of many a song of modern days must be attributed to the fact of its having had the good fortune DRURY LANE THEATRE.-On Monday night this house was opened to be introduced by the talented lady whose friends gathered round her | for the summer season by Mr. Dion Boucicault, the first step of whose in such strong force upon this occasion. The bénéficiaire did not rely management is the production of the Colleen Bawn. Judging from the altogether upon her own and other well-known names to form a pro- numerous audience that attended on the occasion, and the deafening apgramme, but added a novelty in the shape of a French “cheur”— plause with which they received the author of the great "sensation * La Société Clémence, Isaure," the Toulouse contingent of the drama,” when for the first time he appeared on the boards of this large orpheonistes, whose performance at the Crystal Palace the year before theatre as Miles na Coppaleen, now furnished with a brace of songs, we last was one of the great features of the season. The chorus comprises may infer that the Colleen Bawn will derive a new vitality from the some forty male voices, exceedingly well trained, and singing with a many visitors who come to London for the sake of the International degree of precision and wonderful attention to light and shade that Exhibition. Though the piece has been played in every county, folks could only be the result of very frequent and careful practice. “Le fresh from the provinces will be curious to see how it looks in a big combat naval”-a piece, as its name imports, descriptive of a sea-fight, London house, where the gentleman who has written it subjects himand containing every variety of emotion - the recollection of those dear self to the “header" which has contributed not a little to its fame, and to them, who are left behind, the prayer for success of their “drapeau ”. Parisians may enlarge their erudition by ascertaining that the version (the presence of which, as actually represented by a very elaboratc ban produced at the Ambigu-Comique, with the title Le Lac de Glenaston, ner, seemed absolutely necessary for the well going of every number), was no improvement on the original play. The reappearance of Mad. and of course a victory for France, all these "sensations” being repro. Celeste as Mrs. Cregan, after something like a twelvemonth's absence duced with great fidelity, and the whole encored vociferously. Two from London, gives a new interest to the performance, and, as the rechoruses by Laurent de Rillé, “ La Retraite,” in which the effect of re presentative of Eily-that immortal damsel, whom no quantity of inceding voices was most cleverly managed, and “La Nuce du Village," mersions will destroy--we have Miss Sara Stevens, a young lady un. thoroughly French and very pretty, were decidedly the best perfor known to the metropolis, who speaks with a pretty brogue and is a mances of the “Société Clémence, Isaure.” Mad. Sainton's contribu comely peasant girl, lacking the refinement of Mrs. Boucicault. Miss tions were Rossi's "Ah! rendimi quel cor,” Henry Smart's song, " The Jessie M'Lean, ihe Anne Chute of Mr. Benedict's Lily of Killarney, Lady of the Lea," unanimously encored, Haydn's "() tuneful voice," and plays the same part in the drama with her wonted spirit. two ballads, by Virginia Gabriel and Claribel, all, we need hardly say, ADELPHI THEATRE. - The Colleen Bawn was revived on Monday sung to perfection. In addition to these, the Sisters Marchisio, Miss night at the Adelphi, the place of Mr. Boucicault being supplied by Mr. Marian Moss, Mr. Santley, and Mr. George Perren highly distinguished C. Verner, who has long played Miles na Coppaleen in the provinces, themselves, the young and promising English lady giving Benedict's and went through his task in most creditable style. “ Skylark” with charming effect, the best of baritones (fortunately also English) displaying his grand voice and fine singing in Henry Smart's “ Magic of a flower," and Mr. Charles Hallé, the solitary instrumentalist, delighting his hearers with solos by Chopin, Heller, and Weber, the concert being altogether one of the most successful of the season.

MYDDELTON HALL, ISLINGTON.--The Ladies' Vocal Trio Union gave à concert on the 18th inst., to an audience which showed that the

THE LOOK-GLASS AND THE GORILLA. denizens of the far north (who are supposed to be the exclusive patrons Sir,—“ Dotted Crotchet” asks whether you have seen the Gorilla." of Shakspeare as represented at Sadlers' Wells) are not altogether in- | When next you meet take him to the first look-glass you can. If he sensible to the charms of music. The trio, consisting of Miss J. ) looks at himself in it he will sec the “Gorilla," and perhaps something Stanton, Mad. Ellwood Andrea, and Miss Ashton, displayed their

iss Ashton, displayed their | else at the same time. united qualities in Abt's “ How sweet and soothing the vesper chime," I Will " Dotted Crotchet" accept the hint? We bave not seen Rossini's “Al tuo materno seu,” “La carità,", " When life's brief the is Gorilla

the “Gorilla," and wish to see the “Gorilla." Ed.]

and wish to dream is over," and Glover's “ Down among the lilies," all sung with careful and harmonious effect. Miss Jane Ashton, who joined Herr Reichardt in Braham's duet, “When thy bosom heaves a sigh," and Mad. Andrea, in “Come, be gay,” has a nice voice, which, making

Advertisements. allowances for excusable nervousness, will be of service to the concertroom, as was more particularly shown in her subsequent solo. The Vocal Trio Union did not, however, rely upon their unaided efforts,

HARP MUSIC, BY BOLEYNE REEVES. but enlisted the services of Mlle. Parepa, who delighted the Islingtonians 80 much with the old ballad, “ Oh, say not woman's heart is bought," SONATA DRAMATICA

CONCERT SOLO,“ Der Freischütz" and Arditi's waltz, “Il Bacio," that an encore was in cach instance

RONDO A LA VALSE called for, and complied with, Herr Reichardt being similarly com STUDIES. No. 1 in F, No. 2 in plimented in “Thou art so near and yet so far.” Mad. Andrea and

PASTORALS. No. 1. Efat ...

2. B flat ... Miss Ashton also honoured in like manner in Badia's “ Viva della

3. B flat minor .. patria,” and Williams's “I've always a welcome for thee.” One instru

4. F minor mental solo relieved the vocal performance - a pianoforte rondo of

Addison, Hollier & LUCAS, 270 Regent sireet, ü. Salaman’s, played by Miss Annette Rich with much clearness and brilliancy, and warmly applauded.

SYDNEY S MIT H'S NEW COMPOSITION, Mrs. J. HOLMAN ANDREWS' MATINÉE was held in her elegant rooms, ID “MORNING DEWDROPS," played by the Author daily, with immense suc.

cess, at the Crystal Palace, Sydenham, price 4s. Bedford Square, on Friday, and was attended by a full and aristocratic

Just published by FARMER & FRUwirta, 7 Grosvenor Street, Bond Street, w. audience. Mrs. Andrews, who is well-known as one of the most fashionable of our English professors of the vocal art, confined her per

Just published, price 4:. formances to the concerted music in the programme, foremost among

THE PHILHARMONIC SOCIETY OF LONDON, which, for correctness of intonation and purity of style, must be named

1 FROM ITS FOUNDATION IN 1813 TO ITS FIFTIETH YEAR, 1862 her singing in the unaccompanied trio from Mendelssohn's Elijah, By GEORGE HOGARTH. “Lift thinc eyes," in which Mrs. Andrews had the valuable assistance of London, Bradbury & Evans, and Addison, Hollier & Lucas, and may be had at the the Misses Pyne. The trio made a great impression upon the audience,

principal libraries, musicsellers and at the Hanover Square Rooms. who would willingly have heard it again, but the fair singers were obdurate, and only bowed their thanks for the applause bestowed upon PLUMENTHAL'S “DAYS THAT ARE NO MORE,” them. A duet from the Diamans de la Couronne, sung by the Misses

transcribed for Piano and played with 'such distinguished success by the comPyne, and accompanied to perfection on the pianoforte by Mrs. Andrews,

poser at his Concert at the Marchioness of Downshire's residence, Belgrave Square,

is published, price 38., by DUNCAN DAVISON & Co., 244 Regent Street, W.; where the was, however, repeated; and the audience were liberal in their approba song (sung by Mad. SAINTON-DOLBY) may also be obtained, price 36.

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TRAULEIN LIEBHART begs to announce that she

will remain in London during the Season. All communications for engagements to be addressed to Mr. Jarrett, musical and concert agent, 244 Regent Street.

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“ Here on the mountain," with Clarionet obbligato ....

Violin or Violoncello in lieu of Clarionet, each
4 Near to thee," with Violoncello obbligato ...
“ The Fischermaiden”
The Lord's Prayer for Four Voices, with Organ ad lib.

Separate Vocal parts, each
“ This house to love is holy." Serenade for Eight Voices ...

Separate Vocal parts, each
'Aspiration," for Bass, Solo, and Chorus of 3 Sopranos, 2 Tenors, and 1 Bass

MR. TENNANT has the honour to announce that his
IT FIRST TOURNEE for the Winter Season, for which MAD. LEMMENS-
SHERRINGTON is already engaged, will commence on Monday, November 3.

Full particulars will be shortly announced.

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ORGAN FOR SALE. A Bargain. CC to F. Four
Stops, price £28.

No. 11a Hampstead Road, N.W.

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MHE MUSICSELLERS AND ASSISTANTS' PRO.I ADRIAN'S NEW SONG S.

" When twili:!wakes the star," 2s.6d. 1 VIDENT INSTITUTION. A General Meeting of the above will take place

“ Self deception " (Seibst betrug), 2s. at the Pianoforte Makers' Hall, Castle Street, Oxford Street, W., on Wednesday Evening, July 9, at Half past Eight o'clock, to enroll Members, appoint Officers, and

London : DUNCAN DAVISON & Co., 244 Regent Street, W. other Business, The attendance of the Trade is most respectfully solicited.

TARANTELLA, by WALTER MACFARREN, played by the

1 Composer with distinguished success, is published, price 4s., by Duncan' DAVIPRIZE QUARTET. - SOCIETY OF BRITISH

SON & Co., 244 Regent Street, w. I MUSICIANS.-The Committee beg to announce that the successful Competitors are Mr. EBENEZER PROUT and Mr. EDWARD PERRY.

CRADLE SONG, by REICHARDT.—“Good Night " tion to the Secretary, 16 Grosvenor Street, any

(Cradle Song), sung by Herr RKICAARDT, at Mad. Puzzi's Concert, and rapturWednesday or Thursday, from 3 till 4 o'clock.

W. W. Grice.

ously encored, is published, price 38., by DUNCAN DAVISON & Co., 244 Regent Street, W.

W

ANTED, an ASSISTANT (either Male or Female) V in a Music Warehouse. One who plays the Pianoforte preferred. Applications, stating terms, to be made to Hall & Co., Cheltenham.

M VIVIER.-This celebrated Artist will APPEAR for

the first time, aster a long absence. at Mr. BENEDICT'S GRAND MORNING CONCERT, on Monday next, June 30, when he will perform Schubert's “ Eloge des Larmes," on the French Horn, accompanied on the Pianoforte by Mr. BENEDICT.

DELFAST ANACREONTIC SOCIETY.-WANTED,

D by the above Society, a GENTLEMAN competent to act as Leader and Con. ductor.

For particulars as to Salary, &c., apply to William Carson, Honorary Secretary, Victoria Bui.dings, Belfast.

NEW SONG by EDWARD LAND, “ MINE, LOVE?

YES OR NO."
Sung by Mr. WALTER BOLTON with great success at Mr. ARTHUR NAPOLEON'S
MATINÉE, is published, price 3s., by Duncan DAVISON & Co., 244 Regent Street, W.

THE MUTUAL LIFE ASSURANCE SOCIETY

(A. D. 1834), 39 King Street, Cheapside, E.C. London. On January 1, 1862, Capital, from Premiums alone, £403,165.

Income upwards of $68,000. Assurances £1,634,755.
Bonuses average more than 25 per cent. per annum on sum assured.
Profits divided yearly, and begin on second premium.
Every Member can attend and vote at all general meetings.
Last Annual Report and Accounts may be had.

CHARLES INGALL, Actuary.

DART SONGS for FOUR VOICES, by Herr

I KAPELLMEISTER FRANZ ABT, each 2d., viz. :-“ Gaily o'er the Ocean," 2d.; "The Minstrel's Good Night," 2d. ; " The Wanderer's Return," 2d.; "The Song of Consecration," 2d.; "My Fatherland," 2d. ; " The Cheerful Drum,” 2d. ; “ The Birds are coming hither," 2d.; "The Huntsman's Song," 2d. ; “Good Night," 2d. ; " Fondest, dearest, now Good Night," 2d.; "The Earth it loves Rain," zd.; “Love's Greeting," 2d.; “ The Soldier's Adieu," 2d.; "Hark, Hark, it is the Even. ing Breeze," 2d.

London : ROBERT Cocks & Co., New Burlington Street, and 4 Hanover Square, W., Publishers to the Queen.

FINCHAM, ORGAN-PIPE MAKER, VOICER, and TUNER,

110 EUSTON ROAD, LONDON.
Amateurs and the Trade Supplied at the Lowest Terms.

NEW SONGS by FRANZ ABT, Composer of “Die

Schwalben.”—“O rosy Morn,” “Like a Well-spring in the Desert,” “O sweet flowing Streamlet” (words by Geo. Linley), “Thee only I Love," " O ye Tears" (words by Dr. Mackay), " Kathleen Aroon" (words by Mrs. Crawford), &c.

London : Robert Cocks & Co., New Burlington Street, Publishers to the Queen.

THE CECILIAN PITCH PIPE (a new invention), for

the waistcoat pocket, is superior to all others, being much more powerful in tone than any other at present in use the pitch does not vary, whether sounded Piano or Forte-is easily repaired, or the pitch altered if required.

Price (any note) 25. 6d. Post-free.
BOOSEY & CHING, 24 Holles Street, W.

A SHDOWN & PARRY (successors to Wessel & Co.) A beg to inform the Profession that they forward Parcels on Sale upon receipt of references in town. Returns to be made at Midsummer and Christmas.

Their Catalogues, which contain a great variety of Music calculated for teaching purposes, may be had, post-free, on application.

London : 18 Hanover Square.

DOOSEYS SHILLING MESSIAH, complete Vocal

Score, with Accompaniment of Pianoforte cr Organ, demy 4to (size of Musi. cal Cabinet"). Price 1s. - BoosEY & Sons have much pleasure in announcing their new Edition of the “Messiah," printed from a new type, on excellent paper, and in a form equally adapted for the Pianoforte or the Concert-room. The text revised by G. F. HARRIS, from the celebrated Edition of Dr. JOHN CLARK. As a specimen of cheap music, this book is quite unprecedented, and it is only in anticipation of the universal patronage it will command at the approaching Handel Festival the publishers are able to undertake it. Orders received by all Booksellers and Musicsellers. Post free, Is, 4d. An edition in cloth boards, gilt, 2s.

Boosey & Sons, Holles Street.

Now ready, price 78. 6. (To Subscribers 5s.)
PHILOSOPHY OF MUSIC, a New Work. By

JOSEPH GODDARD.
London : BOOSEY & SONS, Holles Street. I

ANDEL; a Poem in relation to the Handel Festival.

By HENRY SAMUEL PERKINS. : London : R. K. Buat, Holborn Hill, and Crystal Palace, Sydenham.

Post free, One Shilling.

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THE OPERA, COMPLETE, BOUND IN CLOTH, 258.

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ALLA VITA CHE T'ARRIDE (Tell me not the grief). Aria
DI TU SE FEDELE (Row on, nur daily toil is done). Barcarolle
ERI TU CHE MACCHIAVI QUELL' ALMA (My heart so sad).
MORRO MA PRIMA (When others left me). Preghiera

ACT I.
SAPER VORRESTE (The joys of childhood's day). Canzone ...

OVERTURE.

- - - 4 0 VOLTA LA TERREA (Joy's fair bower). Ballata ...

SONG—A bachelor's life. (Hardress)
PIANOFORTE ARRANGEMENTS.

DUET — The moon has rais'd the lamp above. (Hardress

and Danny Mann) • “ OSCAR." Mazurka. Mad. OURY .. DEUX SOUVENIRS (Nos. 1 and 2) (easy). Ä. Miolan "" .. .

SONG- The above arranged as a song FANTAISIE. H. W. GOODBAN ...

SONG-It is a charming girl I love. (Myles.) In B flat and in A MAZURKA. F. EAVESTAFF

SONG - In my wild mountain valley. (Eily.) In D and C minor

SONG, with CHORUS, ad lib.— The Cruiskeen Lawn • DANCE MUSIC. (All Illustrated in Colours with different scenes from the Opera).

ACT II. MASKED BALL QUADRILLES.T. BROWNE

CHORUS—The Hunting Chorus .

- 3 6 GALOP. T. BROWNE

***

3 0 WALTZES. T. BROWNE ..

AiR and DUET—The eye of love is keen. (A.Chute & Hardress) POLKA, T. BROWNE

*** .. 40

SCENA — A lowly peasant girl. (Danny Mann) • VALSE. Naran

3 0

ROMANCE (separately)— The Colleen Bawn. (Danny Mann) 2 6 GALOP NADAUD ...

3 0 TARENTELLE. NADAUD

... 3 0

BALLAD-I'm alone. (Eily.) In E flat and in C . The three last named are from the incidental Ballet Music, and are the sole copyright

DUET - I give the best advice. (Eily and Myles) of METZLER & CO.

ACT III.

SONG--The Lullaby. (Myles). In A and in F .
Just published,

TRIO-Blessings on that rey'rend head. (Eily, Myles and
Father Tom.) In D and in D flat -

- 3 o BLONDE OR BRUNETTE,

DUET- Let the mystic orange flowers. (For two equal voices) 2 6

BALLAD- Eily Mavourneen. (Hardress). In F and in D: The New and Successful Operetta, written by J. P. WOOLER, Esq., the Music composed by W. M. Lutz. Now performing at the New Royalty Operetta House,

RONDO FINALE-By sorrow tried severely. (Eily)
The following are some of the inost popular Songs and Ballads, all of which have
been most favourably noticed by the Press :-
MERRY LITTLK MAUD. Song. Tenor ...

PIANOFORTE ARRANGEMENTS.
'TIS GONE, THE HPE THAT ONCE DID BEAM. Ballad. Soprano 2 6
HURRAH! FOR THE CHASE. Hunting Song. Baritone or Bass ... 3 0
AS I LAY UNDER THE LINDEN TREE. Serenade. Tenor

| TaE OVERTURE. Arranged by the Author . LOVE'S BRIGHTEST DREAM. Soprano ...

THE FAVOURITE AIRS. In two Books. W. H. Callcott
THE BELLE OF BALLINGARRY Irish Song. Soprano .
HOW OFT UNKINDLY THUS WE CHIDE. Baritone or Bass ...

Ditto. As Duets. In two Books. W. H. Callcott -
SWEET MAIDEN MINE. Ballad. Tenor ...

The Favourite Airs. In two Books. Franz Nava -
Tenor ...

...
. ..

Ditto. As Duets. In two Books. Franz Nava
SET OF QUADRILLES. Charles Coote -

Ditto. As Duets . .
G. LINLEY'S POPULAR CANTATA,

Set oF QUADRILLES. “The Cruiskeen Lawn." Pierre Laroche.

Ilustrated by Brandard -
THE JOLLY BEGGARS,

Waltz. “Eily Mavourneen.” Chas. Coote. Illus by Brandard
Words by Burns

Set of WaltzES. Pierre Laroche. Illustrated by Brandard
Performed nightly witli the greatest Success. (See Reviews.)

GALOP. Pierre Laroche , . 1, WITH QUAFFING AND LAUGHING. Introductory Chorus, arranged

BRINLEY RICHARDS, “ Eily Mavourneen" for four voices

" I'm alone” 2. I AM À SON OF MARS. Soldier's Soig

“ It is a charming girl I love”

3 0 3. ONCE I WAS YOUNG. Camp Follower's Song 4. SIR WISDOM'S A FOOL. Merry Andrew's Song.

“ The Cruiskeen Lawn". 5. A HIGHLAND LAD MY LOVE WAS BORN. Widow's Song

Kone. Fantasia on favourite Airs 6. WHISTLE OER THE LAVE O'T. Findler's Song ... 7. MY BONNY LASS. Tink.r's Song ..

Grand Waltz 8. WHEN IBDE GOOD BYE TO PIEBE. Sailor's Song

G." A. Osborne. Fantasia on favourite Airs. 9. FINALE. Sosi and Chorus ...

“Ricordanza" .. TRIO. From the Finale- With Ready Trick and Fable " ..

GOODBAN, H. W. Serenade, “ The moon has raised
The above Songs have Choruses ad libitum.
The complete Edition of " The Jolly Beggars." with all the Recitatives, &c.,

MADAME OURY. Fantasia on favourite Airs handsomely bound, and with portrait of Burns, price 12s.

Lindsay SLOPER. Fantasia on favourite Airs -
Coote's " Jolly Beggars" Quadrille, Illustrated in colours, price 48.

RIMBAULT. Six favourite Airs, casily arranged :-
No. 1. “In my wild mountain valley”

2. “The Lullaby" .

3. “It is a charming girl I love” METZLER & Co.

4. “Eily Mavourneen”

5. “I'm alone". 37, 38 & 35 GREAT MARLBOROUGH STREET, W. 6. “The Colleen Bawn”

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MESSRS. CRAMER, BEALE & WOOD'S

NEW AND REVISED EDITION.
NEW AND POPULAR PUBLICATIONS.

Price 12s.

THE VOICE AND SINGING. MEYERBEER'S GRAND CORONATION MARCH,

composed for the King of Prussia. MEYERBEER'S GRAND SCHILLER MARCH, performed by Godfrey's Band

Cod Pond " The Formation and Cultivation of the Voice for Singing.' By ADOLFO FERRARI. on the Opening of the International Exhibition.

London : Duncan Davison & Co., 244 Regent Street. MEYERBEER'S GRAND MARCH from “Le Prophète," as solos or duets for

" The great and deserved success of this work has brought it, in no long time, to a the Pianoforte.

second edition, carefully revised, and enriched with a number of additional exercises

which greatly increase its value."-Hlustrated News. RUDIMENTS OF HARMONY, by G. A. MAC London: Duncan DAVISON & Co., 244 Regent Street, W. 1 FARREN.

Price 78. 6d.
R E E T H O V EN. The Dream of St. Jerome.

THE AIRS, BALLADS, FANTASIAS, QUADRILLES,
Price 2s. 6d.

WALTZES, &c. IN THE OPERETTA OF
KETTERER, E. Il Bacio (Valse d'Arditi). Price 4s. “ ONCE TOO OFT E N.”
Ditto
La Stella
2nd ditto,
Price 4s.

COMPOSED BY HOWARD GLOVER.
ELLER, S. Deuxième Canzonette. Price 4s.
Ditto
Réverirs d'une Promeneur Solitaire. Price 4s.

Performed with the greatest success at the Theatre Royal, Drury Lane.
Ditto
Douze Valses, in three Books, each, 2s. 6d.

Published by Duncan DAVISON & Co., 244 Regent Street, W.
RACH, J. S. Gavotte in G Minor, and Musette in G

Just published, price 28. 6d.
Major, performed by CAARLES HALLE. Price Is. 6d.

" PELOVED ONE, NAME THE DAY.” Ballad. Ditto

Sarabande in E Minor, Passapied in E Major, and Gavotte in
G Major, performed by CHARLES HALLE. Price 2s. 60

written by JOHN LAMB, Esq., composed by Alfred Mellon.

London : DUNCAN Davison & Co., 244 Regent Street, W.
DANCE MUSIC.

A SCHE R’S New Solo, “ALICE," Played by the BROWNE T. Tam o Shanter Galop (Illustrated).

Composer with such distinguished Success at Mad. Puzzi's Concert, the

Grand Exhibition Concert, Exeter Hall, and at the Mansion House, is published, price Price 3s.

4s,, by DUNCAN Davison & Co., 244 Regent Street, w. MONTGOMERY, W. H. Ye Whittington Polka (Illustrated). Price 3s.

WELSH MELODIES, BUCALOSSI, P. Moonlight Galop (Illustrated).

Price 3s.
Ditto
Water Lily Waltzes (Illustrated). Price 4s.

WELSH AND ENGLISH POETRY, ROBERTS, H. S. La Belle Russe Waltzes (Illustrated).

arranged for
Ditto
Lass o" Gowrie Quadrilles (Illustrated). Price 38.

ONE OR FOUR VOICES,
U VAL, E. Star of India Waltzes (Illustrated).
Price 4s.

with accompaniment for
Ditto
Ace of Hearts Waltzes (Ullustrated). Price 4s.

HARP OR PIANOFORT2,
CROA L, G. Old England Quadrilles (Illustrated).
Price 4s.

by Ditto

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WITH

'JOHN THOMAS (PENCERDD GWALIA).

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VOCAL MUSIC.'
OLD ENGLISH DITTIES, selected from CHAP-

PELL'S POPULAR MUSIC of the OLDEN TIME, arranged by G. A.
MACPARREN. Vol. J. 10s. ; in separate books, 58. each ; in single numbers, Is. each.

TOORE'S IRISH MELODIES, ARRANGED by

1 G. A. MACFARREN. In one volume, £1 Is.; in separate books, 5s. each; in single numbers, Is. eacn. A SELECTION OF POPULAR SCOTCH SONGS,

arranged by G. A. MACFARREN. In separate bouks, 5s. each ; in single num. bers, Is. each.

SMART, HENRY. “Thro' every Chance and Change,”

Sung by Madame Laura Baxter. Price 2s. 6d. Ditto

"Tell me, sweet Zephyr," Song. Price 28. 6d. Ditto

" I'U tell you why I'd like to be a Rose.” Price 2s, 6d. Ditto

“I dream of thee at Morn." Price 28. 6d. Ditto

" The magic of the flowers." Price 28. 6d.

· I'R AWEN, Introductory Chorus ...

(To the Muse). 1. LLWYN ONN ...

(The Ash Grove). 2. CODIAD YR HEDYDD

(The Rising of the Lark). 3. AR HYD Y NOS

(All through the Night). 4. HOB Y DERI DANNO

(Hoh a derry Danno). 5. MORVA RHUDDLAN

(The Plain of Rhuddlan). 6. DIVYRRWCH Y BRENIN

(The King's Delight), 7. Y FERCH O'R SCER

(The Maid of Sker). 8. Y GADLYS ...

(The Camp). 9. TORRIAD Y DYDD

(The Dawn of Day), 10. SERCH HUDOL

(Love's Fascination). 11. CLYCHAU ABERDYFI ***

(The Bells of Aberdovey). 12. GLAN MEDDWDOD MWYN ".

(The Joy of the Mead.cup). 13. RHYFELGYRCH GWYR HARLECH

(March of the Men of Harlech). 14. MERCH MEGAN

(Megan's Daughter). 15. NOS GALAN ...

(New Year's Eve). 16. Y FWYALCHEN

(The Blackbird). 17. CODIAD YR HAUL

(The Rising of the Sun). 18. DAFYDD Y GARREG WEN"

(David f the White Rock). 19. STR HARRI DDU ...

(Black Sir Harry). 20. BUGEILIO'R GWENITH GWYN

(Watching the Wheat). 21. DIFYRRWCH ARGLWYDDES OWAIN ... (Lady Owen's Delight). 22. TROS Y GARREG ..

(Over the Stone). 23. Y 'DERYN PUR

(The Dove).

***
24. Y BARDD YN EL AWEN"

... (The Inspired Bard).
FFARWEL Y TELYNOR
GOL WLAD

... (The Minstrel's Adieu to his

native Land).

RI, F. “Tho' all should forsake thee," Song |

Price 25. 60.
RAMSDEN, A. “I love none else but thee,” Song,

Price 2s. 60,

LONDON:
CR A MER, BE A LE & WOOD,

199 AND 201 REGENT STREET; PIANOFORTE GALLERY, 207 AND 209 REGENT STREET.

Complete in Two Volumes, price one guinea each.
And the separate numbers, either as song, or quartet, price two shillings each.
The Harmonized Voice-parts, published separately, for the convenienc. of Choral
Societies, price 'Threepence per page. Also Welsh Melodies for the Harp, by JOHN
THOMAN, in Two Volumes, price 2ls, each, or in separate numbers, 2$. 6d. and 3s, each.

LONDON : ADDISON, HOLLIER & LUCAS, 210 REGENT STREET.

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