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this country, is, we have reason to believe, universal. A more graceful are beautiful things of their kind, and were played to perfection by the means of expressing it than that which has so readily been afforded by composer. Mlle. Anna Molique played Beethoven's pianoforte sonata the director of the Monday Popular Concerts could not, we think, have in D minor, Op. 29, with great spirit, solid execution, and the most real been devised."
expression, and M. Paque execuied a violoncello solo by Schubert with The quartet has, we understand, been disposed of for the sum undeniable effect. The singers were Mue. Parepa, Miss Palmer, Mr. of 1001. The score of parts will shortly be engraved and
Wilbye Cooper, and Mr. Lewis Thomas. Signor Randegger was the published.
MR. APTOMMAS'S HARP Recitals are among the most agreeable CHARITY ORATORIOS AT EXETER HALL..—The three oratorio per
and interesting entertainments of the season. Five have already been formances lately given by Mr. and Mad. Goldschmidt, at Exeter Hall,
given, and their success seems to increase with each performance. But after deducting the expenses (in each case amounting to about 500l.), produced the following results :--Messiah, May 14, 9001. 128.; the l hold out allurement in his programmes. We attended the fourth
not alone to the admirers of this special instrument dues Mr. Aptommas Creation, May 28, 8991. 148. 7d. ; Elijah, June 4, 8831. 168. 2d. ; total,
29; ; total, “Recital," which took place on the 10th insty, and were infinitely 2,6841. 28. 9u. The net proceeds of the Creation have been paid to the
pleased with the variety as well as the excellence of the programme. Hospital for Consumption at Brompton; those of the Elijah have been
Mr. Aptommas's performances comprised Bochsa's Grand Trio for divided eqnally between the Royal Society of Musicians of Great Britain
harp, piano, and violoncello, which he played with Messrs. Emile and the Royal Society of Female Musicians. The profits arising from
Berger and George Collins ; Parish Alvars' Grand Fantasia on Lucre. the performance of the Messiah were distributed in the following man
zia Borgia for barp, solus ; Zanetti's Capriccio Brillante, founded on Il ner :-To the rectors of the Lambeth Society for the Employment of
Bravo, ditto; Labarre's Fantasia on Zingarelli's “ Ombra adorata," Needlewomen, 1501. ; to Miss Stanley's Establishment, York Street,
ditto; and Czerny and Alvars' Grand Duo Concertante, for harp and Westminster, 1501. ; and 6001. 8s. to the Institution for Needlewomen,
piano, from Anna Bolena and Sonnambula, performed with Mr. G. A. Hinde Street, Manchester Square.
Osborne. Mr. Aptommas's brilliant execution, splendid tone, admirable REMARKABLY CHOICE VIOLINS.- A collection of fine Cremona in
feeling and expression, and varied style, were abundantly manifested in struments was yesterday brought to the hammer by Messrs. Puttick
these pieces, Bochsa's trio coming in for the largest share of applause. and Simpson of Leicester Square. Prominent amongst them were the
The other instrumental feature was Mr. G. Collins's solo on the violonwell-known instruments of the late Count Castelbarco, of Milan, to
cello, which showed very expert mechanism whom
in general, and great M. Fétis has dedicated his “Mémoire sur Stradivarius." The
command of pizzicato playing in particular. The vocal music was following were the more remarkable lots, with the prices at which they
shared between Miss Messent, Mr. Hubert Bond, and Mr. Leonard sold :-Lot i, a violin by Stradiuarius, date 1712, 701.; lot 2, a
Walker. Mr. Bond is a tenor, and sang, with laudable endeavour, if violin by Stradiuarius, date 1699, 561. ; lct 5, a tenor by Stradivarius,
with no very great effect, the air, “ M'appari tutt' amor," from Murtha, date 1715, 1001.; lot 6, à violin by Stradiuarius, date 1701, 135l.;
and the ballad, “ Eily Mavourneen,” from the Lily of Killarney. Miss lot 8, a violin by Stradiuarius, date 1685, 135l.; lot 9, a violin by
Messent gave Mozart's “ Deh per questo," and Bishop's “ Tell me, my
M. Stradiuarius, date 1713, 901.; lot 12, a violin by Nicolas Amati, 39
heart," in her neatest and most expressive manner ; and Mr. Leonard guineas ; lot 13, a violin by Andreas Amati, 36 guineas ; lot 26,
Walker, who has got a nice capable baritone voice, sang capitally, and à violoncello by Stradiuarius, date 1697, 2101.; Lot 28, a violoncello
was loudly applauded in Figaro's air from the Barbiere, “ Largo al by Stradiuarius, dated 1687, 115l. ; lot 30, a violoncello by Nicolas
factotum.” We have heard no English singer of late years give 60 Amati, date 1687, 130l.; lot 31, an autograph letter of the celebrated
much point to and show so much genuine comic spirit in this most Stradivarius (fac-similed in Fétis Memoir of him), 8l. The seventeen
glorious of buffo songs. articles of this collection produced the large sum of 1,2391. 158.
MR. APTOMMAS'S FIFTH HARP RECITAL, at Collards' Rooms, on There were some other fine instruments in the sale, particularly a
Tuesday last, was as fully and fashionably attended as any of the grand Amati, jewelled at the corners, which sold for 60l., and a violin
former, and the talent of the concert given was as prominently disby Guarnerius, which produced 38 guineas. There was a large atten
played. Mr. Aptommas's performances consisted of Weber's “ Concertdance of amateurs and professors. The total amount realised for the
stück” (from the original text), the orchestral accompaniments comday's sale was 1,7171. lls.
pressed into a part for the pianoforte (admirably played by Herr
Wilhelm m Ganz). A note in the programme says :-" This great com. Concerts.
position, the chef-d'auvre with which pianists make their début, is admirably well adapted for the barp, on account of its containing a number of
urpeggios, which passage is characteristic of, and essentially belongs to, HERR MOLIQUE'S ANNUAL CONCERT, which was given at the Hanover the sphere of harp music.” An introduction and rondo brillante, by Square Rooms, on Friday morning, the 13th instant, was one of the N. De Witte ; a study for the harp (“Studio per il arpa ") the composi. most interesting we have attended during the season. Three composi |tion of Mr. Charles Salaman; and Oberthur's popular duet for two tions of his own allowed the great violinist to exhibit his double talent | harps, on Meyerbeer's Huguenots, in which he had the valuable assist. as player and producer, in both of which, need we say, he holds a high ance of Herr Oberthur ; a solo on the violin, played by Mr. N. Mori, position among the highest. Herr Molique is emphatically an artist, deserves praise for its intrinsic merit as a composition, as well as for the one who loves music for music's sake, and who has cult vated it through excellent manner in which it was executed. The vocalists were Mlle. out his whole life wiih zeal and earnestness. Ardour, reverence, and a Parepa, Mr. Wilbye Cooper, and Mr. Leonard Walker. The two thorough classic feeling, are no less conspicuous in his playing than informer well-known artists acquitted themselves, as always, admirably; his compositions. He has little or no sympathy with the so-called and Mr. Leonard Walker, a new aspirant to vocal honour, made a great “romantic" school, and looks upon virtuosity as an antagonism to true impression in Rossini's “Largo al factotum” (Il Barbiere). He has art. He is, in short, a real master of his instrument as well as of music, a fine bass voice, which he manages with considerable skill ; and he and cannot be made to pander to falsc tastes and prurient imaginations. sings with all the case of an "old stager,” and will, without doubt, For his reason his popularity may not be so wide.spread as if he were become a valuable addition to the concert-room. Mr. Aptommas's more conciliating and less difficult to please. His admirers are “legion," | sixth and last recital is fixed for Tuesday, July 8. nevertheless, and among those who look up to him with veneration and Mad. SaINTON-DOLBY'S CONCERT, on the 20th instant, attracted å respect are some of the first artists in the land. The three compositions numerous and fashionable audience, filling to repletion the large room of Herr Molique alluded to were, quartet in B flat, Op. 42, for stringed at St. James's Hall. There are few artists before the public who have instruments, in the execution of which the composer was joined by M. achieved a greater reputation than our gifted English contralto, and Carrodus, Herr Goffrie, and M. Paque; Grand Duo Concertante, for certainly none who has more thoroughly done her best to deserve it. pianoforte and violin, in E minor, Op. 20, played by Mlle. Anna Molique Endowed naturally with a voice combining all the necessary qualificaand Herr Joachim; and three melodies for the violin — " Bolero," tions, every care has been taken to turn the gift to the utmost advan. · Consolation,” and “Rural Scene," - performed by himself. The tage, and the result has been the highest position to which any singer quartet is ingenious and masterly from beginning to end, and moreover | could hope to aspire. From no festival of importance (with one ex. original and infinitely attractive. The duo for pianoforte and violinception, to which it would be needless to allude) has the name of Dolby crented intense excitement, not merely on account of the charm of the been oinitted for many years past, and of our own experience we know composition, but from the playing of two such accomplished artists as that at th: mectings of the choirs at the Birmingham or more northern Mlle. Anna Moliquc and Herr Joachim. The young and admirable triennial gatherings the lady is invariably one of the foremost favourites, pianist was by no ineans obnubilated in the splendour and perfection or and never fails to meet with that hearty reception which the British the great German's fiddling, but held her own in every movement and public only accords to a very few of the many candidates for their ap. fairly won half the applause at the termination. The "three melodies” probation. As an oratorio singer, Mad. Sainton-Dolby stands almost
Patters to the Editor.
alone as the exponent of certain pieces which seem to be inevitably tion of a trio by Bonoldi, “Felici Donzella," sung by Mrs. Andrews associated with her name, and justly so, as she possesses a breadth and and the Misses Pyne. The instrumentalists were Herr Klindworth dignity of style, together with an amount of genuine feeling and pathos (piano), Messrs. H. Blagrove, Clementi, and Daubert (violin, tenor, and never exaggerated that eminently render her the fit representative of violoncello) M. Aguilar accompanied several of the vocal pieces, the highest class of music. Equally at home in the works of all the Mrs. Holman Andrews has announced a soirée musicale for Weduesday great composers, Mad. Sainton-Dolby is no less so with the more un. next. pretending ballad, and much of the popularity of many a song of modern days must be attributed to the fact of its having had the good fortune DRURY LANE THEATRE.-On Monday night this house was opened to be introduced by the talented lady whose friends gathered round her | for the summer season by Mr. Dion Boucicault, the first step of whose in such strong force upon this occasion. The bénéficiaire did not rely management is the production of the Colleen Bawn. Judging from the altogether upon her own and other well-known names to form a pro- numerous audience that attended on the occasion, and the deafening apgramme, but added a novelty in the shape of a French “cheur”— plause with which they received the author of the great "sensation * La Société Clémence, Isaure," the Toulouse contingent of the drama,” when for the first time he appeared on the boards of this large orpheonistes, whose performance at the Crystal Palace the year before theatre as Miles na Coppaleen, now furnished with a brace of songs, we last was one of the great features of the season. The chorus comprises may infer that the Colleen Bawn will derive a new vitality from the some forty male voices, exceedingly well trained, and singing with a many visitors who come to London for the sake of the International degree of precision and wonderful attention to light and shade that Exhibition. Though the piece has been played in every county, folks could only be the result of very frequent and careful practice. “Le fresh from the provinces will be curious to see how it looks in a big combat naval”-a piece, as its name imports, descriptive of a sea-fight, London house, where the gentleman who has written it subjects himand containing every variety of emotion - the recollection of those dear self to the “header" which has contributed not a little to its fame, and to them, who are left behind, the prayer for success of their “drapeau ”. Parisians may enlarge their erudition by ascertaining that the version (the presence of which, as actually represented by a very elaboratc ban produced at the Ambigu-Comique, with the title Le Lac de Glenaston, ner, seemed absolutely necessary for the well going of every number), was no improvement on the original play. The reappearance of Mad. and of course a victory for France, all these "sensations” being repro. Celeste as Mrs. Cregan, after something like a twelvemonth's absence duced with great fidelity, and the whole encored vociferously. Two from London, gives a new interest to the performance, and, as the rechoruses by Laurent de Rillé, “ La Retraite,” in which the effect of re presentative of Eily-that immortal damsel, whom no quantity of inceding voices was most cleverly managed, and “La Nuce du Village," mersions will destroy--we have Miss Sara Stevens, a young lady un. thoroughly French and very pretty, were decidedly the best perfor known to the metropolis, who speaks with a pretty brogue and is a mances of the “Société Clémence, Isaure.” Mad. Sainton's contribu comely peasant girl, lacking the refinement of Mrs. Boucicault. Miss tions were Rossi's "Ah! rendimi quel cor,” Henry Smart's song, " The Jessie M'Lean, ihe Anne Chute of Mr. Benedict's Lily of Killarney, Lady of the Lea," unanimously encored, Haydn's "() tuneful voice," and plays the same part in the drama with her wonted spirit. two ballads, by Virginia Gabriel and Claribel, all, we need hardly say, ADELPHI THEATRE. - The Colleen Bawn was revived on Monday sung to perfection. In addition to these, the Sisters Marchisio, Miss night at the Adelphi, the place of Mr. Boucicault being supplied by Mr. Marian Moss, Mr. Santley, and Mr. George Perren highly distinguished C. Verner, who has long played Miles na Coppaleen in the provinces, themselves, the young and promising English lady giving Benedict's and went through his task in most creditable style. “ Skylark” with charming effect, the best of baritones (fortunately also English) displaying his grand voice and fine singing in Henry Smart's “ Magic of a flower," and Mr. Charles Hallé, the solitary instrumentalist, delighting his hearers with solos by Chopin, Heller, and Weber, the concert being altogether one of the most successful of the season.
MYDDELTON HALL, ISLINGTON.--The Ladies' Vocal Trio Union gave à concert on the 18th inst., to an audience which showed that the
THE LOOK-GLASS AND THE GORILLA. denizens of the far north (who are supposed to be the exclusive patrons Sir,—“ Dotted Crotchet” asks whether you have seen the Gorilla." of Shakspeare as represented at Sadlers' Wells) are not altogether in- | When next you meet take him to the first look-glass you can. If he sensible to the charms of music. The trio, consisting of Miss J. ) looks at himself in it he will sec the “Gorilla," and perhaps something Stanton, Mad. Ellwood Andrea, and Miss Ashton, displayed their
iss Ashton, displayed their | else at the same time. united qualities in Abt's “ How sweet and soothing the vesper chime," I Will " Dotted Crotchet" accept the hint? We bave not seen Rossini's “Al tuo materno seu,” “La carità,", " When life's brief the is Gorilla
the “Gorilla," and wish to see the “Gorilla." Ed.]
and wish to dream is over," and Glover's “ Down among the lilies," all sung with careful and harmonious effect. Miss Jane Ashton, who joined Herr Reichardt in Braham's duet, “When thy bosom heaves a sigh," and Mad. Andrea, in “Come, be gay,” has a nice voice, which, making
Advertisements. allowances for excusable nervousness, will be of service to the concertroom, as was more particularly shown in her subsequent solo. The Vocal Trio Union did not, however, rely upon their unaided efforts,
HARP MUSIC, BY BOLEYNE REEVES. but enlisted the services of Mlle. Parepa, who delighted the Islingtonians 80 much with the old ballad, “ Oh, say not woman's heart is bought," SONATA DRAMATICA
CONCERT SOLO,“ Der Freischütz" and Arditi's waltz, “Il Bacio," that an encore was in cach instance
RONDO A LA VALSE called for, and complied with, Herr Reichardt being similarly com STUDIES. No. 1 in F, No. 2 in plimented in “Thou art so near and yet so far.” Mad. Andrea and
PASTORALS. No. 1. Efat ...
2. B flat ... Miss Ashton also honoured in like manner in Badia's “ Viva della
3. B flat minor .. patria,” and Williams's “I've always a welcome for thee.” One instru
4. F minor mental solo relieved the vocal performance - a pianoforte rondo of
Addison, Hollier & LUCAS, 270 Regent sireet, ü. Salaman’s, played by Miss Annette Rich with much clearness and brilliancy, and warmly applauded.
SYDNEY S MIT H'S NEW COMPOSITION, Mrs. J. HOLMAN ANDREWS' MATINÉE was held in her elegant rooms, ID “MORNING DEWDROPS," played by the Author daily, with immense suc.
cess, at the Crystal Palace, Sydenham, price 4s. Bedford Square, on Friday, and was attended by a full and aristocratic
Just published by FARMER & FRUwirta, 7 Grosvenor Street, Bond Street, w. audience. Mrs. Andrews, who is well-known as one of the most fashionable of our English professors of the vocal art, confined her per
Just published, price 4:. formances to the concerted music in the programme, foremost among
THE PHILHARMONIC SOCIETY OF LONDON, which, for correctness of intonation and purity of style, must be named
1 FROM ITS FOUNDATION IN 1813 TO ITS FIFTIETH YEAR, 1862 her singing in the unaccompanied trio from Mendelssohn's Elijah, By GEORGE HOGARTH. “Lift thinc eyes," in which Mrs. Andrews had the valuable assistance of London, Bradbury & Evans, and Addison, Hollier & Lucas, and may be had at the the Misses Pyne. The trio made a great impression upon the audience,
principal libraries, musicsellers and at the Hanover Square Rooms. who would willingly have heard it again, but the fair singers were obdurate, and only bowed their thanks for the applause bestowed upon PLUMENTHAL'S “DAYS THAT ARE NO MORE,” them. A duet from the Diamans de la Couronne, sung by the Misses
transcribed for Piano and played with 'such distinguished success by the comPyne, and accompanied to perfection on the pianoforte by Mrs. Andrews,
poser at his Concert at the Marchioness of Downshire's residence, Belgrave Square,
is published, price 38., by DUNCAN DAVISON & Co., 244 Regent Street, W.; where the was, however, repeated; and the audience were liberal in their approba song (sung by Mad. SAINTON-DOLBY) may also be obtained, price 36.
TRAULEIN LIEBHART begs to announce that she
will remain in London during the Season. All communications for engagements to be addressed to Mr. Jarrett, musical and concert agent, 244 Regent Street.
“ Here on the mountain," with Clarionet obbligato ....
Violin or Violoncello in lieu of Clarionet, each
Separate Vocal parts, each
Separate Vocal parts, each
MR. TENNANT has the honour to announce that his
Full particulars will be shortly announced.
ORGAN FOR SALE. A Bargain. CC to F. Four
No. 11a Hampstead Road, N.W.
MHE MUSICSELLERS AND ASSISTANTS' PRO.I ADRIAN'S NEW SONG S.
" When twili:!wakes the star," 2s.6d. 1 VIDENT INSTITUTION. A General Meeting of the above will take place
“ Self deception " (Seibst betrug), 2s. at the Pianoforte Makers' Hall, Castle Street, Oxford Street, W., on Wednesday Evening, July 9, at Half past Eight o'clock, to enroll Members, appoint Officers, and
London : DUNCAN DAVISON & Co., 244 Regent Street, W. other Business, The attendance of the Trade is most respectfully solicited.
TARANTELLA, by WALTER MACFARREN, played by the
1 Composer with distinguished success, is published, price 4s., by Duncan' DAVIPRIZE QUARTET. - SOCIETY OF BRITISH
SON & Co., 244 Regent Street, w. I MUSICIANS.-The Committee beg to announce that the successful Competitors are Mr. EBENEZER PROUT and Mr. EDWARD PERRY.
CRADLE SONG, by REICHARDT.—“Good Night " tion to the Secretary, 16 Grosvenor Street, any
(Cradle Song), sung by Herr RKICAARDT, at Mad. Puzzi's Concert, and rapturWednesday or Thursday, from 3 till 4 o'clock.
W. W. Grice.
ously encored, is published, price 38., by DUNCAN DAVISON & Co., 244 Regent Street, W.
ANTED, an ASSISTANT (either Male or Female) V in a Music Warehouse. One who plays the Pianoforte preferred. Applications, stating terms, to be made to Hall & Co., Cheltenham.
M VIVIER.-This celebrated Artist will APPEAR for
the first time, aster a long absence. at Mr. BENEDICT'S GRAND MORNING CONCERT, on Monday next, June 30, when he will perform Schubert's “ Eloge des Larmes," on the French Horn, accompanied on the Pianoforte by Mr. BENEDICT.
DELFAST ANACREONTIC SOCIETY.-WANTED,
D by the above Society, a GENTLEMAN competent to act as Leader and Con. ductor.
For particulars as to Salary, &c., apply to William Carson, Honorary Secretary, Victoria Bui.dings, Belfast.
NEW SONG by EDWARD LAND, “ MINE, LOVE?
YES OR NO."
THE MUTUAL LIFE ASSURANCE SOCIETY
(A. D. 1834), 39 King Street, Cheapside, E.C. London. On January 1, 1862, Capital, from Premiums alone, £403,165.
Income upwards of $68,000. Assurances £1,634,755.
CHARLES INGALL, Actuary.
DART SONGS for FOUR VOICES, by Herr
I KAPELLMEISTER FRANZ ABT, each 2d., viz. :-“ Gaily o'er the Ocean," 2d.; "The Minstrel's Good Night," 2d. ; " The Wanderer's Return," 2d.; "The Song of Consecration," 2d.; "My Fatherland," 2d. ; " The Cheerful Drum,” 2d. ; “ The Birds are coming hither," 2d.; "The Huntsman's Song," 2d. ; “Good Night," 2d. ; " Fondest, dearest, now Good Night," 2d.; "The Earth it loves Rain," zd.; “Love's Greeting," 2d.; “ The Soldier's Adieu," 2d.; "Hark, Hark, it is the Even. ing Breeze," 2d.
London : ROBERT Cocks & Co., New Burlington Street, and 4 Hanover Square, W., Publishers to the Queen.
FINCHAM, ORGAN-PIPE MAKER, VOICER, and TUNER,
110 EUSTON ROAD, LONDON.
NEW SONGS by FRANZ ABT, Composer of “Die
Schwalben.”—“O rosy Morn,” “Like a Well-spring in the Desert,” “O sweet flowing Streamlet” (words by Geo. Linley), “Thee only I Love," " O ye Tears" (words by Dr. Mackay), " Kathleen Aroon" (words by Mrs. Crawford), &c.
London : Robert Cocks & Co., New Burlington Street, Publishers to the Queen.
THE CECILIAN PITCH PIPE (a new invention), for
the waistcoat pocket, is superior to all others, being much more powerful in tone than any other at present in use the pitch does not vary, whether sounded Piano or Forte-is easily repaired, or the pitch altered if required.
Price (any note) 25. 6d. Post-free.
A SHDOWN & PARRY (successors to Wessel & Co.) A beg to inform the Profession that they forward Parcels on Sale upon receipt of references in town. Returns to be made at Midsummer and Christmas.
Their Catalogues, which contain a great variety of Music calculated for teaching purposes, may be had, post-free, on application.
London : 18 Hanover Square.
DOOSEYS SHILLING MESSIAH, complete Vocal
Score, with Accompaniment of Pianoforte cr Organ, demy 4to (size of “Musi. cal Cabinet"). Price 1s. - BoosEY & Sons have much pleasure in announcing their new Edition of the “Messiah," printed from a new type, on excellent paper, and in a form equally adapted for the Pianoforte or the Concert-room. The text revised by G. F. HARRIS, from the celebrated Edition of Dr. JOHN CLARK. As a specimen of cheap music, this book is quite unprecedented, and it is only in anticipation of the universal patronage it will command at the approaching Handel Festival the publishers are able to undertake it. Orders received by all Booksellers and Musicsellers. Post free, Is, 4d. An edition in cloth boards, gilt, 2s.
Boosey & Sons, Holles Street.
Now ready, price 78. 6. (To Subscribers 5s.)
ANDEL; a Poem in relation to the Handel Festival.
By HENRY SAMUEL PERKINS. : London : R. K. Buat, Holborn Hill, and Crystal Palace, Sydenham.
Post free, One Shilling.
THE OPERA, COMPLETE, BOUND IN CLOTH, 258.
ALLA VITA CHE T'ARRIDE (Tell me not the grief). Aria
- - - 4 0 VOLTA LA TERREA (Joy's fair bower). Ballata ...
SONG—A bachelor's life. (Hardress)
DUET — The moon has rais'd the lamp above. (Hardress
and Danny Mann) • “ OSCAR." Mazurka. Mad. OURY .. DEUX SOUVENIRS (Nos. 1 and 2) (easy). Ä. Miolan "" .. .
SONG- The above arranged as a song FANTAISIE. H. W. GOODBAN ...
SONG-It is a charming girl I love. (Myles.) In B flat and in A MAZURKA. F. EAVESTAFF
SONG - In my wild mountain valley. (Eily.) In D and C minor
SONG, with CHORUS, ad lib.— The Cruiskeen Lawn • DANCE MUSIC. (All Illustrated in Colours with different scenes from the Opera).
ACT II. MASKED BALL QUADRILLES.T. BROWNE
CHORUS—The Hunting Chorus .
- 3 6 GALOP. T. BROWNE
3 0 WALTZES. T. BROWNE ..
AiR and DUET—The eye of love is keen. (A.Chute & Hardress) POLKA, T. BROWNE
*** .. 40
SCENA — A lowly peasant girl. (Danny Mann) • VALSE. Naran
ROMANCE (separately)— The Colleen Bawn. (Danny Mann) 2 6 GALOP NADAUD ...
3 0 TARENTELLE. NADAUD
... 3 0
BALLAD-I'm alone. (Eily.) In E flat and in C . The three last named are from the incidental Ballet Music, and are the sole copyright
DUET - I give the best advice. (Eily and Myles) of METZLER & CO.
SONG--The Lullaby. (Myles). In A and in F .
TRIO-Blessings on that rey'rend head. (Eily, Myles and
- 3 o BLONDE OR BRUNETTE,
DUET- Let the mystic orange flowers. (For two equal voices) 2 6
BALLAD- Eily Mavourneen. (Hardress). In F and in D: The New and Successful Operetta, written by J. P. WOOLER, Esq., the Music composed by W. M. Lutz. Now performing at the New Royalty Operetta House,
RONDO FINALE-By sorrow tried severely. (Eily)
| TaE OVERTURE. Arranged by the Author . LOVE'S BRIGHTEST DREAM. Soprano ...
THE FAVOURITE AIRS. In two Books. W. H. Callcott
Ditto. As Duets. In two Books. W. H. Callcott -
The Favourite Airs. In two Books. Franz Nava -
Ditto. As Duets. In two Books. Franz Nava
Ditto. As Duets . .
Set oF QUADRILLES. “The Cruiskeen Lawn." Pierre Laroche.
Ilustrated by Brandard -
Waltz. “Eily Mavourneen.” Chas. Coote. Illus by Brandard
Set of WaltzES. Pierre Laroche. Illustrated by Brandard
GALOP. Pierre Laroche , . 1, WITH QUAFFING AND LAUGHING. Introductory Chorus, arranged
BRINLEY RICHARDS, “ Eily Mavourneen" for four voices
" I'm alone” 2. I AM À SON OF MARS. Soldier's Soig
“ It is a charming girl I love”
3 0 3. ONCE I WAS YOUNG. Camp Follower's Song 4. SIR WISDOM'S A FOOL. Merry Andrew's Song.
“ The Cruiskeen Lawn". 5. A HIGHLAND LAD MY LOVE WAS BORN. Widow's Song
Kone. Fantasia on favourite Airs 6. WHISTLE OER THE LAVE O'T. Findler's Song ... 7. MY BONNY LASS. Tink.r's Song ..
Grand Waltz 8. WHEN IBDE GOOD BYE TO PIEBE. Sailor's Song
G." A. Osborne. Fantasia on favourite Airs. 9. FINALE. Sosi and Chorus ...
“Ricordanza" .. TRIO. From the Finale- With Ready Trick and Fable " ..
GOODBAN, H. W. Serenade, “ The moon has raised
MADAME OURY. Fantasia on favourite Airs handsomely bound, and with portrait of Burns, price 12s.
Lindsay SLOPER. Fantasia on favourite Airs -
RIMBAULT. Six favourite Airs, casily arranged :-
2. “The Lullaby" .
3. “It is a charming girl I love” METZLER & Co.
4. “Eily Mavourneen”
5. “I'm alone". 37, 38 & 35 GREAT MARLBOROUGH STREET, W. 6. “The Colleen Bawn”
• 1 0
MESSRS. CRAMER, BEALE & WOOD'S
NEW AND REVISED EDITION.
THE VOICE AND SINGING. MEYERBEER'S GRAND CORONATION MARCH,
composed for the King of Prussia. MEYERBEER'S GRAND SCHILLER MARCH, performed by Godfrey's Band
Cod Pond " The Formation and Cultivation of the Voice for Singing.' By ADOLFO FERRARI. on the Opening of the International Exhibition.
London : Duncan Davison & Co., 244 Regent Street. MEYERBEER'S GRAND MARCH from “Le Prophète," as solos or duets for
" The great and deserved success of this work has brought it, in no long time, to a the Pianoforte.
second edition, carefully revised, and enriched with a number of additional exercises
which greatly increase its value."-Hlustrated News. RUDIMENTS OF HARMONY, by G. A. MAC London: Duncan DAVISON & Co., 244 Regent Street, W. 1 FARREN.
Price 78. 6d.
THE AIRS, BALLADS, FANTASIAS, QUADRILLES,
WALTZES, &c. IN THE OPERETTA OF
COMPOSED BY HOWARD GLOVER.
Performed with the greatest success at the Theatre Royal, Drury Lane.
Published by Duncan DAVISON & Co., 244 Regent Street, W.
Just published, price 28. 6d.
" PELOVED ONE, NAME THE DAY.” Ballad. Ditto
Sarabande in E Minor, Passapied in E Major, and Gavotte in
written by JOHN LAMB, Esq., composed by Alfred Mellon.
London : DUNCAN Davison & Co., 244 Regent Street, W.
A SCHE R’S New Solo, “ALICE," Played by the BROWNE T. Tam o Shanter Galop (Illustrated).
Composer with such distinguished Success at Mad. Puzzi's Concert, the
Grand Exhibition Concert, Exeter Hall, and at the Mansion House, is published, price Price 3s.
4s,, by DUNCAN Davison & Co., 244 Regent Street, w. MONTGOMERY, W. H. Ye Whittington Polka (Illustrated). Price 3s.
WELSH MELODIES, BUCALOSSI, P. Moonlight Galop (Illustrated).
WELSH AND ENGLISH POETRY, ROBERTS, H. S. La Belle Russe Waltzes (Illustrated).
ONE OR FOUR VOICES,
with accompaniment for
HARP OR PIANOFORT2,
Old Scotland Quadrilles (Illustrated). Price 4s. Ditto
Old Ireland Quadrilles (do.) Price 4s.
'JOHN THOMAS (PENCERDD GWALIA).
PELL'S POPULAR MUSIC of the OLDEN TIME, arranged by G. A.
TOORE'S IRISH MELODIES, ARRANGED by
1 G. A. MACFARREN. In one volume, £1 Is.; in separate books, 5s. each; in single numbers, Is. eacn. A SELECTION OF POPULAR SCOTCH SONGS,
arranged by G. A. MACFARREN. In separate bouks, 5s. each ; in single num. bers, Is. each.
SMART, HENRY. “Thro' every Chance and Change,”
Sung by Madame Laura Baxter. Price 2s. 6d. Ditto
"Tell me, sweet Zephyr," Song. Price 28. 6d. Ditto
" I'U tell you why I'd like to be a Rose.” Price 2s, 6d. Ditto
“I dream of thee at Morn." Price 28. 6d. Ditto
" The magic of the flowers." Price 28. 6d.
· I'R AWEN, Introductory Chorus ...
(To the Muse). 1. LLWYN ONN ...
(The Ash Grove). 2. CODIAD YR HEDYDD
(The Rising of the Lark). 3. AR HYD Y NOS
(All through the Night). 4. HOB Y DERI DANNO
(Hoh a derry Danno). 5. MORVA RHUDDLAN
(The Plain of Rhuddlan). 6. DIVYRRWCH Y BRENIN
(The King's Delight), 7. Y FERCH O'R SCER
(The Maid of Sker). 8. Y GADLYS ...
(The Camp). 9. TORRIAD Y DYDD
(The Dawn of Day), 10. SERCH HUDOL
(Love's Fascination). 11. CLYCHAU ABERDYFI ***
(The Bells of Aberdovey). 12. GLAN MEDDWDOD MWYN ".
(The Joy of the Mead.cup). 13. RHYFELGYRCH GWYR HARLECH
(March of the Men of Harlech). 14. MERCH MEGAN
(Megan's Daughter). 15. NOS GALAN ...
(New Year's Eve). 16. Y FWYALCHEN
(The Blackbird). 17. CODIAD YR HAUL
(The Rising of the Sun). 18. DAFYDD Y GARREG WEN"
(David f the White Rock). 19. STR HARRI DDU ...
(Black Sir Harry). 20. BUGEILIO'R GWENITH GWYN
(Watching the Wheat). 21. DIFYRRWCH ARGLWYDDES OWAIN ... (Lady Owen's Delight). 22. TROS Y GARREG ..
(Over the Stone). 23. Y 'DERYN PUR
... (The Inspired Bard).
... (The Minstrel's Adieu to his
RI, F. “Tho' all should forsake thee," Song |
Price 25. 60.
Price 2s. 60,
199 AND 201 REGENT STREET; PIANOFORTE GALLERY, 207 AND 209 REGENT STREET.
Complete in Two Volumes, price one guinea each.
LONDON : ADDISON, HOLLIER & LUCAS, 210 REGENT STREET.