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CHAPPELL & CO.'S

NEW MUSICAL PUBLICATIONS.

CHAPPELL AND CO.'S NEW MUSICAL ALBUMS.

In volumes, beautifully bound in various coloured cloths, with gold letters and gilt edges, price 4s. each.

CHAPPELLS ENGLISH BALLAD ALBUM,

Containing 36 Songs by Balfe, Wallace, Barker, Glover, Linlcy, Lover, Walter Maynard, and other popular Composers, all with Pianoforte A ccompaniments.

Price 4s. bound and gilt edges. In this Album will be found many of the most popular Ballads of these favourite composers.

CHAPPELLS FIRST ALBUM DE DANSE

For the Pianoforte ; containing 10 sets Quadrilles, 50 Valses, 40 Polkas, chiefly by Charles D'Albert.

Price 4s. bound, with gilt edges.

CHAPPELLS SECOND ALBUM DE DANSE

For the Pianoforte; containing Quadrilles, Valsee, Polkas, Galops, Schottisches, Varsovianas, Polkas, Mazurkas, Kcdowas, and French Country Dances.

Price 4s. bound, with gilt edges. Ni. —The two Albums de Danse comprise a complete collection of all Music requisite for the Ball-room.

CHAPPELLS CHRISTY MINSTREL ALBUM,

Containing 52 Songs, with Choruses and Pianoforte Accompaniment.

.N.B. This collection alone contains various popular Songs, including

"I'm leaving thee in sorrow, Annie," " Friends of my Youth," '• I'm returning to thee, Annie," " Rosalie," &c.

Price 4s. bound, with gilt edges.

CHAPPELL'S SACRED VOCAL ALBUM

Contains 36 Songs and Duets, by Handel, Barnett, Glover, the Hon. Mrs. Norton, Smart, Abt, Moore, Marcello, &c.

Price 4s. bound, with gilt edges.

CHAPPELL'S ITALIAN SONG BOOK,

Containing 32 Italian and German Songs, by Verdi, Mozart, Flotow, Schubert, &C., all with English as well as the original Words, and Pianoforte Accompaniments.

Price 4s. bound, with gilt edges.

LONDON:

CHAPPELL AND CO., 50 NEW BOND STREET.

CRAMER, BEALE, & WOOD,

NEW DANCE MUSIC.

fflTOranLLES.

OLD ENGLAND.

AS SOLOS AND DUETS. 4s. WITH BRILLIANTLY ILLUSTRATED TITLE.

Composed and Arranged by GEORGE CROAL on the following Popular Aire, selected from W. Chappell's "Popular Music of the Olden Time "— "Fairies haste!" "The dusky Night rides down the Sky," "The Oak and the Ash," "Farewell, Manchester!" "There was a jolly Miller once," "The Spring is coming," "Come, lasses and lads," " Come, here's to Robin Hood!" "May he who wears a sulky face," "Early one morning," and " The Bailiff's daughter."

OLD ENGLISH LANCERS.

4s.

Arranged by CHARLES COOTE on Airs selected from "W. Chappell's "Popular Music of the Olden Time "—

"A Soldier should be jolly," "Once I loved a maiden fair," "0 list to me, my only love I" "The Vicar of Bray," "The Bailiff's daughter," "Joan the Maypole," "To the Maypole haste away," and " Amid tho new-mown hay."

SIMON BOCCANEGRA

4s.

(Illustrated Title). Arranged by CHARLES COOTE from Verdi's Opera, and contains the following Airs— "Letizia di carole," "Figlia 'a tal nome palpito," "Parla in tuo cor virgine," "Dimmi perchc inquest' e remo," "Doge il popol f acelaraa."

THE LASS OF GOWRE.

3s.

(Illustrated Title). Arranged from the following Scotch Airs by H. 3. ROBERTS

"March of the Cameron Men," "Lasso' Gowrio," "Highland Laddie," "There's nae Luck," March from " Rob Roy."

THE PRAIRIE FLOWER (Illustrated by Bran

dard). 4s. By GERALD STANLEY, Composer of the "Woodland Whisper."

THE FLOWER OF THE VALLEY (Illustrated

Title). 4s. By PROCLDA BUCALOSSI.

SWEET VIOLETS (Illustrated Title). As By

PROCLDA BUCALOSSI.

MERRIE ENGLAND (Illustrated Title), 4s.

By PROCLDA BUCALOSSI.

CAROLINE POLKA (Illustrated Title), 3s. On

Favourite Nigger Melodies. By C. COOTE.

GIPSY POLKA MAZURKA (Illustrated Title).

3s. By PROCLDA BUCALOSSI.

The AMBER WITCH POLKA (Illustrated Title).

3s. By CHARLES D'ALBERT.

CROWN OF ROSES POLKA (Illustrated Title).

3s. By PROCLDA BUCALOSSI.

201, REGENT STREET, LONDON.

POPULAR INSTRUMENTAL WORKS

PUBLISHED BY

BOOSEY & SONS, HOLIES STREET, LONDON.

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Printed by George Andrew SroTTiawopDB. of No..12 James Street, Buckingham Gale, In tho Parish of St. Margaret, in the City of Westminster, at No. 5 New-street Square, in the Parish of St. Bride, in the City of London. Published by John Boosey, at the Office of Boosey U Sons, 28 Holies Street,—Saturday, January 11, 1862.

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_ " The Worth Op Art Appears Host Eminent In Music, Since It Requires No Material, No Subject-matter, Whose Effect Mc8t Be Deducted: It Is Wholly Form And Power, And It Raises And Ennobles Whatever It Expresses"Ggthe.

SUBSCRIPTION—Stamped for Postage—20s. PEP. ANNUM
Payable in advance by Cash or Post-Office Order to B00SEY & SONS, 28 Holies Street, Cavendish Square, London, W.

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p OD BLESS OUR WIDOWED QUEEN. A National

VJT Prayer.—Word's by W. S. Passmoul Music by W. T. Wrighton. Appropriately Illustrated. Price it. 6d.

IN MEMORIAM.—His late R. H. the PRINCE CONSORT. Elegy for Piano. By Bhinlby Richard*. With|approprlate Illustration. Price 3s.;

DEAD MARCH IN SAUL. Arranged for the Piano, by O. F. West. Price 3i.'

London: Robert Cocks and Co., New Burlington-Street, Publishers to her Most Gracious Majesty the Queen. fc

TJANOVER SQUARE ROOMS (The Queen's Concert

* I Rooms).—The Proprietor, MR. COCKS, of New Burlington Street, has the satisfaction to announce that the Restoration of these Rooms (unrivalled for their acoustic propteries) is now complete. Engagements may be made for Concerts, Balls, Soirees, Lectures, Bazaars, I Fairs, Meetings, Sabbath Services, &c.

Information as to terms and other particulars may be obtained of Messrs. Robert Cocks and Co., 6 New Burlington Street, and L' Hanover Square. Regent Street, London, W. The Rooms may be inspected at any time when not engaged, on presentation of card.

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Secretary: Charles Lew is Gruneiscn, Esq. Offices open from 10 to 5 ; except on Saturdays, and then from 10 till 2 o'clock. SHARE DEPARTMENT. Interest payable half-yearly on shares is 5 per cent, per annum, with power of withdrawal of subscription at ten days* notice, and participation in any bonus declared above the ordinary interest. No partnership liability. The taking of land is quite optional. A share paid a year in advance costs £5 Is. 6d.; completed share is £51 3s. 6d.: twenty shares, £1023 1 If., and so on in proportion, calculating £51 3s. 6d. for each share. The Interest and bonus paid by the Society have ranged from 4£ to 7 percent. The Society paid five and a half per cent, for the past year. The system is adopted for all classes of the community, and investors can communicate by correspondence, as well as

by personal attendance.

Monthly payment on one share is 8s. DEPOSIT DEPARTMENT.

Sums, large or small, may be deposited at the Offices daily. 4 per cent, per annum, payable half-yearly.

Interest allowed is now

Withdrawals of deposits paid every Wednesday, under £100; from* £100 to £500, at twenty-one days ; and £500, and upwards, on one month's notice. Investors under the Deposit Department do not become members of the Society. Remittances may be made in checks, half-notes, post-office orders, &c.

LAND DEPARTMENT.

Freehold plots on valuable estates In eighteen counties, are now on sale, the taker of each i.lot being allowed to borrow seven-eights of the purchase money, payable in easy monthly instalments. Plans of Estates, price 6d. each, Du d. by post. Advances for Building on liberal terms.

Prospectuses will be sent Free of Charge to any part of the World.

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JS. BACH'S "PASSIONS-MUSIK" (according to • the text of St. Matthew). Vocal Score, with Pianoforte Accompaniment, under the Editorship of Professor STERN DALE BENNETT. Now published for the first time in England. The English text adapted by Miss H. F. H. Johnston.

Subscribers to this work are respectfully informed that It will be ready for delivery by the middle of February. Subscription, One Guinea. Price to Non-Subscribers, Oue Guinea and a half. Subscribers' names received until the 1st of February. The Ciiorus parts, 5s- each, will also be ready.

Lamborn Cock, Hutchings and Co. (late Leader and Cock;, 62 and 63
New Bond Street.

USICAL DIRECTORY, REGISTRY, and ALMA

. HACK for 1H62. Just Published. Contents:—365 Miniature Muxlcal Bto-
,n'* . the Addresses of Muxtcal Professors, &c, throughout the Kingdom ; the
al Societies of London and the Provinces, and their performances during the past
List of Music Published in Great Britain during 1861; Advertisements of erery-
"\W And Interesting In connection with Music. Price Is. 6d., by Post Is. 8d.
\ Ruoall, Ross, Carts and Co. 20 Charing Cross,

»n

THE MUSIC FROM

HOWARD GLOVER'S

NEW OPERETTA,

"ONCE TOO OFTEN,"

Will be Published on Tuesday the 2I«t of January, by
DUNCAN DAVIDSON & CO., 244 Regent Street, W.

"ALICE, WHERE ART THOU?"

66 A LICE, Where Art Thou?" Romance; sung by

-*cjl. Signor Gardoni, and written by Wellington Guernsey. Music by J. Ascher. "Mr. Ascher/whose fame as a writer of pianoforte music is European, has proved himself in ' Alice, where art thou t' as consummate an artist as a vocal writer as he is renowned as a Mala' for the pianoforte. The melody is graceful, flowing, and original, full of the most original feeling and thought. It has been sung by Sims Reeves, Gardoni, Mr. Tennant, Mr Perren, Mr. Tedder, Mr. Me*chor Winter, and all the leading tenors of the day. Two editions of this romance have been printed—one in B flat for laJies'voices, and the other in D flat for tenors. Altogether, we have seldom met with a composition embodying all the elements of popularity in so great a degree as M. Ascher's romance of 4 Alice, who art thou?' and one that must, on its merits alone., become the most popular song of the present day."—(Irish Times.)

In the Press,

"ALICE," transcribed for the Pianoforte by J. Asches.

ditto ditto by Buunboff.

London; Duncan Davison and Co.t 214 Regent Street, W.

Just Published. Price As.,

Ij! MILE BERGER'S NEW PIANO SOLO, U "LES ECHOS DE LONDRES."

This new fantasia was composed exuressty for M. Ole Bull, Herr Formes. Mr, and Mrs. Tennant, and Miss Anna Whitty's provincial tour. It has been played by Mr. Emile Berger (as well as the trauscription of Ferrari's popular serenade" Vieni, "t "> every where with the greatest success, and has invariably been encored.

"The introduction of the two popular melodies, * Gentle Annie" and 1 UT" L*nd,* was a happy idea of Mr. Berger. The audience were delighted, and the applause was so great that the talented pianist was obliged to return to the platform and repeat the fantasia, to the great delight of the audience."—Sheffield Paper.

Londou : Duncan Davison and Co. 244 Regent Street, W.

HERR REICHARDT'S NEW SONG,
"ARE THEY MEANT BUT TO DECEIVE ME?"
Mazurka-Polonoise.
The Poetry adapted by JOHN OXEVFORD.
Price 2s. 6d.

Sung At the Crystal Palace Concerts by HEIIR REICHARDT, with immense success.

The Times says: " Ilerr Reichardt, the German tenor, whose pure, classical style and fervid expression— still remembered, in spite of two years' absence—were displayed with the utmost effect In a characteristic song from his own pen, entitled * Are they meant but to deceive me?' which exhibited more than one touch worthy the composer of that deservedly popular romance, ' Thou art so near and yet so far.*

London : Published by Duncan Davison and Co. 241 Regent street, W.

BLUMENTHAL'S new Compositions for the PIANOFORTE,' The days that are no more," Madame Sainton's popular song, transcribed, price 3s., and " Un petit Cudeau," Bluctte, 3s.

London: Duncan Davison and Co. 244 Regent Street, W.

Just Published, Price 4s. lid.,

MY GOD, MY SINS ARE MANIFOLD."

Anthem for Four Voices (Soprano, Alto, Tenor and Bass).

The Words by Bishop In turn, as Sungat St. Mark's Church, Hamilton Terrace.
The Music by WILLIAM LUDLOW.
London: Duncan Davison and Co., 244 Regent Street, W.
In the Press,

An" " INTROIT." Words by Bisuiop Hebbk. Composed by William Ludlow.
Just Published, Price Zs. 6d.,

"I'LL THINK OF THEE." Son-*. The Poetry by

JL Wellinoion Guernsey. The Music by J. ASCHER.

London: Duncan Davison an I Co., 244 Regent Street, W.

LOCKE'S MACBETH.—SIXPENCE.—Published this Day, Boosby anil Sons' complete Edition of L-ic-ke's Music to ACTH, lu Vocal Score, with Pianoforte accompaniment. Price Sixpence.

Boosey and Sons, Holmes Street.

Hanovkr.—Marsehncr was buried early on the 18th ult. A numerous procession of friends and admirers, and a long string of carriages, headed by two of the king's, followed the composer's remains to their last resting-place. One band accompanied the procession as far as the Neustiidter churchyard, where it was received by a second. The Rey. Herr Huge delivered a touching address over the grave, into which the corpse was lowered amid the strains of the chorus of the Theatre Royal. The coffin was decorated with palm branches and a laurel chaplet, no t a very high personage, as well as by the conductor's baton belonging to the deceased, and the various orders and decorations conferred on him during his long career.

*' The Standard Course of Lessons on the ' Tonic Sol-Fa' method of teaching to sing ;" " The Pianoforte Edition of 'Songs and Tunes for Education,' having a bass which may be sung by Male Teachers."— Edited by John Curwen (Ward and Co.).

No one who takes an interest in the "Tonic Sol-Fa" system should be unpossessed of these works. Such admirable compendiums say much for the teachers and promulgators of the system, whatever we may think of the system itself. The volume of " Songs and Tunes" contains no less than 267 pieces, set to poetry of various degrees of merit, the work of various hands, and generally well harmonised. Mr. Curwen's introduction is worth reading, as explanatory of the moral purpose, no less than the practical utility of the compilation.

"La Plus Charmandate"— polka; "The Star of Erin"— quadrille—by Charles Bridge (Cocks and Co.).

"La plus charmante" is a far-fetched title for what is at the best a very commonplace polka. "7he Star of Erin" quadrille is "founded on national Irish airs," to which Mr. Prince adds occasionally eight bars of his own, which are by no means "Irish" in character. (See, for example, the cornet solo at the foot of "Pantalon. ") Moreover, his notions of harmony are queer at times; as, for instance : —

fitters to tbt (Suitor.

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"Feuillet dAlbum"—For the pianoforte—by* Ferdinand Falk (Cramer, Beale and Wood).

A "song without words" in D flat major, graceful, melodious and well-written, but not strikingly original.

"Alice, where art thou ? romance"— words by Wellington Guernsey; music by T. Ascher (Duncan, Davison and Co.).

A model ballad, if there ever was one. Mr. Guernsey has been extremely happy with his words, and has found in Mr. Ascher a musical on ne plus peut sympathique co-labourer. The romance was composed for Signor Gardoni, for whose voice and style it is suited a ravir.

"He came in the Moonlight" — words by Wellington Guernseyl music Spanish (Mtetzler and Co.).

Mr. Guernsey has been no less happy in this than in the foregoing. The air is extremely quaint and pretty, and we are not at all surprised to hear, Mile. Adelina Patti being the singer, that "He came in the Moonlight" has attained more than ordinary vogue and popularity in Dublin.

"A Mother's Love" ballad — words and melody by H. St. Leger; accompaniments by S. Janette St. Leger (Dancan Davison and Co.).

This little unpretending ballad, if nicely sung, must please all hearers. It is indeed, in its way, a " bijou."

ADVICE WANTED.

Sir, —I shall feel obliged if you will favour me with your opinion and advice on the following in next Saturday's number of the Musical World.

Having failed to commence the pianoforte when younger, and being now 30 years of age, my fingers have become too set to obey the will. I am very fond of music, particularly vocal, and am conversant with all the rudiments. At the same time, I have long regretted not being able to accompany my songs, but compelled to trouble other people in the matter. If you could kindly suggest any other instrument, the manipulation of which you think could be more easily got over by an adult than the piano, I should feel much obliged. Any remarks you may make on the subject will equally oblige.

An Amateur.

[Our columns are open to any one capable and willing to afford our correspondent the counsel and information he solicits.—En.]

NATIONAL CHORAL SOCIETY.

Sib,— Many members of the above say, "Many thanks to you for your advice to the silly girls," of whom we have many more than are useful, or, in fact, ornamental. But, alas! our director is a singular man, and seems not to comprehend the requirements of a large society. His ideas seem confined to the quartet and piano accompaniment—asks no advice, and appreciates none if offered. Internally there is, in reality, no management; it is all sixes and sevens: no marvel that all is unsteadiness, if not confusion, in the orchestra; the parts being unjointcd the fabric cannot be compact. A score of improprieties require correcting before any stability can be hoped for, if ever it be. Your occasional rebuke will be always appreciated by those in the Society whose opinions and services are worth having.—Yours obediently,

W.

Society For Encouragement Of The Fine Arts. — On Thursday evening last the first of two lectures on the " Life and Works of Beethoven," was delivered by Mr. Alfred Gilbert, at the Society's rooms, 9 Conduit Street. From the importance of the subject, a large number of amateurs and some critics were present. The lecturer, evidently well up in his subject, divided it in three parts, taking for consideration the first period of Beethoven s career, and reserving the two remaining for the lecture of next Thursday. Amongst the illustrations given — which formed in themselves a really interesting concert—were the trio in C, Op. 1, part of the quintet in E flat, and trio in E flat, and the slow movement of No. 1, Op. 2, and the entire Moonlight Sonata. The playing of Mr. Gilbert in the last two pieces ig deserving of special commendation. The vocal illustrations were necessarily few, but were well given by Mad. Gilbert, who sang the charming song, "Know'st thou the land;" Miss Roden, "In qucsta touiba; and Mr. Southwell, "Adelaida." Mr. Gilbert was ably assisted in the instrumental selections by Herr Polittzer, violin; Mr. W. E. Evans, viola; and Herr Daubert, violoncello.

Milan.—Mile. Csillag is engaged at the Scala.

Florence.—Herr von Flotow's Martha has been highly successful, despite a great deal of national opposition on the part of a certain portion of the public.

St. Petersburgh.—The Italian opera is still, as it ever has been, the rendezvous of all the fashionables in the capital on the banks of the Neva. It is here that the ladies of the first rank flock to display their rich toilets, and still richer jewels, to say nothing of their beauty. The leading artists are Graziani, Calzolari, Taraberlik, Signore La Grua and Fioretti. The Russian opera cannot be compared to the Italian. Yet it is very popular, and quite as well attended. A short time ago, on the occasion of Patrow's benefit, it could not contain all the persons who sought admission. The favourite basso selected an opera which has already been played 185 times, namely, Life for the Czar, and in which he appeared for the first time twenty-five years ago.

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