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W. GUERNSEY.

“ The chief value of this excellent treatise on the art and practice of singing is in the elaborate chapter upon the formation and cultivation of the voice, which precedes the practical exercises. Signor Ferrari alleges that "every one who can speak may sing," and he discusses this fact not only with great intelligence but with excellent common sense. As a teacher of long and varied experience he speaks with authority, and the rules he lays down for the development of the vocal organs may be consulted

with advantage by all students of the art of singing. His book, in short, labours to LONDON : DUNCAN DAVISON & CO., 244 Regent Street, W. overcome the two leading difficulties which beset the scholar, viz., the production of

the natural or real tone of the voice, and the proper management of the breath."

Observer.
I NAVIGANTI (The Mariners).

London : Published, price 12s., by
BY ALBERTO RANDEGGER.

DUNCAN DAVISON & CO., 244 Regent Street, W.
NEW TRIO, for Soprano, Tenor, and Bass, Price 4s. i -
(With English and Italian Words.)

AIRS, BALLADS, &c. IN THE OPERETTA " In the composition of this unaffected and graceful trio (which is inscribed to those excellent professors of the vocal art, Sig. and Mad. Ferrari), Mr. Randegger has shown not only the melodic gift, and the knowledge of how to write effectively for voices, but NCE TOO OF T E N.” a thorough proficiency in the art of combination, and, as it were, a dramatic spirit, which might win favour for an opera from his pen. Each voice (tenor, basso and

COMPOSED BY HOWARD GLOVER. soprano), in the order in which they enter, has an effective solo, followed by an ensemble (or'tutti') for the three voices in the major key (the trio begins in C minor), the whole terminating with a coda, sotto voce,' the effect of which, if smoothly rendered by three good singers, must be as charming as it is new. The more of such 'terzettinos “ THE SOLEMN WORDS HIS LIPS HAVE SPOKEN." the better."- MUSICAL WORLD .

Grand Air. Sung by Mlle. JENNY BAUR ... ... ... LONDON: DUNCAN DAVISON & CO., 244 Regent Street, W.

“ THE LOVE YOU'VE SLIGHTED.” Ballad. Sung by

Mlle. JENNY BAUR ... ... .

“ STRATAGEM IS WOMAN'S POWER.” Ballad. Sung Just Published, price 3s.

by Miss Emma HeYWOOD ... ... ... ... ... ... ... 2s. NEW ITALIAN SONG, “ Parvemi il volo Scioglere.”

“LOVE IS A GENTLE THING.” Ballad. Sung by
Melodia.

Miss Emma HeYWOOD .
Musica di E. MECATTI.
London : Duncan Davison & Co., 244 Regent Street, W.

“ A YOUNG AND ARTLESS MAIDEN." Romance.

Sung by Herr REICHARDT
Just Published, price 38.

“ THERE'S TRUTH IN WOMAN STILL.” Romance.

Sung by Herr REICHARDT
NEW SONG, “When thou and I last parted.”

“ THE MONKS WERE JOLLY BOYS.” Ballad. Sung
Poetry by JESSICA RANKIN.
Music by W. VINCENT WALLACE.
WALLACE. :

by Herr FORMES ..

... ... ... ... ... ... OS.

“ IN 'MY CHATEAU OF POMPERNIK. Aria Buffa. Just Published, price 3s.

Sung by Herr FORMES ... ... ... ... ... ... ... 3s, Od. MISS STABB ACH'S NEW SONG,

QUADRILLES AND WALTZES. “THE MORNING RIDE.”

(Handsomely Illustrated in Colours.) Poetry by CLARIBEL.

“ Fontainbleau Quadrille," by Carl Strauss ... Music by BERNHARD ALTHAUS.

... ... ... 4s. Od.

“ La Belle Blanche Waltze," ditto ... ... ... ... ... ... 48. od. " Miss STABBACH sung " The Morning Ride” with great éclat, it being admirably suited to her voice. The song itself possesses great merit. In its composition it is

In the Press. pleasing, lively, in the idea fresh. A continual flow of melody running throughout, and the delicacy with which it is wrought, mark this song as a favourite. The words by

Brinley Richards' Fantasia, or, “Once too Often." Claribel, which are sparkling, light and gay, have been wedded to music of endearing

Emile Berger's Fantasia, or, “Once too Often.” sweetness."-Dorset Chronicle. London : DUNCAN Davison & Co., 244 Regent Street, W.

" Mr. Glover's operetta is a decided, and, what is better, a legitimate, hit. The songs before us have already attained a well-merited popularity. The monks were

jolly boys' is as racy as the best of the old English ditties, harmonised with equal Just Published, price 4s.

quaintness and skill, and thoroughly well suited to the voice of Herr Formes. The

love you've slighted still is true' (for Mlle. Jenny Baur) has a melody of charming “ WHEN THE WIND BLOWS IN FROM THE

freshness. Not less a model ballad in its way is A young and artless maiden' (for sea.”

Herr Reichardt), which sets out with an elegantly melodious phrase. Perhaps more to Duet for Soprano and Barytone.

our liking, however, than any of the foregoing, excellent and genuine as they are, is The Poetry by FREDERICK ENOCH.

Love is a gentle thing' (for Miss Emma Heywood), which enters the more refined The Music by HENRY SMART.

regions of the ballad-school, and attains an expression as true as it is graceful, The London : DUNCAN DAVISON & Co., 244 Regent Street, W.

opening holds out a promise which the sequel entirely fulfils. We shall look with real

iaterest for the remaining pieces of Once too Often.'-Musical World. TT IS NOT ALWAYS MAY.Poetry by Long

LONDON: DUNCAN DAVISON & CO., 244 Regent Street, W. 1 FELLOW ; Music by J, F, ERSKINE GOODEVE, M.A., Cantab., price 28. 6d. London : DUNCAN DAVISON, & Co.

“THOSE TELL-TALE EYES,” and “COME, DEAR

ONE, BACK TO ME." Music by JAMES LEA SUMMERS. Price 2s. 6d each. “ Both these songs have the charm so welcome to alı who really care for art, of being written with taste and correctness. The melodies, too, while natural and unpretending.

are decidedly expressive."--MUSICAL WORLD. " Sunshine" (Ballad)...

Adelaida.

London : DUNCAN Davison & Co., 244 Regent Street, W. " The songs of happier da

F. Douglas. "Sweet little Jenny"...

M. Enderssohn. “ Unchanged is my heart”

J. J. Gaskin.

"" MASTLES IN THE AIR.” Romance. Written by " Little Bertha"

W. Guernsey.

U J. PALGRAVE SIMPSON, Esq.; composed by J. F. ERSKINE Goodeve, M.A., “Lord, hear us, we im

F. Halevy.

Cantab., price 28, 60 " Mine, ever mine"

F. Mori. " The golden stars"

A. Reichardt.

London : DUNCAN DAVISON & Co. “ Good night" (Cradle

Do. u The Fairies whisper” ...

H. Smart,

Just Published, Price 3s., * Come, Fairies, come

A. Ferrari.

A SCHER'S “ALICE.” Transcription facile for the The above Songs. &c., selected for Class Practice by J. J. GASKIN, Esq., the eminent

A Pianoforte, by Bernhoff, is now ready, and may be obtained of the Publishers. Professor of Singing on the Wilhelm and Hullah Systems, are published by DUNCAN DAVISON & Co., 244 Regent Street, W.

DUNCAN DAVISON &Co., 244 Regent Street, w.

NEW. VOCAL MUSIC

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THE LILY OF KILLARNEY,

A ROMANTIC OPERA,

WRITTEN BY

DION BOUCICAULT AND JOHN OXENFORD,

COMPOSED BY

J. BENEDICT.

THE OPERA COMPLETE, BOUND IN CLOTH, 258..

ACT I,

PIANOFORTE ARRANGEMENTS.

8. d.

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OVERTURE

. 4 0 SONG-A bachelor's life. (Hardress)

- 2 6 DUET — The moon has rais'd the lamp abore. (Hardress

and Danny Mann) · · · · · 2 6 SONG - The above arranged as a song . - . 20 SONG—It is a charming girl I love. (Myles). In B flat

and in A - • • - • • SONG - In my wild mountain valley. (Eily). In D minor and in C minor . .

- - 26 SONG, with CHORUS, ad lib.The Cruiskeen Lawn : 26

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THE OVERTURE. Arranged by the Author .
The FAVOURITE AIRS. In two Books. William Hutchins
Callcott

-
-
-
-

Ditto. As Duets. In two Books. William Hatchins

Callcott - - - - THE FAVOURITE Airs. In two Books. Franz Nava Ditto, As Duets. In two Books. Franz Nava . Set of QUADRILLES. Charles Cootc Ditto. As Duets . . . . SET OF QUADRILLES. " The Cruiskeen Lawn Pierre

Laroche. Illustrated by Brandard · · Waltz. “Eily Mavourneen." Charles Coote. Illustrated

by Brandard - - - - .
SET OF WALTZE. Pierre Laroche. Illustrated by Brandard
Gacor. Pierre Laroche - .
BrinLey RICHARDS, “Eily Mavourneen”

“ I'm alone"
“ It is a charming girl I love”

“ The Cruiskeen Lawn" . Kuns. Fantasia on favourite Airs.

Grand Waltz, . . G. A. OSBORNE. Fantasia on favourite Airs “Ricordanza"

.
MADAME OURY. Fantasia on favourite Airs
LINDSAY SLOPER. Fantasia on favourite Airs
RIMBAULT. Six favourite Airs, casily arranged :-
No. 1. “In my wild mountain valley” .

2. "The Lullaby" . . . .
3. “It is a charming girl I love"
4. “Eily Mavournecn"
5. “I'm alone" .. . .
6. “The Colleen Bawn" .

АСТ II. CHORUS_The Hunting Chorus • • • • 3 6 AIR and DUET — The eye of love is keen. (Ann Chute

and Hardress) - - - - - - 4 0 SCENA - A lowly peasant girl. (Danny Mann) .36 ROMANCE (separately) - The Collecn Bawn. (Danny

Mann) . . . . . . • 2 6 BALLAD—I'm alone. (Eily). In E flat and in C - 26 DUET — I gire the best advice. (Eily and Myles) - 4 0

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ACT III. SONG - The Lullaby. (Myles). In A and in F . . 26 TRIO_Blessings on that rev'rend head. (Eily, Myles and

Father Tom.) In D and in D flat - · 3 0 DUET — Let the mystic orange flowers. (For two equal voices). - • •

• 2 6 BALLAD_Eily Mavourneen. (Hardress). In F and in D 2 6 RONDO FINALE-By sorrow tried severely. (Eily) - 26

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CHAPPELL & CO., 50 NEW BOND STREET.

Printed by GRORGE ANDREW SPOTTISWOODE, of No. 12 James Street, Buckingham Gate, in the Parish of St. Margaret, in the City of Westminster, at No.3 New-street Square

in the Parish of St. Bride, in the City of London. Published by John Boosky, at the Office of Boosky & Sons, 28 Holles Street, Saturday, March 22, 1862.

* THE WORTH OF ART APPEARS MOST EMINENT IN MUBIC, SINCE IT BEQUIRES NO MATERIAL, NO SUBJECT-MATTER, WHOSE EFFECT XUST BE DEDUCTED : IT IS WHOLLY FORM AND POWER, AND IT RAISES AND ENNOBLES WIIATEVER IT EXPRESSES" -Göthe.

SUBSCRIPTION — Stamped for Postage-208. PER ANNUM Payable in advance by Cash or Post-Office Order to BOOSEY & SONS, 28 Holles Street, Cavendish Square, London, W.

VOL. 40— No. 13

SATURDAY, MARCH 29, 1862

PR

30. Unstamped

. Stamped

ROYAL ITALIAN OPERA, COVENT GARDEN. MR. GEORGE HOGARTH, Secretary to the Philhar

1 monic Society, begs to announce that he has Romoved to No. 1 Bloomsbury Square, W.C.

VISS HELEN HOGARTH, Teacher of Singing, begs

to announce that she has Removed to No. 1 Bloomsbury Square, W.c.

M

R. GY E has the honour to announce that the
OPERA SEASON of 1862 will commence on TUESDAY, April 8.'

MRS. JOHN HOLMAN ANDREWS has the honour

- to announce that her Singing Classes (for Ladies only) will commence at her Residence, 50 Bedford Square, on Thursday, April 3, at half past 2 o'clock, and be continued during the Season.

TTERR OBERTHUR begs to inform bis Friends and

U Pupils that he has Removed to No. 7 TALBOT TERRACE, Westbourne
Park, W.
March 18, 1862.

MISS STABBACH will Sing "A MORNING RIDE,”

by BERNARD ALTHAUS, at Myddleton Hall, on Friday Evening next.

AND

MR. TEDDER will Sing Ascher's “ ALICE, WHERE

ART THOU?" at the Assembly Rooms, Kennington, on Monday Evening, March 31.

ENGAGEMENTS:

SOPRANI E CONTRALTI.
Mademoiselle ADELINA PATTI,

Madame PENCO,

Madame DID I EE,
Madame R U DERS DO Ř FF.

Mademoiselle ANESE,

Madame TAGLIA FICO,
Madame MIO LAN-CAR V AL HO,
Mademoiselle ROSA CSILLAG,
Mademoiselle GORDO SA,

Her First Appearance in England. ,
Mademoiselle MARIE BATTU,
Her First Appearance in England.

TENORI:
Signor TAMB ERLIK,
Signor NERI-B A R ALDI,
Signor L U CCHE SI,

Signor ROSSI,
Signor GARD O N I,
His First Appearance these Two Years,

Signor MARIO.

. BARITONI.
Signor RONCONI,
Signor G R A ZI A N I.

Monsieur FAURE,
Signor DELLE SEDIE,
His First Appearance at the Royal Italian Opera.

MILLE. LOUISA VAN NOORDEN, Prima Donna of

U the Theatre Pagliona, Florence, will ARRIVE in Town for the Season 1862,
April 15.

All Communications, respecting Engagements for Concerts, Oratorios, Soirées, &c., may be addressed to Mr. P. E. Van Noorden, 115 Great Russell Street, Bedford Square.

AND

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ST. JAMES'S HALL.

"ONCE TOO OFTEN."

NEW PHILHARMONIC CONCERTS, TOWARD GLOVER'S Popular Operetta of “ONCE

TOO OFTEN" will be performed for the last time this season at

Mr. BENEDICT'S BENEFIT, at Drury Lane Theatre, on Saturday, April 5, with the original and powerful cast. Blanche de Mery ...

... Mlle. JENNY BAUR. Hortense de Caylus

Miss EMMA HEYWOOD. Count Marcillac 19

HERR REICHARDT. Baron Pompernik ... ... ... ... ... HERR FORMES.

AND

DIRECTOR AND CONDUCTOR .....................

.... DR. WYLDE. PRINCIPALS OF THB ORCHESTRA ...... HERR MOLIQUE and MR. H. BLAGROVE. DLEVENTH SEASON.-Orchestra and Choir of 300

Performers. First Appearance this season of MLLE. TITIBNS. Programme of the First CONCERT, MONDAY EVENING. April 7. and PUBLIC REHEARSAL on SATURDAY AFTERNOON, April 5. Part I. :Overture, Egmont (Beethoven); Romanza, “ Vanne disce," Mlle. TITIRNS (Meyer. beer); Concerto, in D minor, Pianoforte, Miss ARABELLA GODDARD (Mozart); Cavi. tina, “Bell raggio," Mlle. TITIENS (Rossini); Symphony, The Scotch (Mendelssohn). Part II.:--Choral Fantasia, Pianoforte, Miss ARADELLA GODDARD (Beethoven); Cavatina, “Com'e bello," Mlle. TITIENS (Donizetti); Overture, “ Oberon” (Weber).

Price of Single Tickets for the Concert-Stalls, 15s.; first row Balcony, 15s.; second row, 108.; other Seats, 5s., 38.; Gallery and Area, Is. For the l'ublic Rehearsal. Stalls, 78.; Balcony, 5s, and 33.; Gallery and Area, Is.

To be had at Messrs. Cramer & Co., 201 Regent Street ; at Mr. Austin's Ticket Ofhce, St. James's Hall; and all the principal musicsellers.

THE ART-WORLD,

TANDEL FESTIVAL, June 23rd, 25th, and 27th.

II The PROGRAMME of ARRANGEMENTS, with BLOCK PLAN of Seats, and view of Great Orchestra, may be had on application, personally or by post, at 2 Exeter Hall.

The Ticket Offices at the Crystal Palace, and at Exeter Hall, are open for the disposal of Reserved Stall Tickets, daily from 10 till 5.

Post-office orders, to either Ticket Office, to be payable at chief office, London : as well as cheques, to be payable to the order of George Grove, Esq.

Stall Tickets, Two and a Hall-Guineas the set for three days, or One Guinea for each ticket for one day. Stalls, in each Corner, Gallery, Five Guineas the set.

NEW ILLUSTRATED ART PAPER, MHE ART-WORLD, AND INTERNATIONAL EX.

HIBITOR: a Weekly Illustrated Journal of Painting, Sculpture, Architecture Ornamental Art and Manufactures, Engraving, Photography, Poetry, Music, the Drama, &c. Edited by HENRY OTTLEY, assisted by Writers of Eminence in the vari. ous departments of art.

“ Everywhere I see around me

Rise the wondrous WORLD OF ART."-LONGPELLOW. This Journal will give a faithful report of all the productions and doings in the whole circle of the fine and Decorative Arts-Original Articles upon the History of Art, and the interests of Artists in their profession ; Reviews of New Books relating to Art and Belles-Lettres ; besides a summary of the proceedings of Artistic and Learned Societies, Art On.dits, Notes of Important Sales of Works of Art and Vertu, Correspondence, &c., copiously illustrated in a novel style.

The tone of criticism in THE ART-WORLD will be candid and impartial; intolerant of glaring error and presumptuous mediocrity ; generous and encouraging in every case where merit or promise is recognised.

The contents of the International Exhibition of 1862, coming within the scope of Fine or Decorative Art, will be amply described and illustrated in THE ART. WORLD. Each Number of THE ART.WORLD will contain thirty-two handsome pages, printed in the best style upon paper of a fine quality.

Published by S. H. LINDLEY, at the Office, 19 Catherine Street, Strand, where communications for the Editor, Advertisements, &c., are to be addressed; and by KENT & Co., Paternoster Row.

TANDEL FESTIVAL. TICKET NOTICE. The

I Plans of Seats in Blocks O and o o, and P and PP, will be ready for inspection, and Vouchers will be ready for issue on Monday next, March 31.

As these Blocks, as well as those for the Raised Seats, S and SS, are among the most eligible remaining to be issued, intending Visitors, not already supplied, will do well to avail themselves inmediately of this further issue.

Half-Guinea Seats, in Blocks, without Numbers, will be issued on Wednesday, April 23.

MISS ROSE HERSÉE'S GRAND CONCERT, Assem

PIRKENHEAD MUSIC HALL COMPANY

(LIMITED).- The Directors are prepared to receive APPLICATIONS for the Use of the HALL, for Concerts, Balls, Lectures, Public Meetings, Private Parties, Soirées, &c. The Large Room in the Hall is calculated to seat between 600 and 700 people, and the Small Rooms above 200.

For further particulars apply to Josepa COVENTRY, Secretary, 19 Sweeting Street, Liverpool.

L bly Rooms, Peckham, Monday, March 3!. Mad. Louisa Vinning, Miss Poole, Miss Fanny Huddart, Miss Leffler, and Miss Rose Hersée : Mr. George Perren, Mr. Montem Smith, Mr. R. Seymour. Mr. Fielding. Mr. J. L. Hatton. M. Fontanier, and Mr. Allan Irving Pianoforte : Mr. F. OSBORNE WILLIAMS and Mr. J. L. HATTON, Violin: Mr. H. Griesbach. Flute: Master Drew Dean. Conductors: Messrs. J.L. HATTON, F. OSBORNE WILLIAMS, FRANK BRAINE, and SIDNEY NAYLOR.

Stalls, 3s.; Reserved Seats, 25.; Family Tickets, 108. (admitting to four Stalls); to be obtained of Miss Rose Hersée, 2 Church Terrace, Camberwell, s.

mo COMPOSERS ABOUT TO PUBLISH.-J. H.

1 JEWELL, Music Publisher, uudertakes the Printing and Publishing of every description of Musical Work, greatly under the usual charges. Estimates given,

104 Great Russell Street, Bloomsbury, W.C., near the British Museum,

MTESSRS. KLINDWORTH, H. BLAGROVE, DEICH.

IM MANN, R. BLAGROVE and DAUBERT'S CONCERTS FOR CHAMBER T MUSIC (Second Season). The Third Concert, Saturday, April 5, Hanover Square Rooms, half-past eight o'clock.

Programme: Sestet. Sterndale Bennett. Song, Pauer. Trio (D minor), Schumann, Songs, Schubert. Trio (B flat), Beethoven,

Vocalist-Miss ROBERTINE HENDERSON.

Single Tickets, 10s. 6d. ; Family ditto, to admit Three, £18., at the principal Musicsellers, and of the Concert Givers.

HE CECILIAN PITCH PIPE (a new invention), for

the waistcoat pocket, is superior to all others, being much more powerful in tone than any other at present in use the pitch does not vary, whether sounded Piano or Forte-is easily repaired, or the pitch altered if required.

Price (any gote) 28. 6d. Posi-free.
Boosey & CHING, 24 Holles Street, W.

MER. DEACON'S SECOND SÉANCE of CLASSICAL MT INSTRUMENTAL MUSIC, will take place on Tuesday, April 8, at 16 Grosvenor Street, W.(by the kind permission of Messrs. Collard), commencing at three o'clock.

Executants : Violin, M. SAINTON, Mr. CLEMENTI and Mr. CARRODUS; Viola, Mr. H. WEBB ; Violoncello, Sig. PEZZE; Contrabasso, Mr. C. SEVERN ; Pianoforte, Mr. DEACON.

Tickets, Half-a.Guinea each ; Family Tickets, to Admit Three, One Guinea ; to be had of Mr. Ollivier, 19 Old Bond Street; or of Mr. Deacon, 72 Welbeck Street, Cavendish Square, W.

MENDELSSOHN'S LETTERS FROM ITALY AND SWITZERLAND.

Just Published, in 1 Vol, post 8vo., Price 9s. 6d., Cloth, T ETTERS FROM ITALY AND SWITZERLAND, U by Felix MENDELSSOHN BARTHOLDY. Translated from the German by LADY WALLACE,

London : LONGMAN, GREEN, LONGMAN & Roberts,

Now Ready, Royal 4to., Cloth, 78. 6d., R. SPARK'S 250 ANCIENT AND MODERN PSALMS, HYMNS, CHANTS, SANCTUSES, KYRIES, &c.

London : ADDISON'S; CRAMER's, and all Music Sellers.

M SAINTON'S THIRD SOIREE will take place at I . his Residence, 5 Upper Wimpole Street, on Tuesday next, April 1.

Programme: - Quartet, M.S., first time (W. M. Lutz); Trio, first time (Ayber): Quartet, A minor (Mendelssohn).; Solo, Pianoforte; Pensée Fugitive (Stephen Heller and Ernst).

Executants: MM. SAINTON, POLLITZER, DOYLE, PAque, Pianist : Mr.C. Halle.

Single Ticket, half a guinea, to be bad of M. Sainton, at his Residence, and at the principle Musicsellers.

A UGENER & CO.'S UNIVERSAL CIRCULATING

MUSICAL LIBRARY is the largest in Europe. The Classified Catalogue contains 62,200 distinct Works, Foreign and English, and gives an unlimited power of selection.

Annual Subscription, Two Guineas, which also entitles Subscribers to One Guinea's worth of Music as their property.

London: 86 Newgate Street, and 4A Tottenham Court Road.
Brighton : 5 Colonnade, New Road.

Prospectuses on Application.

AN ORGANIST is required for All Saints' Church, St. 1 John's Wood, where a new Organ, with 32 Sounding Stops, 3 Manuals and Pedals, is in course of erection. The duties consist of three services on Sundays, and the instruction of the Choir. Salary £60.

Application, with Testimonials stating qualifications, to be made, under cover, to the Church wardens of All Saints, Boundary House, St. Johns Wood, on or before Monday, April 7 next, after which the Selected Candidates will submit to competition.

This Day is Published, price Is. 6d.,
MUSICAL CYNICS OF LONDON. A Satire.

By George LINLEY.
G. Bubi, 167 New Bond Street.

Never, never petting

But were there ever any

To know the change, and feel it,

Nor numbed sense to steal it,

Reviebus.

Goddard, Mr. Charles Hallé, Mr. Lindsay Sloper, and Herr

Ernest Pauer exist--again to be laid aside and forgotten. “ In a drear-nighted December,” romance - words by

Dussek's Plus Ultra,” edited, with a biographical and KEATS; music by J. W. DAVISON (Boosey & Sons).

| critical preface -- by J. W. DAVISON (Boosey & Sons). As this romance has lately obtained considerable vogue,

Here is another successful reproduction of a famous work, through the singing of Miss Poole at those excellent enter

too long unjustly neglected. That Dussek, if not so famous tainments, the Monday Popular Concerts, it is not surprising

a musician, was a far greater musical poet than Woelf, is to see it once again in print. The words of Keats would of

incontestable. Dussek, indeed, was both an original and a themselves elicit attention, whatever the merits of the musi

genius. His music is crowded with ideas, and the difficulty cal setting—providing only that it exhibited earnestness and

with him is too frequently what to accept and what to rea spirit of sympathy with the poet. Only Shelley among

ject. There is enough new material, aye, and beautiful as modern poets has equalled the picturesque simplicity of

new, in « Plus Ultra" to furnish forth ten sonatas of its these exquisite stanzas :

length, long as it unquestionably is. The title given to the * In a drear-nighted December,

grand sonata in A flat, Op. 71, has been stigmatised by " In a drear-nighted December, Too happy, happy tree!

Too happy, happy brook! some critics, as "vulgar and pretentious ;” but they have Thy branches ne'er remember

Thy bubblings ne'er remember Their green felicity.

overlooked the fact that Dussek had nothing whatever to do

Apollo's sunny look. The North cannot undo them,

But with a sweet forgetting,

with it. In France, where it was composed and first pubWith a sleety whistle through them,

They stay their crystal fretting, Nor frozen thawings glue them,

lished, it bore the name of Le Retour à Paris. How it From budding at their prime.

About the frozen time.

came to be newly christened Plus Ultra, may be seen in the " Ah ! would 'twere so with many A gentle girl and boy !

subjoined: Writhed not at passed joy!

“ Just previously to the Retour à Paris being sent to England, a

sonata by Joseph Woeld had appeared, under the name of Ne Plus When there is none to heal it,

Ultra, the finale consisting of variations on · Life let us chevish,' someWas never told in rhyme."

what in the style which Henri Herz was long asterstards supposed to Keats first wrote the above in the album of a friend. They

have originated. Ne Plus Ultra was intended by Woelf to convey

that mechanical difficulty (he surely did not mean to insinuate musical subsequently appeared in one of the annual “Keepsakes,"

beauty) could be carried no further; but Dussek's London publisher, and have since been embodied in the complete edition of the judging that Le Retour à Paris was even more difficult than Woeli's poet's works.

sonata, re-christened the former Plus Ultra, and brought it out with a WoelA's Ne Plus Ultra,'” edited with a biographical

dedication on the title to Ne Plus Ultra.

Plus Ultru, however”_continues Mr. Davison-.“ was by no means and critical Preface, - by J. W. DAVISON (Boosey & intended as a medium for the display of executive dexterity; it is a Sons).

grand and imaginative composition, one of the very few produced in the This modern edition of a once celebrated, then forgotten, early part of the present century worthy to rank beside the masterpieces and now thanks to Miss Arabella Goddard and the Monday

of Beethoven. Every movement is instinct with vigorous energy and

intellectual power. As an artistic creation, it is in many respects the Popular Concerts) once again celebrated sonata has, we are

finest of its composer's works showing (may it be said ?) Dussek, informed, been sold out twice, and the demand for it is still the Prodigal,' returned from his wanderings, anxious to deserve the 50 extensive as to necessitate a third re-issue. We are not affectionate welcome of his mother, “Art,' and admitting that he has in at all astonished. All musicians, as well as all amateurs,

a great measure misused the gifts with which she so bountifully endowed must feel a pleasure in the study of such a work, the former

him. Never' - it has been urged by a critical authority did a

genius whose early years had been comparatively misspent, labour so experiencing a delight in mastering its difficulties, the latter

| hard to show what was within him as Dussek, in the first movement and in hearing them surmounted by expert and diligent mechan | the scherzo of the Retour à Paris.'t Why, however, this one particular ism, Musicians will prefer the first allegro, with its pro- sonata, or the two particular movements from this one particular sonata, fusion (well-ordered profusion, it is true) of double-notes

should be pointed out as examples of Dussek's enthusiastic yearning for for either hand; amateurs (ladies especially) will revel in

distinction in his art, when so many other interesting examples exist of

the same honourable ambition, it would be difficult to say. The passionthe brilliant series of variations on the popular melody,

ate expression that stamps the Allegro non troppo, from which a sort of “ Life let us cherish " (attributed, we know not with how Weberian feeling repeatedly peeps out; the tranquil beauty and rich much reason, to Mozart)-variations, in their peculiar style, development of the Adagio; the plaintive character of the Scherzo (refor fancy and happy variety never since surpassed. The

carded by many as a kind of prophecy of Chopin - Chopin at his best, suggestion, conveyed; to the minds of many by the ar

must be intended); and the animation, gaiety, and varied detail of the

brilliant and sparkling Finale, are alike attractive and alike original.. peggio variation in F minor —“the breeze sweeping fit

Rich invention and felicitous performance are apparent throughout the fully over the strings of an Æolian harp”-must find an sonata, which, though resembling neither Mozart nor Beethoven, is not echo in every mind attuned to the influence of gentle the less welcome on that account --being no more nor less than puro harmony. In short, Joseph Woelf was no doubt, after his | Dussek.” fashion, not merely a learned and prolific composer", but, tant soit peu, a musical poet, notwithstanding the undeniable 1 + “Never did comparative failure generate such a full glow of beauty fact that the Ne Plus Ultra, to speak plainly, is rather a as in the first instance, and never was success more complete and tri. pezzo di bravura than a work of imagination. Now that it umphant than in the last. In the first, Dussek fell, like Phaeton, amid bas been, so to speak, dug out from the forgotten rubbish of

a halo of glory; his fall was more splendid than another's rise. In the

last, he spoke the language of inspiration, untrammelled by line and the past, it is not likely-while such players as Miss Arabella

rule, with an eloquence that could not be misunderstood. The slow

movement and the finale, if less strikingly original, are quite worthy of • The existing catalogues of Woelli's compositions show him to bave | the rest.”—Essay on Dussek. been not only a fertile producer, but a master of various styles. Be f It is worth noting that the minuet of the Scherzo (which, though sides a great many concertos, sonatas, and other pieces for the piano, in A flat major, has the peculiarity of beginning in F sharp minor) we find two orchestral symphonies, nine string quartets, a large numa first appears in No. 3 of the Stringed Quartets, Op. 60 in E flat. ber of trios for various combinations of instruments, a grand duet for | There are one or two slight variations in the minuet (here beginning in two pianos, and a quantity of other pieces,

C sbarp minor), while the trio is altogether different.

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