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NE W EDITION.

THE VOICE AND SINGING

(THE FORMATION AND CULTIVATION OF THE VOICE FOR SINGING), By ADOLFO FERRARI.

WHEN this Book first appeared we foretold its success; our conviction being founded on the author's freedom from conventional trammel*, the strong good sense of his opinions, the novelty and yet evident soundness of his precepts, and the conciseness and practical value or his examples and exercises, of which every note is dictated by a clear and definite purpose. The influence of Signor Ferrari's method of forming and cultivating the voice, as it is explained in this treatise, it enhanced by the efficacy of his personal lessons in his practice as one of the most era in en t teachers of the day; and this work has consequently come into general use as a manual of vocal instruction, not only in the metropolis but throughout the kingdom. In this new edition the author has made various important additions to the work, especial Ij to the Exercises. Formerly they were confined to soprano or tenor voices; exercises for one voice being also available for the other. But, for the contralto, or the barytone, provision was not made. This desideratum is now supplied, partly by means of entirely new exercises, partly by giving the old exercises likewise in transposed keys, and partly by adapting the soprano exercises also to the contralto or bar*tone, by the Insertion of alternative paisages in email notes. By these means the utility of the work is very greatly increased. We have said that the remarkable qualities of this book are the author's freedom from conventional trammels, the strong sense of his opinions, and the novelty yet evident soundness of his precepts ; and this we will show , a few passages which cannot fail to strike every reader,-

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London: Published, price 12s. by
DUNCAN DAVIDSON & CO., 244 Regent Street, W.

AIRS AND BALLADS IN THE OPERETTA

"ONCE TOO OFTEN N."

COMPOSED BY HOWARD GLOVER.

Ballad.

Ballad.

Sung by Sung by Romance. Romance.

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Sung

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"THE LOVE YOU'VE SLIGHTED.

Mile. Jenny Ba.uk

"LOVE IS A GENTLE THING."

Miss Emma Heywood

■« A YOUNG AND ARTLESS MAIDEN."

Sung by Herr Rbichardt

"THERE'S TRUTH IN WOMAN STILL"

Sung by Herr Reicuardt

"THE MONK'S WERE JOLLY BOYS." Ballad.

bv Herr Formes

"IN MY CHATEAU OF POMPERNIK. Aria Buffa.

Sung by Herr Formes

"Mr. Glover's operetta is a decided, and, what is better, a legitimate, • hit." The long, before us have already attained a well-merited popularity. 'The monks were jolly boys' is as racy as the best of the old Kngll.h ditties, harmonised with equal qu.iintness and skill, and thoroughly well suited to the voice or Herr Formes. 'The love you've slighted still is true' (for Mile. Jenny Baur) has a melody or charming freshness. Not less a model ballad In Its way is 'A young and artless maiden ' (for Herr Keichardt), which sets out with an elegantly melodious phrase. Perhaps more to our liking, however, than any of the foregoing, excellent and genuine as they are, Is 'Lore Is a gentle thing' (for Miss Emma Heywood), which enters the more refined regions of the ballad-school, and attains an expression as true as it is graceful. The opening holds out a promise which the sequel entirely fulfils. We shall look with real interest for the remaining pieces of " Once too Often."— Musical World.

I NAVIGANTI (The Mariners).

BY ALBERTO RANDBGGBR.

This popular Trio (for soprano, tenor and bass) sung by Miss Anna Whiity, Mr. Tennant and Herr Formes, on their tour through the provinces, and by Madame Rudersdorff, Mr. Dunn, and Mr. Weiss at the Cork Festival, is published, price 4». by Duncan Davison & Co.

"In the composition of this unaffected and graceful trio (which is inscribed to those excellent professors of the vocal art, Sig. and Mad. Ferrari), Mr. Randegger has shown not only the melodic gift, and the knowledge of how to write effectively for voices, but a thorough proficiency in the art of combination, and, as it were, a dramatic spirit, which might win favour for an opera from his pen. Each voice (tenor, basso and soprano), in the order in which they enter, has an enVctivc solo, followed by an ensemble (or'tuttl') for the three voices in the major key (the trio begins in C minor), the whole terminating with a rorfn, ' sotto voce,' the effect of which, if smoothly rendered by three good singers, must be as charming as it is new. The more of such 'teriettinos' the better."— Musical World.

London: DUNCAN DAVIDSON & CO., 244 Regent Street, W.

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Favourite Airs from Dalfe's Opera, " The Puritan's Daughter," arranged by

W. H. Callcoi t. In 2 Books ...... Soloi, 5s.; Duets 6 0

W. H. Holmes's Fantasia, " The Puritan's Daughter ". ....40

Brinley Richards's " Bliss for ever past." - -SO

Brinlej Richards's Fantasia on the Favourite Airs . - - - _ .40
Galop, from *' The Puritan's Daughter," arranged by C. Coote - - - .30
The Storm Valse, from "The Puritan's Daughter," arranged by C. Coote - 4 0
Quadrille, from " The Puritan's Daughter," arranged by C. Coote - - -40
Kline's Fantasia on "The Puritan's Daughter." - - - . . .40
Other Arrangements in the Press.
London: Addison, Holliek & Lucas, 210 Regent Street

THE MUSICAL STUDENT'S MANUAL, Combining
the Essential Elements of Musical Knowledge, with a succinct guide to the read,
ing of Vocal Music, by Thomas Mi'rby, Editor of the "Golden Wreath," "New
Tunes to Choice Words," &c.
Div, I Relating to Sound, pp. 136, price 2s.

Do . 1L—On Rhythm, to complete the Work, will be published shortly.

The " Manual" is used as a text-book at the Borough Road, Stockwell and West minster Training Colleges.

"One of the best elementary books for learning music, as a science, that we hare yet seen. It is very cheap."—Globe.

"The subject is treated with clearness and ability. The difficulties of almost every page are cleared up as the journey proceeds, and the learner feels himself in company with a fellow-student, who, being slightly in the advance, blandly beckons him om"-. Critic.

"New Tunes to Choice Words.'

four-part Songs, cloth 8vo, Is. 6J. "So widely known and prized in schools."—Educational Record, Messrs. Boosby & Sons, 28 Holies Street, W.; Messrs. Gkoovbeidge tc Sons,

Paternoster Row.

Second Edition. 32 Easy, Original, Juvenile

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NEW SONG BY CLARIBEL.

PUBLISHED THIS DAY,

Price 3s.

"jfik 0'Cl0ck in i\t fifarnhig/'

BALLAD.

WRITTEN AND COMPOSED Br

CLARIBEL,

AUTHOR OF "JANET'S CHOICE," &c.

The dew lay glitt'ring o'er the grass,

A mist lay over the brook j
At the earliest beam of the golden sun

The swallow her nest forsook.
The snowy blooms of the hawthorn tree

Lay thickly the ground adorning,
The birds were singing in ev'ry bush

At five o'clock in the morning.

And Bessie the milk-maid merrily sang,—

For the meadows were fresh and fair, The breeze of the morning kiss'd her brow,

And played with her nut-brown hair. But oft she turn'd, and look'd around,

As if the silence scorning: 'Twas time for the mower to whet his scythe

At five o'clock in the morning.

And over the meadows the mowers came,

And merry their voices rang,
And one among them wended his way

To where the milk-maid sang.
And as he linger'd by her side,—

Despite her comrade's warning,— The old, old story was told again

At five o'clock in the morning.

BOOSEY & SONS, HOLLES STREET, LONDON.

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POPULAR INSTRUMENTAL WORKS

PUBLISHED BY
BOOSEY & SONS, HOLLES STREET, LONDON.

THE CONCERTINA MISCELLANY. I

THE CORNET MISCELLANY.

A Magazine of Modern Music for Concertina and Piano. By George Case. Price FOR THE CORNET-A-PISTON AND PIANOFORTE. Arranged by: THOMAS

HARPER. Price 3s, each number.
2s. 6d, each number.,
27. Il Trovatore (2nd)

1. Rigoletto 1. Masaniello

15. Don Pasquale

16. Norma

2. Il Troratore 28. Les Huguenots 2. The Creation

3. I Puritani

17. Les Vépres Siciliennes 3. Lucia 29. National English Melodies

4. Lucrezia Borgia

18. La Sonoambula 4. Irish Airs 30. Norma

5. Ernani

19. Fra Diavolo 5. French Airs 31. Fra Diavolo

6. Lucia di Lammermoor

20. Favorita 6. Guillaume Tell 32. Russian Melodies

7. La Traviata

21. 1 Lombardi 7. Popular Dance Music 33. I Lombardi

8. Der Freischutz

22, Guillaume Tell 31. Prendi l'anel, Duet 8. Il Trovatore

9. Masaniello

23. Second Selection, Trovatore 9. American Melodies 33. La Carita and I Marinari

10. Linda di Chamounix

24. Nabuco 10. Don Giovanni 36. Robert, toi que j'aine

II. Elisire

23. Satanella 11. Stabat Mater 37. Beethoven's Kreutzer Sonata

12. Robert le Diable

26. Dinorah 12. Rigoletto 38. Crown Diamonds

13. Les Huguenots

27. Martha 13. Puritani 39. The Midsummer Night's Dream

14. Fille du Régiment

28. Don Juan 14. Lucrezia Borgia

40. La Traviata (2nd) 15, S:abat Mater 41. Popular French Songs

A. English Airs

C. Scotch Airs 16. Don Pasquale 42. Stabat Mater (3rd)

B. Irish Airs

D. American Airs 17. Ernani

43. Luisa Miller 18. Songs without Words

44. Martha 19. La Traviata

45. Stabat Mater (4th) 20. Les Vépres Siciliennes

46. La Farorite 21. Wedding March

47. I Martiri 22. Zampa

48. Stabat Mater (5th) 23. Scotch Airs

49. Stabat Mater (6th) 24. Figaro

50. Satanella 25. La Fuile du Régiment

51. Dinorah (1st), 26. The Bohemian Girl 52. Dinorah (20)

A Selection of Classical Compositions from the Masses, Oratorios, and Motetts of the great Masters, arranged from the Orchestral Scores for the Organ with Pedal Obbli. gato, by J. T. STONE. Price 3s, each.

THE ORGANIST'S REPERTOIRE.

R. S. PRATTEN'S RECREATIONS FOR

FLUTE AND PIANO.

1. Santa Maria and Marcia Religiosa

Gloria in Excelsis Deo

Cujus Animam . s Quoniam tu solus

Gran Dio, padre nostro
5. Splendente te Deus.

Worthy is the Lamb.
Et Resurrexit
Gloria in Excelsis Deo
Fac ut Portem .

Der Erdkreis ist nun D
10. Te Deum laudamus.
11. Dies Iræ, Tuba mirum, and I

Rex treinendæ
12. How are the Mighty fall'u

Dinorah

Meyerbeer 12th Mass Mozart Stabat

Rossini Ist Mass

Haydn Dinorah

Meyerbeer

Mozart Messiah

Handel Mass in C . Beethoven

Pergolesi Stabat Mater Rossini St. Paul

Mendelssohn Te Deum , Graun Requiem

Mozart Funeral Anthem Handel

Price 1s. each.

.

equiein

1. Robert, toi que j'aime 2. Quand je quittais 3. Novil Signor 4. No caso egual 5. Va pensiero 6. Ernani involami 7. Tutto è sprezzo 8. La mia letizia 9. La donna e mobile 10. El sol dell'anima 11. Questa o quella 12. Bulla figlia 13. In:roduction and Gilop Rigoletto 14. Miserere-Ah ! che la morte 15. Il balen del suo 16. Bi la stranchezza 17. Merci, jeunes amies 18. Ami! le cour d'Hélène 19. Jour d'ivresse

20. Libiamo, Brindisi
21. Parigi o cara
22. Di provenza
23. Ah ! fors è lui
24. Sempre libera
25. Rovers, Rulers of the Sea
26. Wouldst thou win me
27. The Power of Love
28. The Glorious Vintage of Chain.

pagnie
29. Come into the Garden, Maud
30. M'appari tutt' amor
31. Oinbra leggiera
32. Sei vendicata assai
33. Da quel di' and Fancuille che
34. Sota Maria
35. Se l'ora suolera
36. Gran Dio, padre nostro

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1. Robert, toi que j'aime
2. Quand je quittais
3. Nobil Signor
4. No caso egual
5. Va pensiero
6. Ernani involami
7. Tutto è sprezzo
8. La mia letizia
9. La donna è mobile
10. Bil sol dell'anima
11. Questa o quella
12. Bella figlia
13. Introduction and Galou Rigoleito
14. Miserere-Ah ! che la morte
15. Il balen del suo
16. Si la stranchezza
17. Merci, jeunes amies
18. Amil le cour d'Hélène
19. Jour d'ivresse

20. Libiamo, Brindisi
21. l'arigi o cara
22. Di provenza
23. Ah ! fors è lui
24. Sempre libera
25. Rovers, Rulers of the Sea
26. Wouldst thou win me
27. The Power of Love
28. The Glorious Vintage of Cham.

pagne
29. Come into the Garden, Maud
30. M'appari tutt'ainor.
31. Ombra leggiera
32. Sei vendicita assai
33. Da quel di' and Fancuille che
34. Santa Maria
35. Se l'ora suonera
36. Gran Dio, padre nostro

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THE LILY OF KILLARNEY,

A ROMANTIC OPERA,

WRITTEN BY

DION BOUCICAULT AND JOHN OXENFORD,

COMPOSED BY

J. BENEDICT.

THE OPERA COMPLETE, BOUND IN CLOTH, 258.

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ACT I.

s. d. OVERTURE

-

4 0 SONG—A bachelor's life. (Hardress)

- 2 DUET — The moon has rais'd the lamp aborc. (Hardress

and Danny Mann) - • • • • 26 SONG-The above arranged as a song . . . 2 0 SONG - It is a charming girl I love. (Myles). 'n B flat and in A - - -

. 2 6 SONG - In my wild mountain valley. (Eily). In D minor and in C minor - .

- 2 6 SONG, with CHORUS, ad lib.—The Cruiskeen Lawn · 2 6

and The moon Chile. (Hardrese)

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ACT II. CHORUS— The Hunting Chorus

. 36 AIR and DUET — The eye of love is keen. (Ann Chute

and Hardress) • . • • . . - 4 0 SCENA- A lowly peasant girl. (Danny Mann) .36 ROMANCE (separately) — The Colleen Bawn. (Danny

Mann) . . . . - - - 26 BALLAD-I'm alone. (Eily). In E flat and in C - 26 DUET — I give the best advice. (Eily and Myles)

The OVERTURE. Arranged by the Author
The Favourite Airs. In two Books. William Hutchins

Callcott
Ditto. As Duets. In two Books. William Hutchins

Callcott - - - The Favourite Airs. In two Books. Franz Nara Ditto. As Duets. In two Books. Franz Nava . SET OF QUADRILLES. Charles Coote . . Ditto. As Duets . . . . SET OF QUADRILLES. “ The Cruiskeen Lawn Pierre

Laroche. Illustrated by Brandard . . Waltz. “Eily Mavourneen.” Charles Coote. Illustrated

by Brandard - - - - -
Set of Waltzes. Pierre Laroche. Illustrated by Brandard
GALOP. Pierre Laroche . . .
BRINLEY RICHARDS, “Eily Mavourncen ”

“ I'm alone"
“ It is a charming girl I love

“ The Cruiskeen Lawn ” KUHE. Fantasia on favourite Airs - .

, Grand Waltz - - G. A. OSBORNE. Fantasia on favourite Airs “

“Ricordanza"
MADAME OURY. Fantasia on favourite Airs
LINDSAY SLOPER. Fantasia on favourite Airs
RIMBAULT. Six favourite Airs, casily arranged :-
No. 1. “In my wild mountain valley” -

2. “The Lullaby" . -
3. “It is a charming girl I love”
4. “Eily Mavourneen"
5. “I'm alone" - .
6. "The Colleen Bawn”

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ACT III. SONG — The Lullaby. (Myles). In A and in F . . 26 TRIO— Blessings on that rev'rend head. (Eily, Myles and

Father Tom.) In D and in D flat - - - 3 0 DUET — Let the mystic orange flowers. (For two equal

voices) - - - - - - - 2 6 BALLAD_Eily Mavourneen. (Hardress). In F and in D 2 6 RONDO FINALE- By sorrow tried severely. (Eily) - 2 6

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CHAPPELL & CO., 50 NEW BOND STRE E T.

Printed by GBORGE ANDREW SPOTTISWOODE, of No, 12 James Street, Buckingham Gate, in the Parish of St. Margaret, in the City of Westminster, at No.5 New-street Square.

in the Parish of St. Bride, in the City of London. Published by JOHN BOOSBY, at the Office of Boosry & Sons, 28 Holles Street.- Saturday, March 1, 1862.

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'm " The Worth Of Art Appears Host Eminent In Music, Since It Requires no Material, No Subject-matter, Whose Effect MUST BE Deducted: It Is Wholly Form And Power, And It Raises And Ennobles Whatever It Expresses " — Go the.

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