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our conviction being founded on the author's freedom from conventional trammels, the strong good sense of his opinions, the novelty and yet evident soundness of his precepts, and the conciseness and practical value of his examples and exercises, of which every note is dictated by a clear and definite purpose. The influence of Signor Ferrari's method of forming and cultivating the voice, as it is explained in this treatise, is enhanced by the efficacy of his personal lessons in his practice as one of the most eminent teachers of the day; and this work has consequently come into general use as a manual of vocal instruction, not only in the metropolis but throughout the kingdom. In this new edition the author has made various important additions to the work, especially to the Exercises. Formerly they were confined to soprano or tenor voices; exercises for one voice being also available for the other. But, for the contralto, or the barytone, provision was not made. This desideratum is now supplied, partly by means of entirely new exercises, partly by giving the old exercises likewise in transposed keys, and partly by adapting the soprano exercises also to the contralto or barytone, by the insertion of alternative passages in small notes. By these means the utility of the work is very greatly increased. We have said that the remarkable qualities of this book are the author's freedom from conventional trammels, the strong sense of his opinions, and the novelty yet evident soundness of his precepts; and this we will show by quoting, unconnectedly, a few passages which cannot fail to strike every reader.Daily News.

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A GRAND ROMANTIC OPEra in three ACTS;;

THE LIBRETTO WRITTEN BY J. V. BRIDGEMAN ;

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TOO

OFTEN."

12.

Trio,

13.

Trio,

COMPOSED BY HOWARD glover.

131.

Cabaletta,

14.

Duettino,

144.

Recitative,

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15.

Air,

16.

Duet,

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Drinking Song,

18.*

Ballad,

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19.

Finale, Act II.

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2s. 6d.

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"What man worthy of the name."

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2s. 6d.

21.

Concerted Piece

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3s. Od.

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"IN MY CHATEAU OF POMPERNIK. Aria Buffa.

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Sung by Herr FORMES 3s. Od. "Mr. Glover's operetta is a decided, and, what is better, a legitimate, 'hit.' The songs before us have already attained a well-merited popularity. The monks were jolly boys' is as racy as the best of the old English ditties, harmonised with equal quaintness and skill, and thoroughly well suited to the voice of Herr Formes. 'The love you've slighted still is true' (for Mile. Jenny Baur) has a melody of charming freshness. Not less a model ballad in its way is A young and artless maiden' (for Herr Reichardt), which sets out with an elegantly melodious phrase. Perhaps more to our liking, however, than any of the foregoing, excellent and genuine as they are, is Love is a gentle thing' (for Miss Emma Heywood), which enters the more refined regions of the ballad-school, and attains an expression as true as it is graceful. The opening holds out a promise which the sequel entirely fulfils. We shall look with real interest for the remaining pieces of "Once too Often."-Musical World.

I NAVIGANTI (The Mariners).

BY ALBERTO RANDegger.

This popular Trio (for soprano, tenor and bass) sung by Miss Anna Whitty, Mr. Tennant and Herr Formes, on their tour through the provinces, and by Madame Rudersdorff, Mr. Dunn, and Mr. Weiss at the Cork Festival, is published, price 4s. by DUNCAN DAVISON & CO.

"In the composition of this unaffected and graceful trio (which is inscribed to those excellent professors of the vocal art, Sig. and Mad. Ferrari), Mr. Randegger has shown not only the melodic gift, and the knowledge of how to write effectively for voices, but a thorough proficiency in the art of combination, and, as it were, a dramatic spirit, which might win favour for an opera from his pen. Each voice (tenor, basso and soprano). In the order in which they enter, has an effective solo, followed by an ensemble (or 'tutti') for the three voices in the major key (the trio begins in C minor), the whole terminating with a coda, sotto voce,' the effect of which, if smoothly rendered by three good singers, must be as charming as it is new. The more of such 'terzettinos' the better."-Musical World.

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"With emotion past all feeling."

N.B.-Those marked thus (*) have transposed Editions.

Favourite Airs from Balfe's Opera, "The Puritan's Daughter," arranged by W. H. Callcott, in 2 Books

Solos, 5s.; Duets 6 0

4 0 · 3 0

· 4 0

3 0

W. H. Holmes's Fantasia, "The Puritan's Daughter'
Brinley Richards's "Bliss for ever past."
Brinley Richards's Fantasia on the Favourite Airs
Galop, from The Puritan's Daughter," arranged by C. Coote -
The Storm Valse, from "The Puritan's Daughter," arranged by C. Coote
Quadrille, from "The Puritan's Daughter," arranged by C. Coote
Küne's Fantasia on "The Puritan's Daughter."

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Other Arrangements in the Press.

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London: ADDISON, HOLLIER & LUCAS, 210 Regent Street

- 4 0 4 0

4 0

THE MUSICAL STUDENT'S MANUAL, Combining

ing of Vocal Music, by THOMAS MURBY, Editor of the "Golden Wreath," "New Tunes to Choice Words," &c.

Div. I.-Relating to Sound, pp. 136, price 2s.

Div. II.-On Rhythm, to complete the Work, will be published shortly.

The "Manual" is used as a text-book at the Borough Road, Stockwell and Westminster Training Colleges.

"One of the best elementary books for learning music, as a science, that we have yet seen. It is very cheap."-Globe.

"The subject is treated with clearness and ability. The difficulties of almost every page are cleared up as the journey proceeds, and the learner feels himself in company with a fellow-student, who, being slightly in the advance, blandly beckons him on."Critic.

"New Tunes to Choice Words." Second Edition. 32 Easy, Original, Juvenile four-part Songs, cloth 8vo, ls. 6d.

"So widely known and prized in schools."-Educational Record. Messrs. BOOSEY & SONS, 28 Holles Street, W.; Messrs. GROOMBRIDGE & SONS, Paternoster Row.

COLLARD AND COLLARD'S NEW WEST-END

ESTABLISHMENT, 16 Grosvenor Street, Bond Street, where all communications are to be addressed. Pianofortes of all classes for Sale and Hire. City Branch, 26 Cheapside, E. C.

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able for the youngest performers.

THE ENGLISH SONG-BOOK. Price 4s. splendidly

THE

bound, contains 44 Songs by BALFE, HATTON, LINLEY, MORI, Loder, WRIGHTON, &c., all with Pianoforte Accompaniments.

THE OPERA SONG-BOOK.

THE

Price 4s. handsomely

bound, gilt edges, contains 36 Songs by BELLINI, DONIZETTI and VERDI; all with English Words and Pianoforte Accompaniments.

THE GERMAN SONG-BOOK. Price 4s. handsomely

all with English Words and Pianoforte Accompaniments.

BOOSEYS' SHILLING TUTORS for Ladies' Voices,

Male Voices, Pianoforte, Harmonium, Violin, Flute, Cornet-a-Piston, English and German Concertina, by the best Professors. All music size, 24 to 36 pages each, 1s.

LOCKE'S MACBETH, Sixpence. Booseys' complete

ment.

Edition of Locke's Music to "Macbeth," in Score, with Pianoforte Accompani-
Price Gd.

THE HARMONIUM MUSEUM. A Third Edition of

and Secular subjects by the greatest masters. Arranged for Harmonium by NORDMANN, with an introductory article by HENRY SMART, for the use of persons unacquainted with the instrument.

BOOSEYS' FIFTY SHORT VOLUNTARIES for the

Harmonium. Price 3s. 6d. in cloth. Arranged by NORDMANN, from the works of HAYDN, MOZART, MARCELLO, BEETHOVEN, HANDEL, BACH, HASSE, NAUMAN GLUCK, SIROLI, GRAUN, WOLF, CALDARA, CIAMPI, BASSANI, &c.

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THE OPERA COMPLETE, BOUND IN CLOTH, 25s.

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Printed by GEORGE ANDREW SPOTTISWOODE, of No. 12 James Street, Buckingham Gate, in the Parish of St. Margaret, in the City of Westminster, at No. 5 New-street Square, in the Parish of St. Bride, in the City of London. Published by JOHN BOOSEY, at the Office of BOOSEY & SONS, 28 Holles Street.-Saturday, March 1, 1862.

"THE WORTH OF ART APPEARS MOST EMINENT IN MUSIC, SINCE IT REQUIRES NO MATERIAL, NO SUBJECT-MATTER, WHOSE EFFECT MUST BE DEDUCTED: IT IS WHOLLY FORM AND POWER, AND IT RAISES AND ENNOBLES WHATEVER IT EXPRESSES” — "-Göthe.

SUBSCRIPTION-Stamped for Postage-20s. PER ANNUM

Payable in advance by Cash or Post-Office Order to BOOSEY & SONS, 28 Holles Street, Cavendish Square, London, W.

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THE ART-WORLD.

NEW ILLUSTRATED ART PAPER.

On SATURDAY, March 1, 1862, price FIVEPENCE (Stamped for Post Sixpence),
No I. of

THE ART-WORLD, AND INTERNATIONAL EX-
Ornamental Art and Manufactures, Engraving, Photography, Poetry, Music, the
Drama, &c. Edited by HENRY OTTLEY, assisted by Writers of Eminence in the vari-
ous departments of art.

"Everywhere I see around me

Rise the wondrous WORLD OF ART."-LONGFellow.

This Journal will give a faithful report of all the productions and doings in the whole circle of the Fine and Decorative Arts-Original Articles upon the History of Art, and the interests of Artists in their profession; Reviews of New Books relating to Art and Belles-Lettres; besides a summary of the proceedings of Artistic and Learned Societies, Art On-dits, Notes of Important Sales of Works of Art and Vertù, Correspondence, &c., copiously illustrated in a novel style.

The tone of criticism in THE ART-WORLD will be candid and impartial; intolerant of glaring error and presumptuous mediocrity; generous and encouraging in every case where merit or promise is recognised.

The contents of the International Exhibition of 1862, coming within the scope of Fine or Decorative Art, will be amply described and illustrated in THE ARTWORLD. Each Number of THE ART-WORLD will contain thirty-two handsome pages, printed in the best style upon paper of a fine quality.

Published by S. H. LINDLEY, at the Office, 19 Catherine Street, Strand, where communications for the Editor, Advertisements, &c., are to be addressed; and by KENT & Co., Paternoster Row.

ADAME SAINTON-DOLBY begs to announce that

ΜΑ

her MEETINGS for SINGING CONCERTED MUSIC (for Ladies only), will be held on every Monday and Thursday throughout the season.

Particulars can be obtained at Mad. SAINTON-DOLBY's residence, where the meetings take place, 5 Upper Wimpole Street.

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Street, W. (by the kind permission of Messrs. Collard), on the Mornings of Tuesday,
March 25th, and April 8th, and Monday, May 26th, commencing at three o'clock.
Executants: Violin, M. SAINTON, Mr. CLEMENTI and Mr. CORRODUS; Viola, Mr.
H. WEBB; Violoncello, Sig. PEZZE; Contrabasso, Mr. C. SEVERN; Pianoforte, Mr.
DEACON.

Tickets, for the Series, One Guinea; for a Single Séance, Half-a-Guinea; to Admit
Three to a Single Séance, One Guinea; to be had of Mr. R. W. Ollivier, 19 Old Bond
Street, W.; or of Mr. Deacon, 72 Welbeck Street, Cavendish Square, W.

MESSRS KLINDWORTH,

H. BLAGROVE,

DEICHMANN, R. BLAGROVE and DAUBERT'S CONCERTS FOR
CHAMBER MUSIC (Second Season). FIRST CONCERT on Tuesday Evening,
March 11th, at the Hanover Square Rooms, at Half past Eight o'clock.
Programme:-Trio, Volkmann; Air, Armida, Gluck; Sonata in A, Bach; Stringed
Trio in G. Beethoven; Songs, Chorley, Mendelssohn; Trio, Franck.
Vocalist: MISS BANKS. Tickets for the Series 17. Is., Single ditto, 10s. Gd., to be had
of the principal Musicsellers and the Concert.givers..

PHILHARMONIC SOCIETY. FIRST CONCERT, on

MONDAY, March 10, at the Hanover Square Rooms. Jubilee Overture (Weber);
Concerto in A minor, Violin, HERR JOACHIM (Viotti); Sinfonia, Eroica (Beethoven);
Overture (Schumann); Solo, Violin HERR JOACHIM; Overture, Faniska (Cherubini);
Vocalists, MAD. GUERRABELLA and MISS LASCELLES. Conductor Professor STERNDALE
BENNETT.
Subscriptions received by Messrs. Addison, Hollier & Lucas, 210 Regent Street.

MLLE. GEORGI is now at liberty to Accept Engage- ROYAL ACADEMY OF MUSIC.-The First CON

ments

for Concerts, &c., &c.

All Communications to be addressed to Mr. H. Jarrett, Musical and Concert Agent, at Messrs. Duncan Davison & Co.'s Foreign Music Warehouse, 244 Regent Street, W.

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CERT by the Students (Season 1862) will take place at the Hanover Square Rooms, on Saturday, March 15th. To commence at Two o'clock.

Single Reserved Tickets, 5s.; Unreserved Tickets, 2s. 6d.; to be obtained of Messrs. Cramer, Beale & Co.; Addison, Hollier & Lucas, Regent Street; Cocks & Co., New Burlington Street; Chappell & Co. and Cock & Co., New Bond Street; Lonsdale, Old Bond Street; Keith & Prowse, Cheapside; and at the Institution, 4 Tenterden Street, Hanover Square.

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Her Most Gracious Majesty the QUEEN.

The HUNDRED and TWENTY-FOURTH ANNIVERSARY FESTIVAL

MR. F. SCOTSON CLARK begs to
R. F. SCOTSON CLARK begs to inform his Pupils will take place on SATURDAY, March 15, 1862, in the Freemasons' Hail.

All communications are requested to be addressed to him to the care of Messrs.
Duncan Davison & Co., Foreign Music Warehouse, 244 Regent Street, W.

BIRKENHEAD MUSIC HALL COMPANY

(LIMITED). The Directors are prepared to receive APPLICATIONS for the Use of the BALL, for Concerts, Balls, Lectures, Public Meetings, Private Parties, Soirées, &c. The Large Room in the Hall is calculated to seat between 600 and 700 people, and the Small Rooms above 200.

For further particulars apply to JOSEPH COVENTRY, Secretary, 19 Sweeting Street, Liverpool.

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PRESIDENT OF THE DAY,

The Right Hon. the EARL of WILTON, G.C.H.

The musical arrangements will be on the usual extensive scale. Tickets, One
Guinea each (including Wine Champagne, Claret, &c.), to be had of the Commit-
tee at the Freemason's Tavern, and of the Secretary, 213 Regent Street, W.
Dinner at Half-past Five for Six precisely.

210 Regent Street, W.

STANLEY LUCAS, Secretary. GODDARD'S NEW PIECE,

BOOSEY & SONS, Holles Street.

MISSHARABELL BENFOR. Performed by her at the Hausfors

Concert, March 6th.

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