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DUSSEK and WCELFFL. — The two Sonatas, Plus Ultra and Ne Plus Ultra, as performed by Miss Arabblla Goopard, edited by J. W. Davison, in one Volume, with biography of each Composer. Price 4s.

MOORE'S 73 IRISH MELODIES "for PIANOFORTE Solo, by Nordmann. Price 2a. Cd. music size.


l Home," " Lillie Dale," and'• The last Rose of Summer," in one book, large size. Price 2s. 6d.

THE CHRISTY'S MINSTRELS' SONG-BOOK. Price 4s. superbly bound in blue cloth, gilt edges, contains 60 Christy's Mintrels' Songs, with Choruses and Pianoforte Accompaniments.

rpHE BALL-ROOM MUSIC-BOOK. Price 4s. superbly

A. bound, gilt edges, contains 40 Polkas, 50 Valses, 10 Galops, 2 Varsovianas, 2 Schottisches. and 12 complete Sets of Quadrilles.

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THE GERMAN SONG-BOOK. Price 4s. handsomely bound, gilt edges, contains 48 songs by Mknuulxsohn, Klcken and Schubert; all with English Words and Pianoforte Accompaniments.

BOOSEYS' SHILLING TUTORS for Ladies' Voices, Mule Voices, Pianoforte. Harmonium, Violin, Flute, Cornet-a-Piston, English and German Coucertin.i, by the best Professor*. All music size, 24 to 36 pages each. Is.

LOCKE'S MACBETH, Sixpence. Booseys' complete Edition of Locke's Music to " Macbeth," in Score, with Pianoforte Accompaniment. Price Gd.

THE HARMON!UM MUSEUM?" A Third Edition"of this unrivalled work is now ready, price tr. 6x1., in cloth, containing 100 Sacred and Secular subjects by the greatest masters. Arranged for Harmonium by Noromann, with an introductory article by Henry Smart, for the use of persons unacquainted with the Instrument.

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f-Jv_/ Organ, o, Pianoforte, suitable for every description of metre, with the Rev. W. J. Hall's Selection of Words. Price Gd.


HENRY SMARTS CHORAL BOOK, containing a Selection of Tunes, harmonised in a variety of ways to suit the different sentiment of the words to which they are adapted. Price ISs. cloth.

WAGNER'S TANNHAUSER. Complete Edition for Pianoforte. 7s. 6d. in cloth.


J_Vl THE VIOLIN. New Edition, music sise.


book, music size, price 3s. Cd. BOOSEY'S 100 WALTZES, by SraAUM, LanNeb and Labitzkv, for Pianoforte, including the best specimens of each composer.

HE OPERATIC ALBUM. Containing One Hundred


Is. containing Sixteen popular Airs, arranged for the Pianoforte, in addition ta a Set of Quadrilles, Valse, Polka, Galop and Mazurka, all fingered .and suitable for

Traviata, Rigoletto, Ernani, Les Vepres Sicilicnnes. Sonnambula, Norma, Puritans, Don Pasquale. Lucrezia Borgia, Lucia di Lammennoor, Linda ii Chamouni, Etisire d'Amore, Fille du Regiment, Robert lc Diable, Les Huguenots. Arranged by Rudolf Norumann. Splendidly Illustrated, and handsomely bound in satin, price One Guinea.

THE VERDI ALBUM. A Collection of Twenty-five popular Songs from Verdi's Operas, in English and Italian, including many beautiful Composition*, hitherto unknown in this country, and arranged in such a manner as to suit nearly every description of voice. Illustrated with a Portrait of Verdi, on India paper. Splendidly bound in crimson cloth and gold. Price 7s. Gd.

THE CLASSICAL PIANOFORTE ALBUM. Price One Shilling, contains Thirty easy Pieces, compose 1 for the Pianoforte by Mozart, Beethoven, Weber, Mendelssohn, Hummel, Clementi, Dcssek, and Stbihelt, all fingered and suitable for the youngest performer.


iet c

the youngest perforine s.

THE GOLDEN WREATH, a Book of 28 Songs for Children, with words of the most attractive character, set to popular melodies. Price Is., or in cloth gilt edge", price 2s.

BOOSEYS' NATIONAL DANCE - BOOK. Price 2s. (id., in Fancy Cover, containing one Hundred Reels, Highland Flings, Jigs, Sir Roger tic Coverley, and Country Dance*, newly arranged for the Pianoforte, form* ing the most useful collection of Dance Music evft published. 2s. (id.

1000 S0NGS and DANCES for the VIOLIN,

IN' \J V.T superbly I ound in cloth, gilt odi?es. Price lOs.Gd.

BOOSEYS' INSTRUMENTAL SERIES, in cloth volume; 1b. Gd. each 200 Christ.'s for Violin. 200 Dances for Violin. 200 Sonts

for Violin, V00 English, Irish and Scotch Airs Tor Violin, 200 Dances and Songs for, Flute, 200 Dances and Songs for Cornet, 200 Dances for Concertina, 200 Melodies for Concertina, 200 Christy's lor German Concertina, 200 Dances and Songs for German Concertina.

KUHE'S BRIGHTON ALBUM. Price 4s. contains the Six best Pianoforte Composition* of this favourite Author,music size.


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THE MODEL PIANOFORTE TUTOR, containing the Elements of Music, all the Scales and chords. 24 Popular Melodies, 25 Exercises by Cbbkky, 75 Exercises by Hebz, and a Fantasia by Bbinlby Richabdi. Price 4s.

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"The Worth Of Art Appears Host Eminent In Music, Since It Requires No Material, No Subject-matter, Whose Effect Must Be Deducted: It 18 Wholly Form And Power, And It Raises And Ennobles Whatever It Expresses" Gotllt.

STTBSCBIPTION—Stamped for Postage—20s. PEE ANNUM Payable in advance by Cash or Post-Office Order to B00SEY & SONS, 28 Holies Street, Cavendish Square, London, W.

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23rd, 25th & 27th JUNE, 1802. J


Arrangements, with View of Orchestra of Four Thousand Performers and Block Plan of Beserved Seats, hits been issued to the entire Post Office Court Directory, the Clergy List, the principal Clubs, the London and Country Press, all Railway Station Masters throughout the Country, and very extensively through other channels —Metropolitan, Provincial and Contiuental.

Persons or Institutions in England or abroad, not comprised within the above Issue may receive the Programme on application at No. 2 Exeter Hall; If by letter, also enclosing the requisite stamps for two ounces, book-post.

Intending purchasers of tickets are reminded that the Ticket Offices at the Crysta1 Palace and at Exeter Hall will be open for the selection and disposal of Reserved Stall Tickets on Monday Morning, the 3rd of March. *

From the number of names on the register for early information, and from the large Increase of visitors to London for thelnternation.il Exhibition, which will be in full operation during the time of the Festival, it is requis'te to remind persons preferring seats in any particular block, that it is most essential they should apply as early as possible after the opening of the subscription books on the 3rd of March.

To ensure an equally fair issue of tickets to applicants from a distance, the Committee pledge themselves to allot the tickets alternately to personal or written applications, if accompanied by a remittance for the requisite amount. Post Office Orders and Cheques to be payable to the order of George Grove, Esq. •

The price of tickets is Two and a-half Guineas the Set for the Three Days, or One Guinea for each ticket for One Day. A few Stalls will be reserved in each Comer Gallery at Five Guineas the Set.


NEW ILLUSTRATED ART PAPER. On SATURDAY, March 1, 1862, price Fivepence (Stamped for Poit Sixpence), No 1. of

THE ART-WORLD, AND INTERNATIONAL EXHIBITOR: a Weekly Illustrated Journal of Painting, Sculpture, Architecture, * Art and Manufactures, Engraving, Photography, Pr * Edited by Henry Ottlky, assisted by Writers of.' i of art.

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oetry. Music, the Eminence in the varl

** Everywhere I see around me
Rise the wondrous World Op Art."—Longfellow.

'This Journal will give a faithful report of all the productions and doings In the whole circle of the Fine and Decorative Arts—Original Articles upon the History of Art, and the interests of Artists in their profession ; Reviews of New Books relating to Art and Belles- Lett res; besides a summary of the proceedings of Artistic and Learned Societies. Art On-dlts, Notes of Important Sales of Works ,of Art and Vertu, Correspondence, \'c, copiously illustrated in a novel style.

The tone of criticism In THE ART-WORLD will be candid and Impartial; intolerant of glaring error and presumptuous mediocrity ; generous and encouraging in every case where merit or promise Is recognised.

The contents of the International Exhibition of 1862, coming within the scope of Fine or Decorative Art, will be amplv descrihed and illustrated in THE ARTWORLD. Each Number of THE ART-WORLD will contain thirty-two handsome pages, printed in the best style upon paper of a fine quality.

Published by S. H. Lindlby, at the Office, 19 Catherine Street, Strand, where communications for the Editor, Advertisements, &c, are to be addressed; aud by Kent & Co., Paternoster Row.


THE BROTHERS BOOTH beg to announce to the Nobility, Gentry and the Public generally, that, owing to the very flattering reception they received at their Grst Concert in England In November last, they arc induced again to appear at the above elegant Hall, on Monday, February 24th, 1302, on winch occasion they have secured the assistance of the following eminent artists:—

Vocalists: Miss Eleonoba Wilkinson, Miss Marian Wheatley, Mr. Tennant, and M. Raymond.

Instrumentalists: Solo Violin, Herr Albert Booth and Herr Otto Booth; Solo Violoncello and Guitar, Herr Ferdinand Booth ; Solo Pianists, Mr. G. F. Kiallmark and Herr S. Lchmeyer.

Concert to commence at 8 o'clock precisely. Doors open at Half.past 7.

Tickets: Stalls and Balcony Stalls, 3s.; Reserved Scats and Balcony-Reserved, 2s.; Body of the Hall, Is. To be had at the Music Warehouse of Mr. F. Copley, Westboume Grove ; and at Messrs, Booths* residence, 39 Clarendon Road. Nottlng Hill; and on the evening of the Concert at the entrance of the Westbourne Hall.

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ST. JAMES'S HALL. — MISS MARTIN has the honour to announce her Grand Evening Concert on Tuesday, March 4tb, at Eight o'clock.

Vocalists: Miss Bamks, Miss Martin, Miss M. Bhadshaw; Mr. Wilbyb Coopek, Mr. Walton Smith, Mr. A. T. HAttacks, Mr. Allan Ikvikq.

Instrumentalists: Pianoforte Miss Fanny Howell J Flute, Mr. li. S. PrattEn; Violin, Mr. W. Watson; Violoncello, Mr. Aylwabd.

Conductors: Mr. E. J. Hopkins and Mr. Aylwabd,

Sofa Stalls, 6s. Balcony, 2s. Cd. Area is.

Tickets at Austin's Ticket Oflice, 28, Piccadilly; Addison, Hoi.LlEfl & LrcAS, 210 Regent Street; Keith, Prowsk & Co. 48, Chenpside; Puuday, St. Paul's Churchyard; and of the Manager, Thomas Headland, 9 Heathcote Street, W.C.

26th, at 8 o'clock precisely, adn


Members are I


FOURTH SEASON, 1862.—THE FIRST TRIAL of NEWT CHAMBER COMPOSITIONS will be held at the Marylebone Institution, 17 Edwards Street, Portman Square, on Wednesday Evening next, February 'precisely.

.milted on presentation of their Ticket for 18G2. Tickets not trans

N.B.— EveningDrtss not necessary.

CHARLES SALAMAN, Hon. Sec., St. James's Hall, W. 30 Baker Street, Portman Square.


FOURTH SEASON, 1862.—The Members are hereby informed that the CHORAL PRACTICES will be resumed at the Marylebone Institution, 17 Edwards Street, Portman Square, on Tuesday Evening, March 4th, at S o'clock precisely; and that they will be continued on the following Tuesday Evenings, vir.:—Mnrchr»th,|llth, 18th, 25th; April'Ut, 8th, 16th, 29th; May 6th, 13th, 20th, 27th; June 3rd, 10th, 17th, 24th; July 1st; November 4th, 1Kb, Istif, 25th; December 2nd, 9th, 16th. ^ Members will be required to produce their Tickets for 1*62.1 fj N.B.—Tickets not transferable Chorus Director, Mr. HENRY SMART. \J

CHARLES'SALAMAN. Hon. Sec, QM St. JameB's Hall, W. 36 Baker Street, Portman SquagJ *j

MSAINTON begs to announce that his ANNUAL • SOIREES, for the performance of CLASSICAL CHAMBER MUSIC, will take place at his residence, 5 UpperWimpole Street, on the following dates, at half- past eight o'clock : Tuesdays, March, 4,18, April, 1, and Wednesday, April 23.

Executants : Messrs. Sainton, Polutsxu, Doyle, Webb, Paqus and Piatti. A pianist of eminence will appear on each occasion.

Subscription for the Series, one guinea and a half; for a single source, half a guinea, to be had of M, Sainton at his residence, and of the principal Muticsellers.

MADAME SAINTON-DOLBY begs to announce that her MEETINGS for SINGING CONCERTED MUSIC (for Ladies only), will be held on crcry Monday and Thursday throughout the season.

Particulars can be obtained at Mad. Sainton-dolby's residence, where the meetings tako place, 5 Upper Wimpolo Street, j

MLLE. GEORGI will sing at the Grand Concert to be given on Wednesday Evening, the 2Gth instant, in St. James's Hall, for the Beiwflt of the BEREAVED WIDOWS AND CHILDREN of those who were killed by the dreadful accident at the HAUTE Y COLLIERY.

MANCHESTER.—Mr. BRINLEY RICHARDS has been engaged by the Cambrian Society to play his WELCH FANTASIAS at their Festival, on St. David's Day. These publications may be had or Robert Cocks & Co., Publishers ^of the "Recollections of Wales "for the Pianoforte, in 13 Nos., 3s. each, or in one volume, bound, 21s—New Burlington Street.

MESSRS. KLINDWORTH, H. BLAGROVE, DEICHMANN, R. BLAGROVE, and DAUBERT'S CONCERTS of CHAMBER MUSIC (Second Season), at the Hanover Square Rooms, on Tuesday Evenings, March 11 and 29, and April 8.

Programme of the first Concert: Trios by Volkhann and Franck, Beethoven's Trio for Violin, Viola and Violoncello in G, and Sonata (bach). Vocalist, Miss Basics.

Subscription Tickets, 1/. Is.; Single Tickets, IN. fid.; Family Tickets to admit three to ouc Concert, One Guinea, to be obtained at the principal Music Warehouses, and of the Concert-givers.

THE MUSICAL STUDENT'S MANUAL, Combining the Essential Elements of Musical Knowledge, with a succinct guide to the reading of Vocal Music, by Thomas Mi'rby, Editor of the "Golden Wreath," "New Tunes to Choice Words," &c,

Div I Relating to Sound, pp. 136, price 2t.

Dn. Ir..- On Rhythm, to complete the Work, will be published shortly.

The " Manual " is used as a text-book at the Borough Road, Stockwell and Westminster Training Colleges.

** One of the best elementary books for learning music, as a science, that we have yet seen. It is very cheap.*'—Globe.


witl Critic,

'* New Tunes to Choice Words." Second Edition, 32 Easy, Original, Juvenile four-part Songs, cloth Uvo, Is. 6il.

"So widely known and prized in schools."—Educational Record.

Messrs. Bih Sby St Sons, 26 Holies Stroet, W.; Messrs. Groombridge & Sons, Paternoster Row.

COLLARD AND COLLARD'S NEW WEST-END ESTABLISHMENT. 16 Grosvenor Street, Bond Stream where all communications are to bo addressed. Pianofortes of all classes for Sale and Hire.

City Branch, i6 Cheapside, E. C.

ASHDOWN and PARRY (successors to Wessel and Co.) beg to inform the Profession that they forward Parcels on Sale upon receipt of references in town. Returns to be made at Midsummer and Christmas.

Their Catalogue*, which contain a great variety of Music calculated for teaching purposes, may be had, post-free, on application.

London: IS Hanover Square.

JFINCHAM, Organ-pipe Maker, Voice, and Tuner, • 110 EUSTON ROAD, LONDON.

Amateurs and the Trade Supplied at the Lowest Terms.

TO COMPOSERS ABOUT TO PUBLISH..-- J. H. JEWELL, Music Publisher, undertakes the Printing and Publishing of every description of Musical Work, greatly under the usual charges. Estimates given. 104 Great Russell Street, Bloomsbury, W. C, near the British Museum.

BIRKENHEAD MUSIC HALL COMPANY (limited) The Directors are prepared to receive APPLICATIONS for the

Use of the HALL, for Concerts, Balls, Lectures, Public Meetings, Private Parties, Soirees, &c. The Largo Room in the Hall is calculated to seat between 600 and 700 people, and the Small Rooms above 200.

For further particulars apply to Joseph Coventry, Secretary, 19 Sweeting Street, Liverpool.

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MUSIC IN BERLIN. (From our own Correspondent.} There has been little novelty at the Royal Opera House lately, the attractions having consisted of Nurmahal, La Fille du Regiment, and the Lac des Fees. In the last-named Mad. Masins-Braunhofcr sustains the part iof the fairy Zeila, and makes more of it, both vocally and dramatically, than any of her predecessors whom I have seen undertake it here.

Leaving the stage awhile for the concert-room, I have to chronicle the third Soiree for Chamber Music, given by Herren Zimmermann and Stahlknecht, a very agreeable entertainment, with regard to the pieces selected, as well as to the manner in which they were executed. Among the old favourites were Schubert's Pianoforte Trio, Op. 100, and Beethoven's Quartet in F major. In the way of novelty, there was a Quartet by Herr Stahlknecht, of which I am inclined to think favourably. Herr Becker, who is well known as a violinist in Paris, and, if I mistake not, in London', has produced a favourable impression of his talent, on the occasion of his first appearance here, when he played some Paganinian variations, and Mendelssohn's Violin-concerto. In the former he astonished the general public; in the latter he proved his right to be considered a musician fit to interpret the works of the giants of art. The programme of the fourth Sinfonie-conccrt, by the Royal Chapel, comprised Beethoven's Overture to King Stephen, Mozart's Symphony in G minor, the "Reigen secliger Geiste," from Gluck's Orpheus, Cherubini's Overture to Anacreon, and Beethoven's Symphony in C major — a goodly array, as I am prepared to assert against all comers, although, it is true, the first-named overture was u piece de circonstance, and is one of the least vigorous compositions that ever came from the pen of the mighty master. Gluck's contribution delighted the audience so much that they insisted on its repetition, yet, to my mind, the effect would have been greater still, had the well-known "Dance of Furies," from the same opera, been played first, as on former occasions. Cherubini's overture to Anacreon—one of the show-pieces, by the bye, of the Royal Chapel—fully maintained its old popularity. That both symphonies were performed in a manner worthy of this celebrated band, it is perhaps, superfluous to add. That of Beethoven's I never heard more beautifully rendered. At the third concert of the Singacademic the attraction was Blumncr's oratorio of Abraham, first performed by the Society in March 1860. The choruses were given with great precision, and materially enhanced the effect of the solos, in which, on the present occasion, Herr Krauso, ui


A large number of invitations was issued for the last Court Concert, in the White Hall of the Royal Palace, M. Meyerbeer, Royal Musical Director-general, acting as conductor. The first piece in the programme was Beethoven's overture to Coriolanus; then followed the "Waltz-song," from M. Gounod's Faust, sung by Mile. Luccu, and the "Inflammatus," from Rossini's Stabat Mater, by Mad. Koster. The first part was brought to a conclusion by the "Miserere," from // Trovatore. The second part began with the introductory music and bridal chorus from Lohengrin. Next came G. M. Gounod's " Ave Maria," sung by Mad- Koster, with violin accompaniment by Herr Becker; and finally M. Meyerbeer's imposing "Coronation March," performed by two orchestras, the effect of which was exceedingly grand.

Mozart's birthday, the 27th January, was allowed to pass over without any particular demonstration on the part of amateurs and professors here. About the only exception was the performance of the overture to Die Zaubeiflole, and the Symphony in C with Fugue (Jupiter), at the fifth Soiree for classical orchestral music, given by Herr Liebig.

Herr Hans von Billow has returned from the Netherlands, where, according to report, he was very successful; but then Herr von Biilow is pianist to the king, and the good Netherlander, like the Germans, have great respect for any one who is "Kbniglicher" this, or "Hof" that. The gentle musician's cheval de balaille appears to have been Liszt's Transcription of the waltz from M Gounod's Faust, which he played at almost every concert. He is loud in praise of the orchestras in Holland.

The Italian performances at the Royal Opera House were brought to a close a few days since. A season of three months in Berlin may be taken as a fair test of the capabilities of the company; the mere fact that the original term agreed on, namely, two months, was extended to three, is a convincing proof of their excellence. Yet an attentive observer could easily perceive the difference between this year and the preceding ones. There was no such lively interest as in the previous season, and scarcely any enthusiasm, while, when there was any manifestation of the latter feeling, it was confined to a few individuals. Whence arose this coolness?

* Monday Popular Concerts, to wit.—Ed,

Whence sprang this sudden want of sympathy? Were not the greatest female artists in the world assembled here? Was not the favourite of favourites with the Berlin public, namely, Zelia Trebelli, again engaged? Were not the Sisters Marchisio, and Adelina Patti, who was preceded by so brilliant a reputation, worthy of the most lively interest? We must seek for the reasons of public apathy in some other circumstance. Many will assert that the want of a good tenor was the principal cause. Without absolutely denying the truth of this assertion, I believe it cannot be logically maintained. I must, therefore, seek some other reason. For two years, the public had given itself up to the intoxicating excilementof Italian music; raving about La Traviata; in raptures with Rigoletto ; worshipping 77 Trovatore. I mean, of course, only the great mass of the public, for competent judges were invariably calm and moderate. Without wishing to dispute the excellences of the above operas, to which some few others might be added, I say that, for German tastes, they do not, in the long run, possess sufficient attraction to create a lasting enthusiasm. Accomplished singers appeared and charmed the public, and, in the general excitement, even persons of less talent were accounted great. Such was the state of Italian operas in past years, a state which justified Eugenio Merclli, who could call the greatest artistic celebrities his own, in looking forward, full of hope, to the season just over. But circumstances had changed. The result of two years' rapture was a marked reaction; and now ensued a want of interest, bordering upon apathy. Much has been said and written for and against Italian Opera in Berlin. Some thought it uncalled for, while others regarded it as a necessity in "the metropolis of art."' Without adopting either of these views, I confine myself to facts, and, from the experience gained, believe I am justified in saying that a mediocre Italian company dares no longer show itself here, and that even the combination of first-rate artists, such as we had last season, would find it difficult to maintain a position for any lengthened period. A retrospective glance at the events of the now defunct season, will prove that the impresario Merclli has deserved the thanks of the public, though much is due, on the other hand, to the Intendance-goncral, who, at a large sacrifice, provided a body of singers, such as few Italian theatres in Eurorc could show. Italian Opera has become a matter of fashion; the members of the Parisian beau monde meet each other at the Theatre Italicn, while the rendezvous of the London aristocracy is Covent Garden Theatre. But apart from this national and fashionable view of the case, which, at Berlin, may, perhaps, be placed in the background, an annual and not immoderately extended series of Italian performances possesses attraction for amateurs and professional men; and when artists of first-rate talent are engaged, it is of undoubted value. If, therefore, Herr von Hiilscn made a sacrifice for the sake of art, he ought not to be blamed, but, on the contrary, is entitled to gratitude. By introducing singers of the first class, his object was to give tho art establishment intrusted to his care its proper rank.

The season began with the Sisters Marchisio, who alone sufficed to keep alive public) interest for months. Then there was Mile. Trebelli, who showered out, in a single breath, an entire cornucopia of bravura and solfeggi, entrancing with the nobleness of her style, and conquering With the clear, bell-like tones of her voice. Miles. Ridcri and Brunctti (to proceed) were also valuable acquisitions; and, last not least, Adelina Patti, the girlish vocalist, who speedily transported her English triumphs here, and, by a rich combination of artistic excellences, brought the season to a brilliant conclusion. Six such ladies in one company is almost unexampled, and shows clearly the object of the management of the Royal Theatre to have been the gratification of the public. If we cannot think as favourably of the gentlemen, the reason is that even in Italy thero are not many really great men-singers; and that we must be content with such as can with least discredit fill their place. Signore Zacchi, Agnesi, and Squarcia, were very good, and if the tenors Pancani, Montanaro and Tiberini, were less commendable, a double obligation is duo to Herr Theodor Formes, for having, with such readiness, come to the rescue of the Italian repertory, and enabling Lucia and // Trovatore to be played towards the close of the season.

Sig. Orsini conducted the performances in a manner which showed him thoroughly acquainted with the repertory, the style in which he got up Un Ballo in Maschera especially demonstrating his musical ability.— The Italians have left Berlin, but, it is hoped, only to return next winter and delight us with more that is beautiful and new.



Hamburg.— The members of the orchestra and chorus at the Stadt theatre lately serenaded Herr Neswadba for the great pains he took in getting up M. Gounod's Faust.

* What will Paris say to this t-- Ed.

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