German Expressionist Drama, 10. kötet

abstract accepted action actors appear artistic attempt audience aware became become beginning Berlin called characters clear clearly color completely critics death despite Deutsches direction discussion dramatist early effect essay example experiments express Expressionism Expressionist drama Expressionist plays extremely father figures follows forces Franz Jung German give hand Hasenclever Hence human idea important included individual interest Jung Kaiser's kind Kokoschka's Kornfeld language later leading light literary lived marked means mother move movement nature never performed period plot poet political possible première present problem production protagonist published Quoted reality religious representative result revolutionary scene seems sets shows significance soul spirit stage Sturm style success takes theater theatrical theme Toller's translation true turned vision Werfel whole writes