Gottfried Benn: The Artist and Politics (1910-1934)Herbert Lang, 1976 - 149 oldal This is the first full length investigation of the relationship between Benn's artistic theory, his cultural criticism and his political thinking. With the aid of a carefully applied inductive method and of historical documentation the author provides a convincing picture of Benn's intellectual development until 1934. The latter's conception of art's «autonomy» is shown to be ambivalent, and this ambivalence is placed in the concrete political context of the Weimar Republic. There are also illuminating comparisons with other writers - e.g. Nietzsche, Thomas Mann and Ernst Jünger. The argument is supported by previously unpublished quotations from Benn's Nachlass. |
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9. oldal
... 1933 und 1934 waren eindeutig " , maintains a recent critic . It is beyond dispute that for a year and a half ... pre - 1933 thinking contains impulses which would just as readily suggest antipathy towards National Socialism as sympathy with ...
... 1933 und 1934 waren eindeutig " , maintains a recent critic . It is beyond dispute that for a year and a half ... pre - 1933 thinking contains impulses which would just as readily suggest antipathy towards National Socialism as sympathy with ...
102. oldal
... pre - 1933 thinking , was possible only through an idiosyncratic view of history - a view of history that is inseparable from his theories of creativeness . As Beda Allemann rightly puts it , the historical " mutation " Benn welcomed in ...
... pre - 1933 thinking , was possible only through an idiosyncratic view of history - a view of history that is inseparable from his theories of creativeness . As Beda Allemann rightly puts it , the historical " mutation " Benn welcomed in ...
113. oldal
... pre - 1933 ideas leads her to suggest that these ideas are largely given up in 1933/34 . Thus she falsely asserts : - 17 Benn ist so überzeugt von der produktiven , der verwandelnden Kraft der ' neuen Realität ' , daß er einen ...
... pre - 1933 ideas leads her to suggest that these ideas are largely given up in 1933/34 . Thus she falsely asserts : - 17 Benn ist so überzeugt von der produktiven , der verwandelnden Kraft der ' neuen Realität ' , daß er einen ...
Tartalomjegyzék
Points of Departure Disestablishment and the Norm | 12 |
Benns Artistic Theory 19191932 | 34 |
Benn in the Weimar Republic 19291933 | 58 |
Copyright | |
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Academy Akademie der Künste andere anthropologische Substanz anti-liberal Arbeit art's artistic autonomy artistic creativeness attack autonomous Bekenntnis zum Expressionismus Benn's artistic theory Benn's early Benn's thinking Bernhard Rust bionegative Blut Buddeberg bürgerliche causality civilisation conception context cultural criticism Denken Deutsche deutschen Dichter Dichtung Dieter Wellershoff Doppelleben empirical world Erbmasse Eroberung essay expressed Expressionism Gedicht Gegenvorstellung Geologie Geschichte Gottfried Benn habe Heinrich Mann Herr heute Ibid ideas ideology insistence intellectual irrationalism können konstruktiver Geist Kunst Kunstträger latter Leben Lebensweg eines Intellektualisten literary Literatur Macht Marxist muß National Socialism National Socialist Nazi Nazi régime Nazism neue Staat neuen Nietzsche Nietzsche's Nihilismus norm novella op.cit Oskar Loerke Paul Raabe poem political realities political world politische politischen pre-1933 thinking principle reference rejection relationship remarks Rönne Schöne Jugend Schöpferische self-differentiation Sinn socio-economic sphere spiritual Stil Substanz T. S. Eliot transcendent twenties and early überhaupt Volk völkisch Weimar Republic writes Zeit Züchtung